Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the chap­ter titled “By the Riv­er Tigris, 2014”, Nar­in con­vers­es with her Grand­ma about past expe­ri­ences relat­ed to cul­tur­al myths and the feel­ings of iso­la­tion that arise from such beliefs. Her Grand­ma recounts a painful mem­o­ry of her younger broth­er being ostra­cized by peers, reveal­ing the under­ly­ing prej­u­dices about their cul­ture. As they dri­ve towards Iraq, excit­ed and feel­ing grown up, Nar­in reflects on her fam­i­ly’s her­itage and the jour­ney ahead.

    Upon reach­ing Cizre, Grand­ma intro­duces Nar­in to a notable fig­ure from their cul­ture, the sci­en­tist Al-Jazari, who lived in Upper Mesopotamia. Through Grand­ma’s sto­ries, Nar­in learns about Al-Jazari’s pas­sion for water and his remark­able inven­tions, includ­ing a mechan­i­cal pea­cock that dis­pens­es water and atten­dants with soap and tow­els. Nar­in is fas­ci­nat­ed, and her father shares that Al-Jazari’s pio­neer­ing designs are kept in muse­ums in Amer­i­ca, which spurs a con­ver­sa­tion about cul­tur­al own­er­ship and the acces­si­bil­i­ty of their his­to­ry. Grand­ma express­es con­cern over West­ern­ers pos­sess­ing and show­cas­ing their her­itage, feel­ing a pro­found dis­con­nect from the arti­facts now housed abroad.

    The fam­i­ly dis­cuss­es how Al-Jazari’s iden­ti­ty is viewed dif­fer­ent­ly depend­ing on the per­spec­tive of Arab, Iran­ian, or Kur­dish indi­vid­u­als, high­light­ing issues sur­round­ing cul­tur­al recog­ni­tion and belong­ing. Despite the era­sure of his­tor­i­cal fig­ures like Al-Jazari due to neglect, Narin’s father reas­sures her that their fam­i­ly holds the mem­o­ries alive, describ­ing them as the “mem­o­ry tribe.”

    Their jour­ney leads them to the Tigris Riv­er, where Grand­ma rem­i­nisces about the rich wildlife that once thrived in the region, such as oryx­es and lions, now lost due to hunt­ing and the destruc­tion brought forth by dev­as­ta­tion relat­ed to war and polit­i­cal upheaval. The fam­i­ly recalls the beau­ty and fer­til­i­ty of the marsh­lands, recount­ing the adverse effects of past regimes that left their home­land bar­ren. Narin’s father cul­mi­nates the reflec­tions by explain­ing the trag­ic fate of Yazi­di com­mu­ni­ties dis­placed by gov­ern­men­tal actions and the ongo­ing per­il sur­round­ing the Mosul Dam, empha­siz­ing the fragili­ty of their his­to­ry and the hope for preser­va­tion amidst adver­si­ty.

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