H: ZALEEKHAH: By the River Thames, 2018
by testsuphomeAdminIn a black cab arranged by Uncle Malek, Zaleekhah reflects on London as she watches the cityscape blur by, viewing it not as a realm of historical grandeur but as a living entity shaped by its rivers, both visible and buried. The River Fleet, once a vital waterway, is now hidden beneath bricks, having endured decades of neglect, serving as a metaphor for forgotten memories. Similarly, the River Effra flows unnoticed under urban structures, while the Tyburn, a former source of fresh salmon, is now lost beneath the city’s infrastructure, and the Westbourne runs unseen through the Sloane Square Tube station. All of these rivers represent the hidden histories of the city, echoing Zaleekhah’s introspection.
Upon arriving at the Centre for Ecology and Hydrology in Bermondsey, she steps into an office environment filled with typical bureaucracy, devoid of personal touch but designed for collaboration. She finds her office marked with her name, symbolizing the identity she has reshaped through marriage. As she contemplates her life, she grapples with feelings of her marriage disintegrating—her husband seemed to be the center of her universe, yet their relationship had steadily frayed.
Zaleekhah recalls her late mentor, Professor Berenberg, who passionately researched the concept of ‘aquatic memory’—the idea that water holds memories of the substances it’s come in contact with. Having faced career-ending ridicule for his unconventional theories, Berenberg became a ghost in Zaleekhah’s life; she seldom voices his name, but his influence lingers in her thoughts. After his death, Zaleekhah secretly continued his experiments, exploring the validity of his ideas, but tensions with her husband arose when he discovered her obsession, which he deemed a waste of time.
The clash reveals deeper fractures in their marriage, focusing on Zaleekhah’s unresolved feelings for Berenberg—an emotional complexity her husband couldn’t accept. After a heart-wrenching confrontation about her past, Zaleekhah leaves their home, taking refuge in the lab for the night. Surrounded by memories and reminders of lost connections, she reflects on her shortcomings in communication and emotionally prepares for the path ahead, haunted by the specter of Berenberg’s legacy.
As she drifts into sleep on a sofa in her office, she feels the presence of the rivers of time—unseen yet potent, representing both lost opportunities and the relentless flow of life and science that persists, with or without her engagement. Zaleekhah acknowledges her attraction to those driven by dreams larger than themselves, despite the perilous cost that such commitment often entails.
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