Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In a black cab arranged by Uncle Malek, Zaleekhah reflects on Lon­don as she watch­es the cityscape blur by, view­ing it not as a realm of his­tor­i­cal grandeur but as a liv­ing enti­ty shaped by its rivers, both vis­i­ble and buried. The Riv­er Fleet, once a vital water­way, is now hid­den beneath bricks, hav­ing endured decades of neglect, serv­ing as a metaphor for for­got­ten mem­o­ries. Sim­i­lar­ly, the Riv­er Effra flows unno­ticed under urban struc­tures, while the Tyburn, a for­mer source of fresh salmon, is now lost beneath the city’s infra­struc­ture, and the West­bourne runs unseen through the Sloane Square Tube sta­tion. All of these rivers rep­re­sent the hid­den his­to­ries of the city, echo­ing Zaleekhah’s intro­spec­tion.

    Upon arriv­ing at the Cen­tre for Ecol­o­gy and Hydrol­o­gy in Bermond­sey, she steps into an office envi­ron­ment filled with typ­i­cal bureau­cra­cy, devoid of per­son­al touch but designed for col­lab­o­ra­tion. She finds her office marked with her name, sym­bol­iz­ing the iden­ti­ty she has reshaped through mar­riage. As she con­tem­plates her life, she grap­ples with feel­ings of her mar­riage disintegrating—her hus­band seemed to be the cen­ter of her uni­verse, yet their rela­tion­ship had steadi­ly frayed.

    Zaleekhah recalls her late men­tor, Pro­fes­sor Beren­berg, who pas­sion­ate­ly researched the con­cept of ‘aquat­ic memory’—the idea that water holds mem­o­ries of the sub­stances it’s come in con­tact with. Hav­ing faced career-end­ing ridicule for his uncon­ven­tion­al the­o­ries, Beren­berg became a ghost in Zaleekhah’s life; she sel­dom voic­es his name, but his influ­ence lingers in her thoughts. After his death, Zaleekhah secret­ly con­tin­ued his exper­i­ments, explor­ing the valid­i­ty of his ideas, but ten­sions with her hus­band arose when he dis­cov­ered her obses­sion, which he deemed a waste of time.

    The clash reveals deep­er frac­tures in their mar­riage, focus­ing on Zaleekhah’s unre­solved feel­ings for Berenberg—an emo­tion­al com­plex­i­ty her hus­band couldn’t accept. After a heart-wrench­ing con­fronta­tion about her past, Zaleekhah leaves their home, tak­ing refuge in the lab for the night. Sur­round­ed by mem­o­ries and reminders of lost con­nec­tions, she reflects on her short­com­ings in com­mu­ni­ca­tion and emo­tion­al­ly pre­pares for the path ahead, haunt­ed by the specter of Berenberg’s lega­cy.

    As she drifts into sleep on a sofa in her office, she feels the pres­ence of the rivers of time—unseen yet potent, rep­re­sent­ing both lost oppor­tu­ni­ties and the relent­less flow of life and sci­ence that per­sists, with or with­out her engage­ment. Zaleekhah acknowl­edges her attrac­tion to those dri­ven by dreams larg­er than them­selves, despite the per­ilous cost that such com­mit­ment often entails.

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