Cover of Martyr!
    Poetry

    Martyr!

    by Kaveh Akbar
    “Martyr!” by Kaveh Akbar follows Cyrus Shams, a first-generation Iranian American poet grappling with addiction, grief, and identity after his mother’s death in a U.S. government-related plane bombing. The novel traces Cyrus’s journey as he seeks meaning through art, faith, and encounters with figures like a terminally ill artist in the Brooklyn Museum. Themes of legacy, sacrifice, and the immigrant experience are explored through Cyrus’s introspective quest, blending personal tragedy with broader existential questions. Akbar’s debut novel is noted for its lyrical prose and examination of how individuals navigate pain and purpose.

    The chap­ter opens in Tehran, August 1987, with the nar­ra­tor reflect­ing on a trans­for­ma­tive first kiss with Leila, described as a word that evokes “heav­en” rather than just “sky.” The moment is charged with emo­tion­al depth, set­ting the tone for their inti­mate con­nec­tion. The nar­ra­tive shifts to a phone call from Ali and Gil­gamesh, who are drunk­en­ly check­ing in from a camp­site, their bois­ter­ous ban­ter con­trast­ing with the qui­et ten­sion of the nar­ra­tor and Leila’s shared space. Leila’s play­ful inter­ac­tion with Ali’s for­bid­den rock records hints at her rebel­lious spir­it and the clan­des­tine nature of their bond.

    As Leila takes the phone, her mis­chie­vous demeanor inten­si­fies, her ges­tures and expres­sions reveal­ing a deep­er, unspo­ken under­stand­ing with the nar­ra­tor. After hang­ing up, she delib­er­ate­ly plays a record on the nar­ra­tor’s old turntable, select­ing a track that ampli­fies the emo­tion­al weight of the moment. The music—a Rolling Stones song—becomes the back­drop for their dance, with sen­so­ry details like the smell of jas­mine-cedar and the dry cop­per taste of the nar­ra­tor’s tongue height­en­ing the scene’s inti­ma­cy. The nar­ra­tor’s whis­pered con­fes­sion about the exhaus­tion of try­ing to “be good” under­scores their inter­nal strug­gle, met with Leila’s empa­thet­ic reas­sur­ance.

    The song’s melan­cholic yet yearn­ing lyrics mir­ror the nar­ra­tor and Leila’s emo­tions, their dance becom­ing a phys­i­cal man­i­fes­ta­tion of their desire and pre­emp­tive nos­tal­gia. Leila’s repeat­ed restarts of the song and her ten­der kiss­es on the nar­ra­tor’s ankles and wrists blur the lines between music, touch, and emo­tion. The silence after the music ends is deaf­en­ing, sym­bol­iz­ing the weight of their unspo­ken feel­ings and the inevitabil­i­ty of their con­nec­tion. This silence bridges into a moment of com­plete uni­ty, where phys­i­cal and emo­tion­al bar­ri­ers dis­solve.

    The chap­ter cul­mi­nates in a pow­er­ful depic­tion of their union, where music, fear, and his­to­ry no longer sep­a­rate them. The nar­ra­tor and Leila’s bod­ies and souls merge, tran­scend­ing the con­straints of their sur­round­ings. The prose cap­tures the inten­si­ty of their love, framed by the polit­i­cal and cul­tur­al ten­sions of 1980s Tehran, leav­ing a last­ing impres­sion of defi­ance and vul­ner­a­bil­i­ty in the face of soci­etal repres­sion.

    FAQs

    • 1. How does the narrator describe their first kiss with Leila, and what does this metaphor reveal about their emotional experience?

      Answer:
      The narrator describes the first kiss as “a strange and foreign word, one someone might clumsily translate as ‘sky’ but that actually meant something closer to ‘heaven.’” This metaphor suggests the kiss was transcendent and profound, defying simple explanation. The contrast between “sky” (a literal translation) and “heaven” (the deeper meaning) highlights the gap between surface-level understanding and the true emotional significance of the moment. The description conveys the narrator’s awe and the transformative nature of their connection with Leila.

      2. Analyze the symbolic significance of music and silence in this chapter. How do these elements reflect the relationship’s development?

      Answer:
      Music (the Rolling Stones song) serves as a catalyst for intimacy, with Leila repeatedly restarting it to prolong their connection. The lyrics (“I want you back”) mirror the narrator’s yearning, even as they’re physically together, foreshadowing impermanence. The subsequent silence is described as “louder than the music,” representing the weight of their forbidden relationship and the societal barriers they defy. The transition from music to silence parallels their journey from tentative connection to full emotional and physical union, where external distractions fade away.

      3. What does Leila’s gesture of snapping a finger (while mocking Gilgamesh) reveal about her character and her marriage?

      Answer:
      Leila’s vulgar gesture—miming snapping a finger off while talking to Gilgamesh—reveals her disdain for her husband and the performative nature of their marriage. Her playful smile at the narrator while doing this shows her comfort with subversion and hints at her growing attraction. The act contrasts with her later tenderness toward the narrator, emphasizing her emotional authenticity in their private moments versus her strained marital facade. It also foreshadows her willingness to break social norms for genuine connection.

      4. How does the chapter use sensory details to convey the intensity of the narrator’s experience with Leila?

      Answer:
      The narrator employs vivid sensory imagery: the “dry copper taste” of their tongue, Leila’s “sweat and jasmine-cedar” smell, and the “popping” speakers grounding the scene in physicality. The description of memory as “supersaturated” and “drip[ping]” like a rag suggests overwhelming sensory overload. These details create an immersive, almost surreal atmosphere, emphasizing how the encounter transcends ordinary experience. The tactile details of Leila kissing their ankles and wrists further heighten the intimacy, making their connection feel visceral and immediate.

      5. Why might the author have chosen to frame this romantic moment within the context of political danger (e.g., contraband records, warnings about drinking)?

      Answer:
      The references to banned records and the narrator’s warning about drinking (“no time to get caught”) underscore the oppressive societal backdrop of 1987 Tehran. This framing heightens the stakes of their relationship—their love exists not just in private but in defiance of cultural and political norms. The contraband records (Western music) parallel their forbidden romance, both representing illicit freedom. The tension between danger and desire makes their union more poignant, as their passion becomes an act of rebellion against multiple forms of repression.

    Quotes

    • 1. “That first kiss between Leila and me was a strange and foreign word, one someone might clumsily translate as ‘sky’ but that actually meant something closer to ‘heaven.’”

      This opening line poetically captures the transcendent quality of the narrator’s first intimate moment with Leila, setting the tone for their profound connection that defies simple description.

      2. “I wish it wasn’t so hard to be good… I’m trying. I really am. I’m just exhausted.”

      A vulnerable confession that reveals the narrator’s internal struggle with societal expectations and personal morality, highlighting the emotional weight of living under oppressive circumstances.

      3. “We held the song’s preemptive nostalgia between us like a candle… yearning so strong it bends you, buckles you, like waves or miracles.”

      This lyrical passage beautifully encapsulates the intense, almost painful longing that characterizes their relationship, comparing emotional vulnerability to powerful natural forces.

      4. “Then there was no separation between us, Leila and me, between our bodies. No separation anymore: not music or country or clothes. Not fear. Not even history.”

      The chapter’s climactic conclusion describes a moment of complete unity that transcends all boundaries - physical, cultural, and temporal - marking a transformative experience for the characters.

    Quotes

    1. “That first kiss between Leila and me was a strange and foreign word, one someone might clumsily translate as ‘sky’ but that actually meant something closer to ‘heaven.’”

    This opening line poetically captures the transcendent quality of the narrator’s first intimate moment with Leila, setting the tone for their profound connection that defies simple description.

    2. “I wish it wasn’t so hard to be good… I’m trying. I really am. I’m just exhausted.”

    A vulnerable confession that reveals the narrator’s internal struggle with societal expectations and personal morality, highlighting the emotional weight of living under oppressive circumstances.

    3. “We held the song’s preemptive nostalgia between us like a candle… yearning so strong it bends you, buckles you, like waves or miracles.”

    This lyrical passage beautifully encapsulates the intense, almost painful longing that characterizes their relationship, comparing emotional vulnerability to powerful natural forces.

    4. “Then there was no separation between us, Leila and me, between our bodies. No separation anymore: not music or country or clothes. Not fear. Not even history.”

    The chapter’s climactic conclusion describes a moment of complete unity that transcends all boundaries - physical, cultural, and temporal - marking a transformative experience for the characters.

    FAQs

    1. How does the narrator describe their first kiss with Leila, and what does this metaphor reveal about their emotional experience?

    Answer:
    The narrator describes the first kiss as “a strange and foreign word, one someone might clumsily translate as ‘sky’ but that actually meant something closer to ‘heaven.’” This metaphor suggests the kiss was transcendent and profound, defying simple explanation. The contrast between “sky” (a literal translation) and “heaven” (the deeper meaning) highlights the gap between surface-level understanding and the true emotional significance of the moment. The description conveys the narrator’s awe and the transformative nature of their connection with Leila.

    2. Analyze the symbolic significance of music and silence in this chapter. How do these elements reflect the relationship’s development?

    Answer:
    Music (the Rolling Stones song) serves as a catalyst for intimacy, with Leila repeatedly restarting it to prolong their connection. The lyrics (“I want you back”) mirror the narrator’s yearning, even as they’re physically together, foreshadowing impermanence. The subsequent silence is described as “louder than the music,” representing the weight of their forbidden relationship and the societal barriers they defy. The transition from music to silence parallels their journey from tentative connection to full emotional and physical union, where external distractions fade away.

    3. What does Leila’s gesture of snapping a finger (while mocking Gilgamesh) reveal about her character and her marriage?

    Answer:
    Leila’s vulgar gesture—miming snapping a finger off while talking to Gilgamesh—reveals her disdain for her husband and the performative nature of their marriage. Her playful smile at the narrator while doing this shows her comfort with subversion and hints at her growing attraction. The act contrasts with her later tenderness toward the narrator, emphasizing her emotional authenticity in their private moments versus her strained marital facade. It also foreshadows her willingness to break social norms for genuine connection.

    4. How does the chapter use sensory details to convey the intensity of the narrator’s experience with Leila?

    Answer:
    The narrator employs vivid sensory imagery: the “dry copper taste” of their tongue, Leila’s “sweat and jasmine-cedar” smell, and the “popping” speakers grounding the scene in physicality. The description of memory as “supersaturated” and “drip[ping]” like a rag suggests overwhelming sensory overload. These details create an immersive, almost surreal atmosphere, emphasizing how the encounter transcends ordinary experience. The tactile details of Leila kissing their ankles and wrists further heighten the intimacy, making their connection feel visceral and immediate.

    5. Why might the author have chosen to frame this romantic moment within the context of political danger (e.g., contraband records, warnings about drinking)?

    Answer:
    The references to banned records and the narrator’s warning about drinking (“no time to get caught”) underscore the oppressive societal backdrop of 1987 Tehran. This framing heightens the stakes of their relationship—their love exists not just in private but in defiance of cultural and political norms. The contraband records (Western music) parallel their forbidden romance, both representing illicit freedom. The tension between danger and desire makes their union more poignant, as their passion becomes an act of rebellion against multiple forms of repression.

    Note