Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the chap­ter titled “H—NARIN,” set by the Riv­er Tigris in 2014, we are intro­duced to Nar­in, a girl excit­ed about her cousins’ vis­it from Ger­many. The fam­i­ly has roots in Turkey, and the children’s flu­ent Ger­man impress­es Nar­in, who shares her grand­moth­er’s unique tal­ent as a heal­er through water dows­ing. As her cousins ques­tion her about their grand­moth­er’s abil­i­ties, Nar­in describes how her grand­moth­er detects hid­den water streams and hopes to inher­it this skill. Despite some sib­ling squab­bles, their time togeth­er allows Nar­in to feel the joys of hav­ing cousins.

    The fam­i­ly pre­pares a grand break­fast for their guests, show­cas­ing a vari­ety of tra­di­tion­al dish­es, and the scene high­lights their cus­toms and val­ues, par­tic­u­lar­ly con­cern­ing clean­li­ness and respect for the deceased dur­ing a vis­it to the village’s ceme­tery. The impor­tance of hon­or­ing ances­tors is empha­sized through their rit­u­als, with women lead­ing the remem­brance cer­e­monies.

    As the chil­dren explore the ceme­tery, ques­tions arise about a tomb­stone belong­ing to an Eng­lish­man who died by the Tigris while search­ing for a poem. Their dis­cus­sion reveals curios­i­ty about his­to­ry, iden­ti­ty, and the loss of her­itage, espe­cial­ly poignant giv­en the impend­ing con­struc­tion of a dam that threat­ens to sub­merge Hasankeyf, the community’s ances­tral home.

    Lat­er that evening, dur­ing a fam­i­ly din­ner, Narin’s fam­i­ly con­tin­ues to engage with their past via a mor­tu­ary feast, sym­bol­iz­ing a con­nec­tion between the liv­ing and the deceased. Con­ver­sa­tions turn seri­ous as Nar­in over­hears her uncle’s con­cerns about ris­ing vio­lence and the future of their home­land, lead­ing to dis­cus­sions about relo­ca­tion to Ger­many. Her father express­es doubts about aban­don­ing their roots, reveal­ing a gen­er­a­tional con­flict about the safe­ty and future of their com­mu­ni­ty. Narin’s thoughts weave between her impend­ing hear­ing loss, the fear of fanat­ics, and the com­fort of famil­ial love.

    This chap­ter cap­tures the essence of tra­di­tion, the bur­den of her­itage, and the com­plex­i­ty of iden­ti­ty amid chaos, leav­ing Nar­in feel­ing unset­tled yet hope­ful about her family’s jour­ney to Iraq and her own per­son­al growth.

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