Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the chap­ter titled “By the Riv­er Tigris, 2014,” Nar­in engages her grand­moth­er in a con­ver­sa­tion about the Flood, a sig­nif­i­cant event in their her­itage. Intrigued, Nar­in asks how it start­ed, prompt­ing her grand­moth­er to recount the tale of a sin­gle drop of water that her­ald­ed the impend­ing dis­as­ter. This drop esca­lat­ed into relent­less rain, ulti­mate­ly drown­ing the land and claim­ing many lives. How­ev­er, they, as Yazidis, were saved by a coura­geous woman named Pira-Fat, who float­ed above the chaos and pre­served their seeds, allow­ing them to repop­u­late the earth after the waters reced­ed.

    Narin’s curios­i­ty expands as she learns there were poten­tial­ly mul­ti­ple Floods: the first affect­ed the chil­dren of Adam and Eve, while the sec­ond direct­ly impact­ed the Yazidis. This lega­cy of sur­vival rais­es ques­tions for Nar­in about divine inten­tions behind such calami­ties. Her grand­moth­er sug­gests these tri­als may serve as cleans­ing events meant to address human mis­deeds but empha­sizes her belief that God’s nature is one of benev­o­lence, steer­ing clear of delib­er­ate pun­ish­ment. She com­pares the world’s ongo­ing chaos to yogurt – still roil­ing beneath the sur­face, sym­bol­iz­ing the cycles of nature and his­to­ry, known as dewr.

    The nar­ra­tive shifts to their fam­i­ly heir­looms stored in an ornate chest, which holds trea­sures like cro­cheted doilies and a dec­o­ra­tive qanun, an instru­ment with ties to Narin’s father. One poignant object is an ancient slab of clay inscribed with sym­bols, passed down from Narin’s great-great-grand­moth­er Leila, a gift­ed heal­er and divin­er, who once prac­ticed the art of see­ing the future. Narin’s grand­moth­er fond­ly recounts Leila’s beau­ty and tal­ent, intro­duc­ing a new dimen­sion to their family’s lega­cy.

    How­ev­er, this gift comes with per­il. Div­ina­tion, as her grand­moth­er explains, can lead to pro­found pain and trau­ma, par­tic­u­lar­ly after wit­ness­ing a grim pre­dic­tion that scarred Leila for life. Fol­low­ing this event in Nin­eveh, Leila renounced her prophet­ic abil­i­ties, assert­ing that future gen­er­a­tions should avoid such bur­dens. Instead, they embraced their abil­i­ty to locate water under­ground and heal­ing, main­tain­ing a con­nec­tion to their her­itage while adapt­ing to the hard­ships they face.

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