Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In an evoca­tive scene by the Riv­er Tigris in 1872, Leila accom­pa­nies Arthur to his exca­va­tion site, shar­ing her beliefs about spir­i­tu­al con­nec­tions with­in the Yazi­di cul­ture. She speaks of the con­cept of “axiretê,” or the next world, empha­siz­ing that every Yazi­di should have a spir­i­tu­al sib­ling to rely on. Leila shares a play­ful thought about her own “heav­en­ly sis­ter” liv­ing upstream, whom she humor­ous­ly sug­gests would trans­form into water after death to meet her again. Arthur, how­ev­er, feels dis­com­fort about the dis­cus­sion of death, par­tic­u­lar­ly after Leila’s unset­tling div­ina­tion. He strug­gles with his emo­tions, wish­ing to com­fort her but restrained by the strict Yazi­di codes.

    Arthur reveals to Leila his own loss, hav­ing had a younger broth­er die from con­t­a­m­i­nat­ed water—a tragedy he hasn’t for­giv­en him­self for. This shared sor­row deep­ens their con­nec­tion as Leila lis­tens with com­pas­sion. The nar­ra­tive quick­ly shifts as Arthur receives an urgent sum­mons from the Pasha of Mosul, which he must heed. At the pasha’s res­i­dence, he faces scruti­ny for his asso­ci­a­tion with the Yazidis, labeled as “hea­thens” and “dev­il-wor­ship­pers.” Despite the pasha’s mock­ing demeanor, Arthur defends the Yazi­di peo­ple, indi­cat­ing his desire to learn their lan­guage from the chil­dren in the vil­lage.

    The pasha, eager to exert author­i­ty, ques­tions Arthur’s motives for the exca­va­tion and insin­u­ates that he seeks not just a poem but also pow­er and fame. The arrival of the high qadi inten­si­fies the atmos­phere, as the qadi express­es dis­dain for the Yazidis and cold­ly explains that lying to them is per­mis­si­ble. Arthur’s heart races with con­cern for the Yazidis as he sens­es the dan­ger encroach­ing upon them.

    Dis­turbed by the pasha’s words, Arthur returns to the vil­lage after being sum­moned, con­tem­plat­ing whether to share his trou­bling expe­ri­ences with the sheikh’s fam­i­ly. Lat­er, while exam­in­ing his new­ly unearthed tablets, he dis­cov­ers a vital piece of the Flood Tablet, ignit­ing hope for his research. As he con­tem­plates his suc­cess deep into the night, his thoughts stray to Leila, whom he real­izes he has feel­ings for, result­ing in an intro­spec­tive mono­logue about love and con­nec­tion. The chap­ter cul­mi­nates in a poignant moment as Leila, in a dream­like state, kiss­es Arthur on the cheek, leav­ing him both elat­ed and appre­hen­sive about their del­i­cate bond.

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