Cover of Martyr!
    Poetry

    Martyr!

    by Kaveh Akbar
    “Martyr!” by Kaveh Akbar follows Cyrus Shams, a first-generation Iranian American poet grappling with addiction, grief, and identity after his mother’s death in a U.S. government-related plane bombing. The novel traces Cyrus’s journey as he seeks meaning through art, faith, and encounters with figures like a terminally ill artist in the Brooklyn Museum. Themes of legacy, sacrifice, and the immigrant experience are explored through Cyrus’s introspective quest, blending personal tragedy with broader existential questions. Akbar’s debut novel is noted for its lyrical prose and examination of how individuals navigate pain and purpose.

    The chap­ter opens with Cyrus Shams, a disheveled and drug-addled young man, lying in his squalid Indi­ana apart­ment, des­per­ate­ly seek­ing a sign from God. After years of silence, he inter­prets a flick­er­ing light bulb as a poten­tial divine mes­sage, though he ques­tions whether it’s a mir­a­cle or just faulty wiring. Cyrus reflects on the unfair­ness of bib­li­cal fig­ures like Muham­mad and Saul, who received unam­bigu­ous rev­e­la­tions, while he is left grasp­ing for clar­i­ty. His long­ing for a tan­gi­ble con­nec­tion with the divine is pal­pa­ble, under­scored by his vow to aban­don his mea­ger possessions—dirty laun­dry and stolen books—if God would only con­firm His pres­ence.

    Cyrus’s exis­ten­tial cri­sis is com­pound­ed by his sub­stance abuse, as he recounts the mix of alco­hol, pre­scrip­tion pills, and oth­er drugs he’s con­sumed. Despite his altered state, he feels rel­a­tive­ly sober, which makes the flick­er­ing light bulb even more unset­tling. He won­ders if his des­per­ate yearn­ing could have dis­tort­ed his per­cep­tion, cre­at­ing the illu­sion of a sign. The chap­ter delves into his skep­ti­cism and hope, as he grap­ples with the pos­si­bil­i­ty that God might now work through mun­dane, flawed vessels—like a drunk Iran­ian-Amer­i­can in the Midwest—rather than through grand, bib­li­cal inter­ven­tions.

    The moment of poten­tial rev­e­la­tion pass­es with­out rep­e­ti­tion, leav­ing Cyrus in a state of uncer­tain­ty. He stares at the light bulb, now resem­bling a hazy moon through cig­a­rette smoke, but no fur­ther con­fir­ma­tion comes. The chap­ter cap­tures his inter­nal con­flict: is the flick­er a divine nudge or a trick of his mind? His surroundings—a mess of emp­ty pill bot­tles, unwashed clothes, and half-read books—mirror his frac­tured psy­che. The weight of his deci­sion looms: should he act on this ambigu­ous sign or dis­miss it as a hal­lu­ci­na­tion?

    In the end, Cyrus is left sus­pend­ed between faith and doubt, his life a chaot­ic blend of spir­i­tu­al yearn­ing and self-destruc­tion. The chap­ter paints a vivid por­trait of a man tee­ter­ing on the edge of rev­e­la­tion and despair, search­ing for mean­ing in a world that offers no clear answers. His strug­gle reflects broad­er themes of iden­ti­ty, belief, and the human desire for con­nec­tion with some­thing greater, even in the face of over­whelm­ing ambi­gu­i­ty.

    FAQs

    • 1. What substances had Cyrus consumed prior to his potential divine encounter, and how does he rationalize their potential influence on his experience?

      Answer:
      Cyrus had consumed a combination of alcohol (bourbon), weed, cigarettes, Klonopin, Adderall, and Neurontin throughout the day, with Percocets saved for later. He reflects that none of these were “exotic” substances likely to cause full hallucinations, and he felt “pretty sober relative to his baseline” (p. 4). This rationalization highlights his internal conflict—while acknowledging the drugs’ presence, he questions whether the flickering light was divine intervention or merely his strained perception fueled by intoxication and desperate yearning for spiritual connection. The passage underscores his oscillation between skepticism and hope.

      2. How does Cyrus critique traditional narratives of divine revelation (e.g., Muhammad, Saul), and what does this reveal about his worldview?

      Answer:
      Cyrus resentfully contrasts his ambiguous experience with the dramatic revelations of figures like Muhammad (visited by an archangel) and Saul (struck by heavenly light). He argues their faith was merely “obedience to what they plainly observed to be true” (p. 3), while ordinary people like him face existential uncertainty without clear signs. This critique exposes his struggle with divine unfairness and his desire for tangible proof—a theme central to the chapter. His bitterness reflects a postmodern disillusionment with organized religion’s privileging of select individuals while leaving others in spiritual limbo.

      3. Analyze the symbolic significance of the light bulb flicker and Cyrus’s reaction to it. How does this moment encapsulate the chapter’s themes?

      Answer:
      The flickering light bulb serves as a metaphor for ambiguous divinity in the modern world—potentially miraculous or merely electrical. Cyrus’s desperate plea (“flash the lights and I’ll figure it out,” p. 4) and subsequent doubt mirror the chapter’s exploration of faith in an era where God’s presence is uncertain. His demand for a “do-over” (p. 3) and password-like confirmation (p. 5) reflects a generation conditioned to digital certainty, struggling to reconcile spiritual longing with rational skepticism. The moment encapsulates themes of addiction-as-coping-mechanism, the search for meaning, and the tension between revelation and delusion.

      4. How does the physical environment of Cyrus’s bedroom reflect his psychological state and life circumstances?

      Answer:
      The bedroom—reeking of “piss and Febreze,” littered with soiled laundry, pill bottles, and half-read books with broken spines (pp. 3-5)—mirrors Cyrus’s chaotic existence. The bare mattress on hardwood floors suggests rootlessness, while the whiskey bottle replacing a bedside table symbolizes his dependency on substances for stability (“it lifted him daily from the same sleep it eventually set him into,” p. 4). This squalor contrasts with his lofty spiritual yearning, creating a poignant dissonance between his intellectual aspirations (evidenced by stolen library books) and self-destructive reality. The environment embodies his simultaneous degradation and desperate search for transcendence.

    Quotes

    • 1. “Maybe it was that Cyrus had done the wrong drugs in the right order, or the right drugs in the wrong order, but when God finally spoke back to him after twenty-seven years of silence, what Cyrus wanted more than anything else was a do-over. Clarification.”

      This opening passage establishes the central tension of the chapter - Cyrus’s desperate search for divine confirmation amid his chemically altered state. The “do-over” motif introduces the theme of spiritual uncertainty that permeates the narrative.

      2. “How was it fair to celebrate those guys for faith that wasn’t faith at all, that was just obedience to what they plainly observed to be true? And what sense did it make to punish the rest of humanity who had never been privy to such explicit revelation?”

      Here Cyrus articulates his core theological dilemma, questioning the nature of faith and divine justice. This quote represents the chapter’s philosophical heart, challenging traditional notions of religious revelation and human responsibility.

      3. “If every relationship was a series of advances and retreats, Cyrus was almost never the retreat-er, sharing everything important about himself at a word, a smile, with a shrug as if to say, ‘Those’re just facts. Why should I be ashamed?’”

      This insight into Cyrus’s character reveals his vulnerable yet defiant approach to life and spirituality. The passage highlights the protagonist’s raw honesty, which makes his subsequent divine encounter more poignant.

      4. “Tired of interventionist pyrotechnics like burning bushes and locust plagues, maybe God now worked through the tired eyes of drunk Iranians in the American Midwest, through CVS handles of bourbon and little pink pills with G 31 written on their side.”

      This powerful metaphor captures the chapter’s modern spiritual paradox - the search for transcendence in mundane, even compromised circumstances. It suggests a contemporary theology where divinity manifests through human frailty rather than spectacular miracles.

      5. “Whatever sliver of a flicker he had or hadn’t perceived didn’t come back. And so, lying there in the stuffy haze of relative sobriety—itself a kind of high—amidst the underwear and cans and dried piss and empty orange pill bottles and half-read books held open against the hardwood, breaking their spines to face away—Cyrus had a decision to make.”

      The chapter’s concluding lines present Cyrus at a crossroads, surrounded by the detritus of his life. This vivid imagery underscores the existential choice between dismissing his experience as chemical illusion or embracing it as genuine revelation.

    Quotes

    1. “Maybe it was that Cyrus had done the wrong drugs in the right order, or the right drugs in the wrong order, but when God finally spoke back to him after twenty-seven years of silence, what Cyrus wanted more than anything else was a do-over. Clarification.”

    This opening passage establishes the central tension of the chapter - Cyrus’s desperate search for divine confirmation amid his chemically altered state. The “do-over” motif introduces the theme of spiritual uncertainty that permeates the narrative.

    2. “How was it fair to celebrate those guys for faith that wasn’t faith at all, that was just obedience to what they plainly observed to be true? And what sense did it make to punish the rest of humanity who had never been privy to such explicit revelation?”

    Here Cyrus articulates his core theological dilemma, questioning the nature of faith and divine justice. This quote represents the chapter’s philosophical heart, challenging traditional notions of religious revelation and human responsibility.

    3. “If every relationship was a series of advances and retreats, Cyrus was almost never the retreat-er, sharing everything important about himself at a word, a smile, with a shrug as if to say, ‘Those’re just facts. Why should I be ashamed?’”

    This insight into Cyrus’s character reveals his vulnerable yet defiant approach to life and spirituality. The passage highlights the protagonist’s raw honesty, which makes his subsequent divine encounter more poignant.

    4. “Tired of interventionist pyrotechnics like burning bushes and locust plagues, maybe God now worked through the tired eyes of drunk Iranians in the American Midwest, through CVS handles of bourbon and little pink pills with G 31 written on their side.”

    This powerful metaphor captures the chapter’s modern spiritual paradox - the search for transcendence in mundane, even compromised circumstances. It suggests a contemporary theology where divinity manifests through human frailty rather than spectacular miracles.

    5. “Whatever sliver of a flicker he had or hadn’t perceived didn’t come back. And so, lying there in the stuffy haze of relative sobriety—itself a kind of high—amidst the underwear and cans and dried piss and empty orange pill bottles and half-read books held open against the hardwood, breaking their spines to face away—Cyrus had a decision to make.”

    The chapter’s concluding lines present Cyrus at a crossroads, surrounded by the detritus of his life. This vivid imagery underscores the existential choice between dismissing his experience as chemical illusion or embracing it as genuine revelation.

    FAQs

    1. What substances had Cyrus consumed prior to his potential divine encounter, and how does he rationalize their potential influence on his experience?

    Answer:
    Cyrus had consumed a combination of alcohol (bourbon), weed, cigarettes, Klonopin, Adderall, and Neurontin throughout the day, with Percocets saved for later. He reflects that none of these were “exotic” substances likely to cause full hallucinations, and he felt “pretty sober relative to his baseline” (p. 4). This rationalization highlights his internal conflict—while acknowledging the drugs’ presence, he questions whether the flickering light was divine intervention or merely his strained perception fueled by intoxication and desperate yearning for spiritual connection. The passage underscores his oscillation between skepticism and hope.

    2. How does Cyrus critique traditional narratives of divine revelation (e.g., Muhammad, Saul), and what does this reveal about his worldview?

    Answer:
    Cyrus resentfully contrasts his ambiguous experience with the dramatic revelations of figures like Muhammad (visited by an archangel) and Saul (struck by heavenly light). He argues their faith was merely “obedience to what they plainly observed to be true” (p. 3), while ordinary people like him face existential uncertainty without clear signs. This critique exposes his struggle with divine unfairness and his desire for tangible proof—a theme central to the chapter. His bitterness reflects a postmodern disillusionment with organized religion’s privileging of select individuals while leaving others in spiritual limbo.

    3. Analyze the symbolic significance of the light bulb flicker and Cyrus’s reaction to it. How does this moment encapsulate the chapter’s themes?

    Answer:
    The flickering light bulb serves as a metaphor for ambiguous divinity in the modern world—potentially miraculous or merely electrical. Cyrus’s desperate plea (“flash the lights and I’ll figure it out,” p. 4) and subsequent doubt mirror the chapter’s exploration of faith in an era where God’s presence is uncertain. His demand for a “do-over” (p. 3) and password-like confirmation (p. 5) reflects a generation conditioned to digital certainty, struggling to reconcile spiritual longing with rational skepticism. The moment encapsulates themes of addiction-as-coping-mechanism, the search for meaning, and the tension between revelation and delusion.

    4. How does the physical environment of Cyrus’s bedroom reflect his psychological state and life circumstances?

    Answer:
    The bedroom—reeking of “piss and Febreze,” littered with soiled laundry, pill bottles, and half-read books with broken spines (pp. 3-5)—mirrors Cyrus’s chaotic existence. The bare mattress on hardwood floors suggests rootlessness, while the whiskey bottle replacing a bedside table symbolizes his dependency on substances for stability (“it lifted him daily from the same sleep it eventually set him into,” p. 4). This squalor contrasts with his lofty spiritual yearning, creating a poignant dissonance between his intellectual aspirations (evidenced by stolen library books) and self-destructive reality. The environment embodies his simultaneous degradation and desperate search for transcendence.

    Note