Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In March 1872, King Arthur of the Sew­ers and Slums embarks on a jour­ney across the Eng­lish Chan­nel, feel­ing com­pelled by a sense of duty and fear that pub­lic inter­est in Mesopotamia may wane. As his ship nav­i­gates the dark waters, Arthur con­tem­plates his moti­va­tions for uncov­er­ing ancient tablets while grap­pling with mem­o­ries of his mother’s ill­ness. Leav­ing Lon­don to seek adven­ture evokes a sense of remorse, as he feels he may be aban­don­ing her. When a fierce hail­storm strikes, Arthur wor­ries about his fate at sea, shar­ing a moment with a chat­ty mer­chant who encour­ages him to embrace the jour­ney.

    Upon arriv­ing in Paris, Arthur is cap­ti­vat­ed by the vibrant city, with its bloom­ing flo­ra and rich his­to­ry that he has only encoun­tered through lit­er­a­ture. Wan­der­ing the ele­gant streets, he rev­els in a sense of free­dom, con­trast­ing his pre­vi­ous life in Lon­don. How­ev­er, he soon con­fronts the stark real­i­ty of pover­ty in the city’s under­bel­ly, notic­ing the dis­mal con­di­tions of the poor­er neigh­bor­hoods. This dichoto­my presents a real­i­ty where wealth allows for leisure­ly liv­ing, while the impov­er­ished strug­gle against the relent­less grind of time.

    Arthur’s explo­ration leads him to the Lou­vre, where he immers­es him­self in Mesopotami­an arti­facts, feel­ing a deep con­nec­tion to his­tor­i­cal relics. After a brief stay, he boards a steam­er for the Mediter­ranean, where he encoun­ters a diverse group of pas­sen­gers, includ­ing a plant hunter head­ed to Bhutan. Despite bat­tling sea­sick­ness, Arthur finds won­der in the vast ocean and the places he pass­es, fuel­ing his desire to uncov­er the miss­ing lines of the Epic of Gil­gamesh.

    Filled with doubt, Arthur grap­ples with feel­ings of inad­e­qua­cy as he pre­pares for his jour­ney to Nin­eveh. How­ev­er, as days at sea trans­form into exhil­a­rat­ing antic­i­pa­tion for the adven­tures ahead, he embraces the thrill of pur­su­ing his long-held aspi­ra­tions, sym­bol­ized by the three mag­i­cal syl­la­bles: Ni-ne-veh. Upon near­ing Con­stan­tino­ple, Arthur is immersed in the stun­ning scenery, but is met with skep­ti­cism from the cap­tain, who warns him of the city’s seduc­tive nature. As he arrives and search­es for the British Embassy, Arthur feels unease at being alone in a bustling, for­eign land, ulti­mate­ly reflect­ing on how past mem­o­ries inter­twine with the fresh expe­ri­ences await­ing him .

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