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    Thriller

    All the Colors of the Dark

    by

    Chap­ter 228 begins with the qui­et set­tling over Lacey’s, a din­er now most­ly emp­ty except for a hand­ful of famil­iar locals lin­ger­ing over steam­ing mugs and plates of sweet cream pan­cakes. The loss of Chief Nix, a man who served the town with steady hands for near­ly three decades, has left an unspo­ken heav­i­ness in the air. Char­lotte walks beside Saint through the chilly morn­ing, her thoughts tan­gled as she tries to under­stand what jus­tice tru­ly means in a world where peo­ple like Mar­ty Tooms still draw breath.

    Char­lotte, still grap­pling with the trau­ma sur­round­ing Patch’s abduc­tion, ques­tions whether exe­cu­tion offers real jus­tice or if it mere­ly delays deep­er pain. Her words hang between them as Saint offers qui­et com­fort, not to dis­miss Charlotte’s feel­ings but to guide her gen­tly toward under­stand­ing. Char­lotte insists that some­one like Tooms, who stole so much from oth­ers, should­n’t be giv­en peace or closure—a belief root­ed in her lin­ger­ing anger and grief.

    Lat­er at the sta­tion, Saint receives a call from Himes, his voice clipped with urgency and new infor­ma­tion. He reveals that Patch may have made his way north toward North Dako­ta, pos­si­bly chas­ing rumors of a girl whose iden­ti­ty remains unknown. In the same breath, Himes updates her on Joseph Macauley, who has safe­ly brought his sis­ter home—a sym­bol­ic act of heal­ing in a com­mu­ni­ty des­per­ate­ly in need of it.

    As the call ends, Saint turns to find Jasper wait­ing near her desk with unex­pect­ed paper­work in hand. He deliv­ers a rev­e­la­tion that leaves her speech­less: Nix has left his home to her, a deci­sion that car­ries weight and con­fu­sion in equal mea­sure. Saint, caught off guard, accepts the doc­u­ments and keys with a mix of grat­i­tude and hes­i­ta­tion, try­ing to make sense of why some­one like Nix would choose her as the recip­i­ent of such a lega­cy.

    Jasper offers lit­tle clar­i­ty, explain­ing only that no oth­er heirs were named and that the paper­work is valid and bind­ing. His voice car­ries a note of respect, hint­ing that per­haps Nix saw some­thing in Saint she hadn’t yet seen in her­self. Despite her ques­tions, the ges­ture feels meaningful—a strange gift at the end of a dif­fi­cult chap­ter.

    Return­ing home, Saint finds Ste­vie Har­ris in her front yard, crouched near the spot where skele­tal remains were recent­ly uncov­ered. The foren­sic exam­in­er stands and brush­es off her knees, explain­ing the bones appear to belong to a dog and have like­ly been buried there for quite some time. It’s a small relief amid grow­ing ten­sion, though the mys­tery of the buried tag—still clutched in Stevie’s hand—adds a touch of unre­solved curios­i­ty.

    Ste­vie hands over the tag, which is gold and weath­ered, its inscrip­tion bare­ly leg­i­ble after years under­ground. Though tired, she offers Saint a know­ing look, as if to say that even the small­est arti­facts can car­ry unex­pect­ed weight in sto­ries like theirs. Before either woman can reflect fur­ther, Saint’s phone begins to ring insis­tent­ly from inside the house.

    She rush­es in, a chill brush­ing her arms as the wind picks up, and grabs the receiv­er. The chap­ter doesn’t reveal who’s call­ing, but the moment sig­nals a turn­ing point, a sign that some­thing else is unfold­ing beyond their line of sight. As the cam­era pulls away, so to speak, the house looms qui­et­ly behind her, filled with ques­tions, mem­o­ries, and the haunt­ing echo of a man who chose to leave it to her.

    This chap­ter gen­tly weaves themes of grief, jus­tice, and lega­cy, all against the back­drop of a small town marked by resilience. The char­ac­ters are tied togeth­er by invis­i­ble threads of past deci­sions and emo­tion­al weight, mak­ing every gesture—from a gold tag to a deed—feel like a sym­bol of some­thing larg­er. In the still­ness fol­low­ing Nix’s death, a new chap­ter begins, one shaped not by vio­lence, but by the qui­et deci­sions left behind.

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