Rhythm of War (9781429952040)
97. Freedom
by Sanderson, BrandonThe chapter opens with a plea to find and release Mishram, a being whose confinement has caused profound harm to Roshar and its spren. This sets the stage for Navani’s intense and obsessive research into the nature of Voidlight and its opposite. Driven by a feverish need to uncover a hidden truth, she abandons her usual orderly habits, embracing chaos as she delves into music theory and mathematics. Her goal is to discover a tone that can repel Voidlight, a quest that consumes her entirely, blurring the lines between sanity and madness.
Navani’s research leads her to explore the concept of destructive interference, where a sound wave can be negated by its opposite. She experiments with metal plates and tuning forks, meticulously adjusting the tones to achieve the desired effect. Despite the theoretical challenge—that a tone and its opposite sound identical—she persists, relying on her intuition and intent. Her breakthrough comes when she successfully creates a tone that pushes Voidlight away, a moment of triumph that leaves her in stunned silence rather than jubilation.
After her initial success, Navani methodically tests the parameters of her discovery, ensuring its reliability while concealing her progress from her guards. She realizes that intent is crucial; the tone must be hummed with the specific purpose of repelling Voidlight. This revelation underscores the interplay between science and belief in her world, as even measurable phenomena are influenced by the researcher’s mindset. Her ability to hum the opposite tone validates her theory, blending empirical evidence with the mystical.
The chapter concludes with Navani’s quiet confidence in her findings, despite the surreal nature of her journey. Her research bridges the gap between human ingenuity and the inherent magic of Roshar, proving that even outsiders can harness its secrets. The discovery not only advances her understanding of Voidlight but also hints at broader implications for the conflict engulfing her world. Navani’s transformation from a meticulous scholar to a visionary researcher highlights the chapter’s themes of obsession, innovation, and the pursuit of freedom—both personal and cosmic.
FAQs
1. What breakthrough did Navani achieve in her study of Voidlight, and how did she accomplish it?
Answer:
Navani discovered how to create an “anti-sound” or destructive interference tone that repels Voidlight rather than attracting it. Through obsessive experimentation with metal plates and sound waves, she realized that the opposite of Voidlight’s tone would produce peaks where the original had troughs, effectively canceling it out. After days of adjusting the plate’s shape and testing, she successfully produced a tone that pushed Voidlight away from its source. This breakthrough required both precise acoustical engineering and Intent—the mental focus on creating the opposite effect, demonstrating how science and Investiture intersect on Roshar.2. How does Navani’s approach to research in this chapter reflect both her disciplined nature and her capacity to embrace chaos?
Answer:
Navani typically thrives on order (e.g., organizing socks meticulously), but her pursuit of the anti-Voidlight tone reveals a paradoxical embrace of chaos. She abandons clocks, neglects sleep, and immerses herself in frenzied experimentation, yet her process remains methodical—testing frequencies, documenting results, and refining hypotheses. The chapter highlights this duality: her “single-minded order” in pursuing an answer coexists with the “disorganized chaos” of creative problem-solving. This balance mirrors her scientific philosophy, where rigid methodology and intuitive leaps combine to achieve breakthroughs.3. Why is the concept of Intent crucial to Navani’s discovery, and how does it challenge traditional scientific paradigms?
Answer:
Intent—the mental will behind an action—proves vital because the anti-tone must be hummed with the specific purpose of repelling Voidlight. Though the original and opposite tones sound identical, their effects differ based on the singer’s Intent. This challenges materialist science by introducing a subjective, cognitive component to physical phenomena. Navani notes that spren behave similarly, reacting to observers’ thoughts. Her work thus bridges empirical measurement (e.g., wave frequencies) and metaphysical principles, expanding Roshar’s scientific framework to accommodate Investiture’s rules.4. What broader implications might Navani’s discovery have for Roshar, based on the chapter’s epigraph about Mishram?
Answer:
The epigraph hints that confining Mishram (a powerful spren) harmed all spren, suggesting Navani’s research could address this systemic wound. If anti-tones can manipulate Voidlight, they might also affect other forms of Investiture—potentially freeing Mishram or healing spren bonds. The chapter foreshadows this by linking Navani’s breakthrough to the “music of Roshar,” a fundamental force. Her discovery could redefine interactions between Light, spren, and singers, offering solutions to ancient conflicts rooted in Investiture’s manipulation (e.g., the False Desolation).5. How does the chapter portray the relationship between art (music) and science (mathematics) in Navani’s work?
Answer:
Navani’s research dissolves the boundary between art and science. She begins with music theory but pivots to mathematics, recognizing that “music, at its most fundamental level, was math.” Her tools—plates, slide whistles, and tuning forks—are both musical instruments and scientific apparatuses. The sand patterns visualizing sound waves exemplify this synergy: the aesthetic “dancing grains” reveal mathematical wave interference. This interplay reflects Roshar’s cosmere-unique physics, where creative expression (singing tones) and quantitative analysis (frequency measurements) are equally valid paths to truth.
Quotes
1. “As one who has suffered for so many centuries… as one whom it broke… please find Mishram and release her. Not just for her own good. For the good of all spren.”
This poignant plea introduces the chapter’s central mystery—the imprisonment of Mishram and its catastrophic consequences for Roshar. It frames the chapter’s exploration of unintended consequences and the interconnectedness of spiritual entities.
2. “The raw, disorganized chaos of a brain making connections paired with the single-minded order of a quest for one all-consuming answer.”
This quote captures Navani’s scientific epiphany about the duality of creativity—how structured pursuit can emerge from chaotic thinking. It represents a key turning point in her character development and research methodology.
3. “Music, at its most fundamental level, was math.”
This simple yet profound statement encapsulates Navani’s breakthrough in understanding Roshar’s magical physics. It bridges the gap between art and science, revealing the underlying order of the cosmere’s investiture system.
4. “Humans could sing the correct tones. Humans could hear the music of Roshar. Her ancestors might have been aliens to this world, but she was its child.”
This powerful realization represents both a scientific and spiritual awakening for Navani. It challenges the artificial division between humans and native Rosharans while demonstrating her growing mastery of local magic systems.
5. “Inside the madness of these last few days, science still worked.”
This concluding insight beautifully summarizes Navani’s journey—that rigorous methodology persists even in extraordinary circumstances. It reinforces the chapter’s theme that scientific principles govern even magical phenomena.