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    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In a bleak cin­derblock house by the Riv­er Tigris in 2014, Nar­in scrubs pots amid a tense atmos­phere marked by mil­i­tant frus­tra­tion over loss­es in bat­tle. The com­man­der abus­es the two new­ly acquired Yazi­di women. One, a younger woman, cries con­stant­ly, while the elder attempts sui­cide, result­ing in bru­tal pun­ish­ment from the com­man­der. Nar­in, tasked with serv­ing tea, ner­vous­ly enters a room full of mil­i­tants only to be grabbed and spun around before being saved by the com­man­der, who scolds her cap­tor and drops her uncer­e­mo­ni­ous­ly.

    Three days lat­er, con­ver­sa­tions in the kitchen reveal the commander’s wife believes that Nar­in is cursed, respon­si­ble for her hus­band’s impend­ing death. Agi­tat­ed by the hos­til­i­ty, Nar­in attempts to avoid the commander’s wife, but their encoun­ters are fre­quent and uncom­fort­able. The com­man­der even­tu­al­ly informs Nar­in that she will be sold to a new own­er in Antep due to her “bad luck.” Dev­as­tat­ed, Nar­in pleads for her friend Salma but is denied. Hor­ri­fied by the impli­ca­tions of her new mas­ter’s appetite for young girls, she fears there is no chance of escape giv­en the bru­tal real­i­ties faced by those who resist.

    In despair, Nar­in stum­bles upon a clay tablet while seek­ing sup­port, rem­i­nis­cent of the ones she learned about from her grand­moth­er. Her brief moment of joy turns to ter­ror when the com­man­der dis­cov­ers her. He vio­lent­ly rep­ri­mands her by strik­ing her and sub­se­quent­ly kicks her while she is inca­pac­i­tat­ed. After regain­ing con­scious­ness, Nar­in encoun­ters a doc­tor and the com­man­der, who reveals he wants her to read the tablet as part of his loot­ing and sell­ing scheme involv­ing antiq­ui­ties.

    Nar­in learns that the mil­i­tants not only com­mit vio­lence but prof­it from stolen arti­facts, per­pet­u­at­ing a cycle of destruc­tion and greed. The com­man­der presents her with a lapis lazuli tablet, demand­ing she reads it for poten­tial prof­it. In a moment of defi­ance, she extracts a promise that Salma must not be harmed. Faced with the real­i­ty of her friend’s suf­fer­ing as a result of the com­man­der’s vicious­ness, Nar­in suc­cumbs to despair, feel­ing only numb­ness as she awaits an inevitable demise.

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