Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    The chap­ter titled “H—NARIN” takes place by the Riv­er Tigris in 2014, where Nar­in and her Grand­ma reg­u­lar­ly escape to con­nect with nature after relo­cat­ing to Zêrav with rel­a­tives. They rest on a rock near decay­ing build­ings, once vibrant eater­ies filled with tempt­ing aro­mas of grilled fish, par­tic­u­lar­ly mas­gouf, amid live­ly neon lights. Nar­in, adher­ing to her faith, refrains from eat­ing fish and feels a pang of sad­ness at the site’s cur­rent des­o­la­tion, wish­ing to have wit­nessed its for­mer glo­ry.

    Their peace­ful moment is inter­rupt­ed by Grand­ma spot­ting a scor­pi­on. This leads into a whim­si­cal con­ver­sa­tion about how every­thing in the world communicates—the sounds made by nature and the spir­i­tu­al con­nec­tions they form with it. Grandma’s pro­found reflec­tions on exis­tence high­light that even silence and death hold con­ver­sa­tions that con­tin­ue beyond life. Nar­in, curi­ous yet appre­hen­sive, men­tions Grandma’s ten­den­cy to speak to poten­tial­ly haz­ardous crea­tures.

    Sud­den­ly, Grand­ma becomes seri­ous, sens­ing some­thing in the riv­er. When Nar­in fol­lows her, they dis­cov­er a float­ing body, a sight that stark­ly con­trasts their ear­li­er mus­ings. Grand­ma rec­og­nizes the tragedy, shar­ing her sor­row for a lost life, and she attempts to retrieve the body from the strong cur­rent. How­ev­er, despite her resolve and gen­tle prayers, she can­not bring the corpse ashore. This encounter makes Grand­ma recon­sid­er shar­ing the inci­dent with their fam­i­ly as it ties into the unset­tling rumors of dis­ap­pear­ances in the area, with whis­per­ings of peo­ple going miss­ing and oth­ers return­ing trau­ma­tized.

    The Tigris, once a beau­ti­ful and live­ly riv­er, is now pol­lut­ed with waste and has become a for­got­ten grave­yard of vic­tims, lead­ing to a fat­wa against fish con­sump­tion. The atmos­phere changes dras­ti­cal­ly as it becomes evi­dent that con­tent­ment in their nat­ur­al sur­round­ings is over­shad­owed by the lurk­ing dan­gers and silent hor­rors that the riv­er now embod­ies. Grand­ma con­tin­ues to speak to the ele­ments around them, but an invis­i­ble men­ace haunts their tran­quil retreat, empha­siz­ing the ten­sion between the beau­ty of nature and the dark real­i­ties of human exis­tence.

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