Header Image
    Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by

    Chap­ter 173 begins with Patch deeply immersed in a month-long process of orga­niz­ing a col­lage of names, pho­tographs, and places pinned to a large board. This obses­sive act, though echo­ing his father’s past behav­iors, feels more dis­ci­plined and thoughtful—an effort to impose order on lin­ger­ing chaos. Each note and image car­ries weight, form­ing a silent nar­ra­tive of miss­ing girls and unre­solved mem­o­ries that haunt Patch dai­ly, even in the thick sum­mer heat of Mon­ta Clare. After more than a decade, he finds him­self drawn back to paint­ing, set­ting up his work­space with brush­es, tur­pen­tine, and stretched can­vas under the warm July sun. His cre­ative ener­gy is no longer just an escape but a bridge toward heal­ing, stitched togeth­er by rhythm and rep­e­ti­tion.

    Though the days are hot and long, Patch adheres to a struc­tured rou­tine, ded­i­cat­ing time to both his art and his daughter’s devel­op­ment. He gen­tly urges her to rehearse pieces on the baby grand piano, rein­forc­ing the impor­tance of dis­ci­pline in cre­ative expres­sion. Their qui­et rituals—shared break­fasts, long evening walks, and side-by-side cre­ative time—reflect a slow, care­ful recon­struc­tion of some­thing frag­ile between them. As his focus inten­si­fies, Sam­my notices the trans­for­ma­tion in her father. His jeans bear the evi­dence of long hours at the easel, speck­led with splash­es of burnt sien­na and cobalt blue, and his fin­gers are fre­quent­ly stained with paint despite his best efforts to scrub them clean.

    Patch’s emo­tion­al invest­ment extends beyond the can­vas. Over a span of six months, he con­tacts the fam­i­lies of three girls fea­tured in his lat­est paint­ings, call­ing late into the night to under­stand who they were. These con­ver­sa­tions are some­times dif­fi­cult, but they offer depth and clar­i­ty to his art. Learn­ing about the girls’ dreams, their favorite songs, or the way they laughed helps Patch paint with inten­tion and com­pas­sion. His work becomes more than just portraiture—it becomes a record of mem­o­ry, almost a visu­al eulo­gy, for those whose lives were abrupt­ly inter­rupt­ed. Art his­to­ri­ans might describe this approach as bio­graph­i­cal real­ism, where emo­tion is chan­neled through form and col­or.

    As the sea­sons change, so does the mood inside the house. Win­ter brings short­er days and longer shad­ows, yet it also draws the fam­i­ly clos­er with shared rit­u­als like movie nights and qui­et evenings by the fire. Films like Toy Sto­ry become bond­ing moments—stories of loss and belong­ing mir­ror­ing their own fam­i­ly dynam­ics. Char­lotte brings lev­i­ty, teas­ing Patch about his out­dat­ed fash­ion sense as bell-bot­toms and pais­ley shirts return to pop cul­ture. Her play­ful jabs about “final­ly being trendy” elic­it warm laugh­ter, and Patch, with mock indig­na­tion, jokes about reclaim­ing the fash­ion throne of the ’70s. These exchanges are light but ground­ed in the com­fort of under­stand­ing, a famil­iar­i­ty that has grown stronger with time.

    In a par­tic­u­lar­ly inti­mate moment, Char­lotte is seen sift­ing through a bun­dle of old let­ters, many unopened, hint­ing at her qui­et long­ing to under­stand the past. Mean­while, Patch pre­pares to reveal his most recent paint­ing to Sam­my, the cul­mi­na­tion of months of intro­spec­tion and tech­ni­cal effort. The reveal feels cer­e­mo­ni­al. Sam­my, hold­ing her breath, watch­es as her father uncov­ers the can­vas. The air is thick with expec­ta­tion, not just for what is on the can­vas, but for what it represents—a trib­ute, a res­ur­rec­tion, or per­haps a small piece of clo­sure.

    This chap­ter beau­ti­ful­ly cap­tures the dual­i­ty of cre­ation and mourn­ing. Patch uses his art not only to cope with grief but to hon­or those lost, giv­ing their fam­i­lies some­thing tan­gi­ble, some­thing to hold on to. The time spent paint­ing becomes ther­a­peu­tic, turn­ing lone­li­ness into some­thing pro­found and emo­tion­al­ly res­o­nant. Through vivid strokes and lay­ered tex­tures, he speaks a lan­guage that tran­scends words, offer­ing silent solace to those who need it most. The qui­et per­sis­tence of love and loss beats under­neath every can­vas, tying the chap­ter togeth­er with emo­tion­al strength and artis­tic pur­pose.

    Quotes

    FAQs

    Note