Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the vil­lage of Zêrav, the inhab­i­tants awak­en one morn­ing to a dev­as­tat­ing sight; their sacred water sources have been poi­soned overnight. Hun­dreds of sacks of pes­ti­cides and debris have been dumped, leav­ing them des­per­ate. Sev­er­al men jour­ney to a near­by Yazi­di vil­lage for help but find that their neigh­bors have also been affect­ed. With no potable water avail­able, they ven­ture to check on near­by Mus­lim vil­lagers, only to dis­cov­er their foun­tains remain untouched. A few are will­ing to help, but many refuse, an indi­ca­tion of ris­ing ten­sions. With the heat inten­si­fy­ing, they col­lect bot­tles of water, painful­ly aware that their fam­i­ly mem­bers are rely­ing on them.

    As the day wears on, the vil­lagers strug­gle to clear debris from their foun­tains, yet the Tigris Riv­er remains pol­lut­ed, too. Days lat­er, at night, their ene­my returns, this time tar­get­ing the trees, burn­ing olive groves and reduc­ing fer­tile fields to waste­lands. Nar­in, a young girl, observes the destruc­tion from her win­dow and feels a deep sad­ness. She reflects on the hatred sur­round­ing them and the fragili­ty of life amidst such vio­lence.

    Nar­in’s father, Khaled, calls her the next day from Bagh­dad, inform­ing her that he has been detained at a check­point. Upon hear­ing about the water con­t­a­m­i­na­tion and destruc­tion, he resolves to return home swift­ly. Yet, his jour­ney is com­pli­cat­ed by road­blocks and dan­ger, as Yazidis and oth­er minor­i­ty groups face threats from extrem­ists.

    Mean­while, Grand­ma grows increas­ing­ly rest­less, unable to sleep since the poi­son­ing of the wells. Ear­ly one morn­ing, she notices that the Kur­dish forces pro­tect­ing Zêrav have van­ished, prompt­ing fear and pan­ic among the vil­lagers. News spreads that thou­sands of troops have with­drawn, leav­ing the Yazidis vul­ner­a­ble. The vil­lagers debate whether to stay or flee but ulti­mate­ly decide to dis­play white flags and wait, hop­ing to avoid vio­lence.

    As Khaled arrives at anoth­er Yazi­di loca­tion, he wit­ness­es mil­i­tants com­man­deer­ing the streets. Hajji Amer, a man he once con­sid­ered a friend, is now lead­ing the armed men. Khaled and the oth­er Yazi­di men are forced to leave their homes, stripped of valu­ables, and threat­ened with vio­lence. As the mil­i­tants turn hos­tile, Khaled’s resolve strength­ens. How­ev­er, tragedy strikes as they are tak­en to a water cis­tern and exe­cut­ed en masse.

    In the chaos, Khaled sur­vives, bleed­ing and alone, and man­ages to call his moth­er-in-law, urg­ing her and Nar­in to escape imme­di­ate­ly. They must flee to Mount Sin­jar for safe­ty. Mean­while, Nar­in awak­ens to her grandmother’s urgent plea to leave with the few rel­a­tives will­ing to escape, set­ting off into the uncer­tain night, unaware of the per­ilous jour­ney ahead. As dawn breaks, they face an ambush from ISIS, and chaos ensues, leav­ing the sur­vivors flee­ing into the des­o­late moun­tain with dwin­dling hope.

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