All the Colors of the Dark
Chapter 124
by testsuphomeAdminIn Chapter 124 of “All the Colors of the Dark,” the scene opens with Saint leaving Jimmy asleep on the couch while wearing her old fur-lined hiking boots. As she walks with Norma along a frozen Main Street, they pass several beautifully decorated Colonial houses, showcasing vibrant Christmas scenes. One store, however, is devoid of decorations, its window instead displaying a new painting that captivates Saint, reflecting her feeling of being lost.
Sammy, dressed in a tuxedo with a loose bow tie, greets Saint. Their conversation reveals an underlying tension as they speak about unresolved issues. Sammy asks her to leave a certain person alone, probing Saint’s knowledge about his whereabouts, which she declines to disclose. The dialogue hints at deeper connections and emotions linked to individuals like Eloise Strike, Anna May, Summer Reynolds, and Ellen Hernandez, whom both characters seem to care about but cannot help.
Sammy’s demeanor shifts as he reflects on his painting and the relationships implied within it, expressing that he doesn’t know the boy Saint is searching for. However, he suggests that before focusing on the boy, they should find the missing girls and those who harmed them—his tone underscoring a painful acknowledgment of loss.
After their exchange, Saint visits the church with Norma, stopping briefly at Ivy Macauley’s grave. Inside the church, the atmosphere turns somber as they light a candle, and Saint expresses her feelings of desperation and fear. Despite her turmoil, Norma offers wisdom about strength in silence—a reminder that not all struggles are vocalized.
Saint’s inner turmoil culminates in a moment of revelation as she confesses to her grandmother, “I’m pregnant.” This admission introduces an additional layer of complexity, intertwining her emotional struggles with newfound responsibilities, highlighting the challenges she faces ahead in the midst of her search for truth and resolution.
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