Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In the chap­ter titled “Zaleekhah,” set by the Riv­er Thames in 2018, we meet the tit­u­lar char­ac­ter as she awak­ens from a trou­bled sleep at 3:34 a.m., a time she has come to asso­ciate with deep melan­choly. She turns on her lap­top and is con­front­ed with alarm­ing news about scor­pi­on inva­sions in Egypt, trig­gered by severe weath­er. As she con­tem­plates the chaos, she takes sleep­ing pills, sig­ni­fy­ing her dis­tress and need for escape.

    Zaleekhah receives a poignant mes­sage from her hus­band, Bri­an, reveal­ing his inten­tion to file for divorce, which makes her reflect on their rela­tion­ship and how to con­vey the news to her uncle. Simul­ta­ne­ous­ly, cheer­ful birth­day mes­sages from col­leagues pro­vide a stark con­trast to her emo­tion­al tur­moil. An unex­pect­ed vis­it from her friend Nen inter­rupts her somber thoughts. Nen’s cheer­ful demeanor and thought­ful gift—gingerbread bis­cuits shaped like Mesopotami­an tablets—lighten the mood. The bis­cuits, inscribed in cuneiform, reveal a play­ful ele­ment in their friend­ship, with each bis­cuit rep­re­sent­ing a word.

    Their con­ver­sa­tion flows from the whim­si­cal to the pro­found as Zaleekhah learns about Nen’s tat­too busi­ness, which incor­po­rates cuneiform inspired by ancient aes­thet­ics. Nen express­es a pas­sion for female fig­ures in his­to­ry, spark­ing a dis­cus­sion about the roles women have played, often for­got­ten or over­looked in nar­ra­tives. Zaleekhah reveals her own his­to­ry of loss, shar­ing that her par­ents died in a flash flood when she was young, shap­ing her rela­tion­ship with water and her cho­sen pro­fes­sion. The chap­ter show­cas­es a blend of per­son­al grief and bur­geon­ing friend­ship, as Zaleekhah finds solace in Nen’s under­stand­ing.

    As they share sto­ries, Nen hints at the deep­er sig­nif­i­cance of tat­toos as sto­ry­telling. The con­ver­sa­tion is punc­tu­at­ed by moments of laugh­ter and warmth, lift­ing Zaleekhah from her somber thoughts. As Nen departs, Zaleekhah feels inspired, lead­ing her to unex­pect­ed­ly invite Nen to a birth­day din­ner at her uncle’s house that evening. This ges­ture reflects a blos­som­ing con­nec­tion, a pos­si­ble turn­ing point from her soli­tude towards new com­pan­ion­ship amidst her strug­gles.

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