Cover of Martyr!
    Poetry

    Martyr!

    by Kaveh Akbar
    “Martyr!” by Kaveh Akbar follows Cyrus Shams, a first-generation Iranian American poet grappling with addiction, grief, and identity after his mother’s death in a U.S. government-related plane bombing. The novel traces Cyrus’s journey as he seeks meaning through art, faith, and encounters with figures like a terminally ill artist in the Brooklyn Museum. Themes of legacy, sacrifice, and the immigrant experience are explored through Cyrus’s introspective quest, blending personal tragedy with broader existential questions. Akbar’s debut novel is noted for its lyrical prose and examination of how individuals navigate pain and purpose.

    The chap­ter depicts a piv­otal moment between Roya and Leila dur­ing a vis­it in Tehran, August 1987. While their hus­bands are away camp­ing, Leila leads Roya through the bustling Tajr­ish bazaar, filled with ven­dors and sen­so­ry details like flow­ers, kabobs, and per­fumes. The atmos­phere is live­ly yet ordi­nary until Leila abrupt­ly pulls Roya into a seclud­ed alley, where she kneels and press­es her ear to the ground, claim­ing to hear angels drum­ming beneath the earth. Roya, con­fused but intrigued, fol­lows suit, though she hears noth­ing at first. Leila’s whim­si­cal insis­tence on hid­den rhythms and unseen angels cre­ates a sur­re­al con­trast to the mun­dane sur­round­ings.

    Leila’s behav­ior grows more inti­mate as she guides Roya’s fin­ger to her closed eye­lid, explain­ing how even a hid­den eye “search­es” for con­nec­tion. This metaphor­i­cal ges­ture cul­mi­nates in a sud­den, pas­sion­ate kiss that catch­es Roya off guard. Despite the risk of being seen in a con­ser­v­a­tive set­ting, Roya rec­i­p­ro­cates, over­whelmed by the inten­si­ty of the moment. The kiss, though brief, becomes a trans­for­ma­tive expe­ri­ence for Roya, who describes it as a revelation—a moment that reori­ents her under­stand­ing of her­self and her feel­ings. Leila’s apol­o­gy after­ward is met with Roya’s reas­sur­ance, sig­nal­ing her new­found clar­i­ty.

    The encounter leaves Roya emo­tion­al­ly charged, com­par­ing her life to a paint­ing sud­den­ly viewed “right-side up.” The alley, once a dirty back­street, becomes a site of pro­found per­son­al awak­en­ing. Roya’s sen­so­ry descriptions—the cold ground, the tap­ping rhythm, the rush of blood in her skull—heighten the scene’s inti­ma­cy. Leila’s mix of mys­ti­cism and bold­ness, from the angel­ic drums to the kiss, under­scores her role as a cat­a­lyst for Roya’s self-dis­cov­ery. The chap­ter cap­tures the ten­sion between soci­etal norms and pri­vate desire, as the women return to the bazaar, for­ev­er changed.

    In the after­math, Roya reflects on the kiss with a sense of bound­less pos­si­bil­i­ty, liken­ing her eupho­ria to “the first per­son to taste snow.” The chap­ter clos­es with her will­ing­ness to embrace the extra­or­di­nary, sym­bol­ized by her readi­ness to “gath­er feath­ers” from a hypo­thet­i­cal angel. This moment marks a turn­ing point in Roya’s life, where Leila’s actions unlock a deep­er under­stand­ing of love and free­dom. The nar­ra­tive blends poet­ic imagery with raw emo­tion, leav­ing the read­er with a vivid por­trait of a fleet­ing yet life-alter­ing con­nec­tion.

    FAQs

    • 1. How does the author use sensory details to establish the setting of the bazaar and alley?

      Answer:
      The author vividly paints the bazaar scene through rich sensory descriptions: the “unseasonably cold” weather, vendors selling aromatic foods like “sweet beets and fava beans,” and the chaotic sounds of men calling out “unintelligibly.” The alley contrasts sharply—dirty, with drying clothes overhead and a “blue-gray sky,” creating an intimate, secluded atmosphere. These details ground the pivotal kiss scene in a tangible reality while mirroring the characters’ emotional transition from public propriety to private vulnerability. The sensory contrast between the bustling bazaar and quiet alley underscores the significance of their moment together.

      2. Analyze the symbolic meaning behind Leila’s actions (listening for “angel drums” and the eyelid demonstration). How do these metaphors reveal her feelings for Roya?

      Answer:
      Leila’s eccentric behaviors are layered metaphors for connection. The “angel drums” represent hidden truths beneath surface reality, suggesting her belief in a deeper, almost mystical bond with Roya. By tapping the rhythm (“pum PO-POP pum”), she invites Roya to perceive this unseen harmony. The eyelid demonstration—where Roya feels the closed eye “searching”—symbolizes Leila’s persistent, instinctual longing for Roya even before conscious acknowledgment. Together, these acts convey that Leila’s love transcends logic, existing as an innate, almost fated pull that Roya only later “understands” after their kiss.

      3. How does Roya’s reaction to the kiss reflect her internal transformation?

      Answer:
      Roya’s initial shock (“I must have looked like a fish”) gives way to profound clarity. The kiss reorients her worldview—she describes her life as a painting flipped “right-side up,” with everything suddenly making sense. Her physical reactions (ringing ears, rushing blood) emphasize the moment’s visceral impact. Notably, she rejects Leila’s apology, embracing the revelation instead. The imagery of gathering “feathers” from a hypothetical angel underscores her newfound willingness to embrace chaos and beauty, marking a departure from her earlier nervousness to a state of fearless acceptance.

      4. What cultural and societal tensions are implied in this scene, given its 1987 Tehran setting?

      Answer:
      The scene subtly critiques societal constraints through the characters’ covert intimacy. Their kiss in a public alley—risking exposure in a conservative society—highlights the tension between personal desire and public expectation. The bazaar’s gendered dynamics (women sweeping, men arguing) contrast with the alley’s privacy, where two women momentarily escape surveillance. Roya’s initial fear of being seen (“I should have been afraid”) underscores the stakes, making their mutual surrender to the kiss an act of quiet rebellion. The setting amplifies the moment’s transgressive power.

      5. How does the author use juxtaposition to heighten the emotional impact of the kiss?

      Answer:
      Juxtapositions abound: the bazaar’s noise versus the alley’s silence, Leila’s poetic mysticism versus Roya’s initial skepticism, and the mundane (“garbage cans”) against the transcendent (“angels”). These contrasts make the kiss feel both inevitable and extraordinary. The abrupt shift from Leila’s whimsical metaphors to the kiss’s physical reality (“three seconds, maybe four”) creates dramatic tension. Even afterward, the return to the bazaar’s trivialities (“men arguing about nonsense”) underscores how the moment has irrevocably altered Roya’s perception of the ordinary world around her.

    Quotes

    • 1. “‘You can hear it!’ she said, smiling up at me, ear still pressed against the earth. ‘The angels playing their drums deep down in the earth!’”

      This quote captures Leila’s mystical and poetic perspective, introducing the theme of hidden wonders beneath the surface of ordinary life. It sets the tone for the transformative encounter that follows.

      2. “‘That,’ Leila said, ‘is how I have been searching for you.’”

      A pivotal moment where Leila’s metaphorical language about closed eyes still searching transitions into a profound emotional confession. This quote bridges the whimsical imagery with the chapter’s central romantic revelation.

      3. “My life was a painting I’d been staring at upside-down up until that moment, that moment when Leila wandered in and flipped it right-side up for me.”

      This beautifully crafted metaphor describes the protagonist’s sudden clarity and transformation after the kiss. It represents the chapter’s core theme of perspective-shifting realizations about love and identity.

      4. “I felt dizzy again from aliveness. Flush with baffle and excitement, like the first person to taste snow.”

      This poetic description captures the overwhelming, primal emotions following the kiss. The simile emphasizes the novelty and purity of the experience, marking a key emotional climax in the chapter.

      5. “If a great winged angel had come up from the earth and burst apart, I would have gathered its feathers.”

      This closing metaphor powerfully conveys the protagonist’s newfound openness to wonder and possibility. It bookends the earlier angel imagery while showing how the encounter has fundamentally changed her worldview.

    Quotes

    1. “‘You can hear it!’ she said, smiling up at me, ear still pressed against the earth. ‘The angels playing their drums deep down in the earth!’”

    This quote captures Leila’s mystical and poetic perspective, introducing the theme of hidden wonders beneath the surface of ordinary life. It sets the tone for the transformative encounter that follows.

    2. “‘That,’ Leila said, ‘is how I have been searching for you.’”

    A pivotal moment where Leila’s metaphorical language about closed eyes still searching transitions into a profound emotional confession. This quote bridges the whimsical imagery with the chapter’s central romantic revelation.

    3. “My life was a painting I’d been staring at upside-down up until that moment, that moment when Leila wandered in and flipped it right-side up for me.”

    This beautifully crafted metaphor describes the protagonist’s sudden clarity and transformation after the kiss. It represents the chapter’s core theme of perspective-shifting realizations about love and identity.

    4. “I felt dizzy again from aliveness. Flush with baffle and excitement, like the first person to taste snow.”

    This poetic description captures the overwhelming, primal emotions following the kiss. The simile emphasizes the novelty and purity of the experience, marking a key emotional climax in the chapter.

    5. “If a great winged angel had come up from the earth and burst apart, I would have gathered its feathers.”

    This closing metaphor powerfully conveys the protagonist’s newfound openness to wonder and possibility. It bookends the earlier angel imagery while showing how the encounter has fundamentally changed her worldview.

    FAQs

    1. How does the author use sensory details to establish the setting of the bazaar and alley?

    Answer:
    The author vividly paints the bazaar scene through rich sensory descriptions: the “unseasonably cold” weather, vendors selling aromatic foods like “sweet beets and fava beans,” and the chaotic sounds of men calling out “unintelligibly.” The alley contrasts sharply—dirty, with drying clothes overhead and a “blue-gray sky,” creating an intimate, secluded atmosphere. These details ground the pivotal kiss scene in a tangible reality while mirroring the characters’ emotional transition from public propriety to private vulnerability. The sensory contrast between the bustling bazaar and quiet alley underscores the significance of their moment together.

    2. Analyze the symbolic meaning behind Leila’s actions (listening for “angel drums” and the eyelid demonstration). How do these metaphors reveal her feelings for Roya?

    Answer:
    Leila’s eccentric behaviors are layered metaphors for connection. The “angel drums” represent hidden truths beneath surface reality, suggesting her belief in a deeper, almost mystical bond with Roya. By tapping the rhythm (“pum PO-POP pum”), she invites Roya to perceive this unseen harmony. The eyelid demonstration—where Roya feels the closed eye “searching”—symbolizes Leila’s persistent, instinctual longing for Roya even before conscious acknowledgment. Together, these acts convey that Leila’s love transcends logic, existing as an innate, almost fated pull that Roya only later “understands” after their kiss.

    3. How does Roya’s reaction to the kiss reflect her internal transformation?

    Answer:
    Roya’s initial shock (“I must have looked like a fish”) gives way to profound clarity. The kiss reorients her worldview—she describes her life as a painting flipped “right-side up,” with everything suddenly making sense. Her physical reactions (ringing ears, rushing blood) emphasize the moment’s visceral impact. Notably, she rejects Leila’s apology, embracing the revelation instead. The imagery of gathering “feathers” from a hypothetical angel underscores her newfound willingness to embrace chaos and beauty, marking a departure from her earlier nervousness to a state of fearless acceptance.

    4. What cultural and societal tensions are implied in this scene, given its 1987 Tehran setting?

    Answer:
    The scene subtly critiques societal constraints through the characters’ covert intimacy. Their kiss in a public alley—risking exposure in a conservative society—highlights the tension between personal desire and public expectation. The bazaar’s gendered dynamics (women sweeping, men arguing) contrast with the alley’s privacy, where two women momentarily escape surveillance. Roya’s initial fear of being seen (“I should have been afraid”) underscores the stakes, making their mutual surrender to the kiss an act of quiet rebellion. The setting amplifies the moment’s transgressive power.

    5. How does the author use juxtaposition to heighten the emotional impact of the kiss?

    Answer:
    Juxtapositions abound: the bazaar’s noise versus the alley’s silence, Leila’s poetic mysticism versus Roya’s initial skepticism, and the mundane (“garbage cans”) against the transcendent (“angels”). These contrasts make the kiss feel both inevitable and extraordinary. The abrupt shift from Leila’s whimsical metaphors to the kiss’s physical reality (“three seconds, maybe four”) creates dramatic tension. Even afterward, the return to the bazaar’s trivialities (“men arguing about nonsense”) underscores how the moment has irrevocably altered Roya’s perception of the ordinary world around her.

    Note