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Chapter
Coda
The chapter "Sang Linh" from *Coda* captures a pivotal moment in 1997 New York, where the narrator reflects on the success of Orkideh's art exhibition *Why We Put Mirrors in Birdcages*. The narrator, a gallery owner, works alongside their oldest son, Duy, and the artist Roya to dismantle the show. Roya's meticulous nature shines as she oversees the handling of her paintings, particularly *Odi et Amo*, a piece evoking mixed emotions in the narrator due to its unsettling yet nostalgic imagery. The scene…-
74.6 K • Ongoing
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Chapter
Chapter Eighteen: Roya Shams/Mom
The chapter opens with the narrator's vivid description of Leila, a woman whose striking presence transcends conventional beauty. Her sunglasses, confident demeanor, and animated conversation about eclectic topics make her magnetic, almost otherworldly. The taxi driver’s distracted driving underscores her allure, while her unfiltered cigarettes and casual defiance of norms—like removing her scarf—hint at her rebellious nature. The narrator is captivated, observing Leila as if she were a force of…-
74.6 K • Ongoing
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Chapter
Chapter Nineteen
Cyrus Shams meets Zee Novak at a Brooklyn café called Daylight, braving the cold for an outdoor conversation. His mind races after a puzzling encounter with Orkideh, who inexplicably referenced his mother’s death in a plane crash—a detail he never shared with her. The café patio buzzes with activity: a woman smokes elegantly, bearded men ignore their drinks, and a waiter navigates the chaos. Cyrus hopes Zee will help him break his cyclical thoughts about Orkideh’s cryptic knowledge, signaling…-
74.6 K • Ongoing
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Chapter
Chapter Twenty
The chapter follows Cyrus and Zee in Brooklyn as they spend a quiet evening together, ordering pizza and watching TV in their hotel. Zee reflects on the luxury of doing nothing in a city full of possibilities, framing it as an "opportunity cost" that feels opulent. Their banter over pineapple on pizza leads to a playful debate about botanical versus culinary terms, showcasing their easy camaraderie. The scene is intimate and relaxed, with the pair enjoying each other's company while watching *The Office*…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-one: Ali Shams
The chapter opens with Cyrus Shams in Brooklyn, attempting to call his friend Zee but hesitating to leave a message. His hands tremble uncontrollably, reflecting his inner turmoil. The narrative then shifts to memories of his father Ali's funeral, where only a handful of people attended, including his high school teacher, ex-girlfriend, and friends. Cyrus recalls the somber atmosphere and the scent of wet soil, a sensory memory that lingers with him. His uncle Arash's absence is noted, along with the later…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-two
The chapter opens with Cyrus dreaming of Orkideh, a bald woman with bushy eyebrows and oversized sunglasses, walking through a luxurious mall alongside President Invective, who struggles to keep pace. Orkideh appears amused by his discomfort, while Invective, clad in an ill-fitting suit, pants heavily despite carrying nothing. Cyrus reflects on his tendency to involuntarily include repulsive figures in his dreams, such as past bullies or infamous criminals, suggesting a subconscious grappling with…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-three
The chapter depicts a pivotal moment between Roya and Leila during a visit in Tehran, August 1987. While their husbands are away camping, Leila leads Roya through the bustling Tajrish bazaar, filled with vendors and sensory details like flowers, kabobs, and perfumes. The atmosphere is lively yet ordinary until Leila abruptly pulls Roya into a secluded alley, where she kneels and presses her ear to the ground, claiming to hear angels drumming beneath the earth. Roya, confused but intrigued, follows suit,…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-four: Orkideh
The chapter opens with Cyrus Shams waking up disoriented in a Brooklyn hotel room, cold and wet from having urinated in his bed—a relapse of an old habit from his drinking days. Despite being sober now, the incident floods him with familiar shame and self-loathing, along with the practical dread of inconveniencing the hotel staff. Cyrus reflects on how these feelings were once routine during his alcoholism, intertwined with rituals of hiding his messes. The episode triggers a wave of existential despair,…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-five
The chapter depicts a dreamlike encounter between Cyrus's father, Ali Shams, and the legendary poet Rumi outside a music venue. Ali, a hardworking immigrant who rarely appears in Cyrus's dreams, is seen smoking a cigarette—a habit he had abandoned in America. Rumi, adorned in vibrant robes and smoking a blunt, greets Ali with enthusiasm, revealing a mutual recognition between the two. The scene is set against the backdrop of a loud hardcore show, with young attendees milling about, creating a surreal…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-six
The chapter opens in Tehran, August 1987, with the narrator reflecting on a transformative first kiss with Leila, described as a word that evokes "heaven" rather than just "sky." The moment is charged with emotional depth, setting the tone for their intimate connection. The narrative shifts to a phone call from Ali and Gilgamesh, who are drunkenly checking in from a campsite, their boisterous banter contrasting with the quiet tension of the narrator and Leila's shared space. Leila's playful interaction…-
74.6 K • Ongoing
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