Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the chap­ter “By the Riv­er Tigris, 2014,” the sto­ry unfolds with Grand­ma prepar­ing for an upcom­ing jour­ney, excit­ed­ly mak­ing tra­di­tion­al foods like stuffed vine leaves and borek. Nar­in, her grand­child, shares her excite­ment, pray­ing for guid­ance and pro­tec­tion from the spir­it Khider, along­side oth­er unseen beings aid­ing their com­mu­ni­ty. These spir­its include Sore-Soran, Mama-Rasan, and Xudāne-Mālē, each rep­re­sent­ing dif­fer­ent aspects of every­day life and sup­port. Grand­ma high­lights how kind­ness can emerge from unex­pect­ed places through the tale of Ibrahim—a moral sto­ry empha­siz­ing the impor­tance of com­pas­sion and action when one’s neigh­bor is in dis­tress, sig­ni­fy­ing that even the small­est efforts mat­ter against great chal­lenges.

    As they sit togeth­er, Grand­ma reflects on the nature of sto­ry­telling ver­sus clock time, empha­siz­ing that sto­ries con­vey deep­er truths tran­scend­ing mere chronol­o­gy. This les­son of resilience and per­spec­tive is mir­rored in a per­son­al sto­ry from her child­hood, show­ing how neigh­bors who seemed friend­ly held prej­u­dices against her fam­i­ly. Grand­ma’s wis­dom extends to her belief that despite pain and adver­si­ty, the world is filled with beau­ty.

    Their con­ver­sa­tion shifts to their immi­nent trip to Iraq and the sig­nif­i­cance of their ances­tral home in Lal­ish, said to be cre­at­ed by divine inter­ven­tion. Grand­ma recounts the leg­endary for­ma­tion of this sacred val­ley through the angels’ jour­ney and the leav­en­ing of water, instill­ing a sense of pride and con­nec­tion to their her­itage in Nar­in.

    As the night approach­es, a deep­er con­ver­sa­tion fol­lows about their fam­i­ly lin­eage, par­tic­u­lar­ly cen­ter­ing on Leila, who migrat­ed and demon­strat­ed extra­or­di­nary tal­ents. Grand­ma explains that these gifts have evolved through gen­er­a­tions, poten­tial­ly cul­mi­nat­ing in Nar­in. The notion of a “fir­man” aris­es, describ­ing the dan­ger­ous edicts that led Leila to escape her home­land due to impend­ing vio­lence against their peo­ple. This his­tor­i­cal pain remains pal­pa­ble, echo­ing the ongo­ing mem­o­ries held by the Tigris Riv­er itself.

    Ulti­mate­ly, they set­tle down for the night, with Grand­ma promis­ing to reveal the truths of their his­to­ry when they arrive at Nin­eveh, illus­trat­ing that some­times, even rivers must aban­don their orig­i­nal paths in search of safe­ty.

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