Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the after­math of Arthur’s suc­cess­ful lec­ture at the Soci­ety of Bib­li­cal Archae­ol­o­gy, his life tran­si­tions into a whirl­wind of social engage­ments, includ­ing invi­ta­tions to edu­ca­tion­al soci­eties and gen­tle­men’s clubs. Encoun­ter­ing refined gen­tle­men adorned in silk cra­vats and indul­gent meals, includ­ing tur­tle soup, Arthur feels both awe and social pres­sure. He rel­ish­es in the lux­u­ri­ous envi­ron­ments filled with gild­ed mir­rors and cham­pagne flutes, yet beneath this facade, he grap­ples with an over­pow­er­ing pre­oc­cu­pa­tion with the miss­ing Flood Tablet from Nin­eveh.

    Dur­ing a din­ner at The Boltons, Arthur meets Mabel, a charm­ing young woman from a respectable fam­i­ly. Their encoun­ters seem coin­ci­den­tal, but Arthur sens­es a col­lec­tive effort of his peers to draw them clos­er. Mabel, while not par­tic­u­lar­ly well-read, express­es gen­uine inter­est in Arthur’s work, and her sim­plic­i­ty and warm demeanor con­trast sharply with his shy­ness. As Arthur nav­i­gates mid­dle-class soci­etal expec­ta­tions sur­round­ing love and mar­riage, he becomes acute­ly aware of their ide­al­iza­tion of domes­tic life, which stark­ly con­trasts with his pri­or­i­ties regard­ing the Mesopotami­an tablets.

    Amidst this soci­etal back­drop, Arthur receives an unex­pect­ed oppor­tu­ni­ty from the Dai­ly Tele­graph to spear­head an archae­o­log­i­cal exca­va­tion. With excite­ment brew­ing, he pre­pares for a jour­ney to the land of Gil­gamesh, but finan­cial lim­i­ta­tions weigh on him. Nev­er­the­less, he feels empow­ered and opti­mistic, espe­cial­ly con­sid­er­ing Mabel’s father’s sup­port, who urges Arthur to pro­pose to Mabel before depart­ing, empha­siz­ing the impor­tance of com­pan­ion­ship dur­ing his trav­els.

    As Arthur packs for his adven­ture, he feels a sense of urgency to vis­it his moth­er, who has been in a sana­to­ri­um. Upon arriv­ing at the Mid­dle­sex Coun­ty Lunatic Asy­lum, he learns about her suf­fer­ing from “rest­less melan­choly.” The grim real­i­ty of her con­di­tion becomes painful­ly clear as he wit­ness­es her trans­for­ma­tion into a shad­ow of her for­mer self, strug­gling for recog­ni­tion and con­nec­tion. Real­i­ty dawns as Arthur recounts sto­ries to her, try­ing to revive the warmth of their bond amidst her detach­ment. He yearns to make her proud and promis­es to fight for a bet­ter future for both of them, hold­ing on to the hope that his endeav­ors in Nin­eveh will lead to her recov­ery and a brighter life filled with com­fort and love.

    As Arthur’s jour­ney draws near, he car­ries a guardian spir­it carved for his moth­er, a tan­gi­ble reminder of his affec­tion and com­mit­ment to return for her—as he embarks on his path toward Nin­eveh .

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