Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In a chic enclave of Chelsea, Zaleekhah arrives at her Uncle Malek’s home, feel­ing a sense of estrange­ment. As she enters, the famil­iar ele­ments of the gar­den evoke nos­tal­gia, yet simul­ta­ne­ous­ly high­light her dis­con­nec­tion. She hands over a book, “Nin­eveh and Its Remains,” to Kareem, the door­man, before mak­ing her way upstairs past her closed child­hood bed­room door.

    Zaleekhah enters Uncle Malek’s study, a room filled with exquis­ite decor and an ambiance of warmth. She peeks out the win­dow to see her Uncle and Aunt with Lily, their grand­daugh­ter, engag­ing ten­der­ly with each oth­er, which evokes mixed emo­tions in her. Intend­ing to leave the book on the cof­fee table but drawn to an old draw­er, she dis­cov­ers a con­cern­ing pho­to­graph of a young girl along­side unset­tling details about her con­di­tion. The image strikes a chord of alarm with­in her, lead­ing her to take it with her when she abrupt­ly leaves, feel­ing con­flict­ed and anx­ious.

    Down­stairs, Kareem notices her hur­ried exit, men­tion­ing that Uncle Malek was informed of her vis­it and would be join­ing her short­ly. Despite his insis­tence, Zaleekhah asserts the neces­si­ty of her depar­ture. Uncle Malek arrives short­ly there­after at a tat­too shop search­ing for a girl, a sce­nario that under­scores his dis­tress and des­per­a­tion regard­ing Lily’s health. When Zaleekhah con­fronts him, he reveals the grav­i­ty of the sit­u­a­tion: Lily is crit­i­cal­ly ill, and time is run­ning out for a suit­able organ donor.

    Uncle Malek explains that he’s found a match with­in a group of Yazi­di girls in dire cir­cum­stances, indi­cat­ing that they are often over­looked and neglect­ed. He insists that unbe­knownst to most, this arrange­ment could ulti­mate­ly ben­e­fit all involved, espe­cial­ly the girl, who would be res­cued from a life of abuse. How­ev­er, Zaleekhah is hor­ri­fied, real­iz­ing his propo­si­tion amounts to organ har­vest­ing cloaked in pater­nal­is­tic ratio­nale.

    Their argu­ment esca­lates as she grap­ples with the moral­i­ty of his plans and the impli­ca­tions it holds for the girl and her fam­i­ly. Uncle Malek attempts to jus­ti­fy the “arrange­ment,” but Zaleekhah remains res­olute in her con­dem­na­tion of the ethics behind it. Their famil­ial bond, now strained by the rev­e­la­tion of his inten­tions, forces Zaleekhah to reck­on with her uncle’s choic­es and the deep­er, dark­er nar­ra­tive they encap­su­late sur­round­ing their family’s dynam­ics and val­ues.

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