Chapter Index
    Cover of There Are Rivers in the Sky
    Historical Fiction

    There Are Rivers in the Sky

    by testsuphomeAdmin
    There Are Rivers in the Sky by Radhika Maira Tabrez is a lyrical novel that explores the lives of two women, bound by fate yet separated by time and circumstance. Set against the backdrop of contemporary India, the story weaves together themes of family, identity, and the search for belonging. As the women navigate personal and cultural challenges, the novel delves into the transformative power of memory and the quiet strength found in everyday lives.

    In August 1876, Arthur embarks on a chal­leng­ing jour­ney from Nin­eveh to Cas­trum Kefa. The heat of the day dulls his appetite, forc­ing him to sub­sist on dates, flat­breads, and camel’s milk. He and his guide, Mah­moud, trav­el pri­mar­i­ly at night, find­ing solace in the seren­i­ty of the star­lit land­scape, which feels alive under the moon’s ethe­re­al glow. Though Mah­moud warns of dan­gers at night, Arthur rev­els in the peace­ful still­ness, sens­ing an ancient his­to­ry beneath the sands.

    Tra­vers­ing this des­o­late ter­rain, Arthur reflects on the past glo­ry of the land, once teem­ing with vibrant cities now reduced to dry desert. His­tor­i­cal trau­ma looms large; avarice, pow­er strug­gles, and envi­ron­men­tal abuse have oblit­er­at­ed civ­i­liza­tions. Arthur’s under­stand­ing of civ­i­liza­tion shifts from a stur­dy con­struct to an omi­nous threat, a storm poised to destroy all that stands in its way.

    Upon pass­ing through a vil­lage, Arthur encoun­ters despair—people strick­en by cholera, evok­ing mem­o­ries of per­son­al loss. He urges Mah­moud to find help, but the guide sad­ly dis­miss­es him, stat­ing no doc­tor would come. Here, Arthur observes Mahmoud’s poignant prayers for the sick, an act that envelops him in com­fort despite his strug­gles with his faith, recall­ing the futil­i­ty of seek­ing solace through reli­gious obser­vances amid pro­found suf­fer­ing.

    Dur­ing their rest­less ride, Arthur remains focused on reach­ing Cas­trum Kefa to check on Leila, inter­nal­ly grap­pling with Mah­moud’s advice to turn back, espe­cial­ly con­sid­er­ing the imprac­ti­cal­i­ty of his quest for a woman who may nev­er ful­ly belong to him. Mah­moud’s ref­er­ence to the tale of Lay­la and Maj­nun hits Arthur hard, as he rec­og­nizes his infat­u­a­tion with Leila mir­rors the trag­ic sto­ry of unat­tain­able love.

    After per­suad­ing Mah­moud to return to safe­ty, Arthur press­es on alone. How­ev­er, he soon suc­cumbs to debil­i­tat­ing ill­ness, feel­ing the grip of dysen­tery. Mah­moud, despite his ear­li­er inten­tions to return, finds Arthur and insists on accom­pa­ny­ing him, high­light­ing a deep loy­al­ty. As they approach Cas­trum Kefa, Arthur’s strength wanes, and Mah­moud car­ries him to a shepherd’s hut, seek­ing help while watch­ing over Arthur.

    In his fever­ish state, Arthur expe­ri­ences mud­dled visions of his past, reveal­ing both cher­ished mem­o­ries and painful loss­es. A thief enters, scav­eng­ing Arthur’s belong­ings, and unwit­ting­ly takes a sig­nif­i­cant blue tablet that Arthur pos­sessed, a sub­tle act that sug­gests the ongo­ing sig­nif­i­cance of the past even as Arthur’s present dark­ens with ill­ness .

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