Chapter Index
    Cover of The Book of Love
    FantasyFictionLiterary

    The Book of Love

    by Link, Kelly
    Set in the coastal town of Lovesend, Massachusetts, Kelly Link’s “The Book of Love” follows three teenagers who mysteriously return from the dead. They must navigate magical challenges to secure their continued existence. The novel explores themes of love in its many forms—romantic, familial, and platonic—alongside grief, identity, and resilience, blending magical realism with coming-of-age drama.

    In this chap­ter of *The Book of Mo 7*, the nar­ra­tive unfolds through an inti­mate and reflec­tive con­ver­sa­tion between Mo and Thomas. Though Thomas insists he must leave, he remains close to Mo, high­light­ing their shared immor­tal­i­ty and the com­fort found in their phys­i­cal close­ness. Mo con­tem­plates the deep­er sen­sa­tions and emo­tions he expe­ri­ences with Thomas—things he had nev­er con­sid­ered includ­ing in his “list song,” a metaphor­i­cal inven­to­ry of his life’s actions. The moment cap­tures the ten­sion between desire and restraint, as Mo expe­ri­ences orgasm denial under Thomas’s con­trol, which unex­pect­ed­ly inten­si­fies their con­nec­tion and Mo’s plea­sure.

    The chap­ter delves into the con­cept of the “list song,” a pri­vate men­tal recital where Mo cross­es off expe­ri­ences, leav­ing gaps for oth­ers to guess what those omit­ted moments might be. This idea sug­gests a life rich with hid­den sto­ries and plea­sures, known only to Mo him­self. As the con­ver­sa­tion con­tin­ues, Mo probes Thomas about their exis­tence and nature, won­der­ing if their insa­tiable sex­u­al needs are akin to a zombie’s hunger for brains. Thomas elab­o­rates on the var­i­ous super­nat­ur­al means by which beings like them sus­tain them­selves, draw­ing on mag­i­cal objects or liv­ing beings, invok­ing clas­sic mytholo­gies such as vam­pires and witch­es, thus broad­en­ing the meta­phys­i­cal frame­work of their world.

    The dia­logue takes a play­ful yet insight­ful turn as Mo ques­tions the real­i­ty of vam­pires and the nature of blood con­sump­tion, touch­ing on cul­tur­al taboos and the sym­bol­ism of bod­i­ly flu­ids in mag­ic. Thomas con­firms that these elements—menstrual blood and semen—hold sig­nif­i­cant mag­i­cal pow­er due to their asso­ci­a­tion with secre­cy and taboo, adding a lay­er of depth to the narrative’s explo­ration of mag­ic and cor­po­re­al­i­ty. The chap­ter bal­ances humor and seri­ous­ness, with Mo’s light­heart­ed inquiry into ear­wax prompt­ing gen­uine laugh­ter from Thomas, rein­forc­ing their cama­raderie and the warmth of their rela­tion­ship.

    Ulti­mate­ly, the chap­ter blends themes of immor­tal­i­ty, desire, mag­ic, and secre­cy with­in a ten­der, inti­mate set­ting. Mo’s reflec­tions and their shared moments reveal a com­plex and nuanced rela­tion­ship, one that inter­twines phys­i­cal­i­ty with mys­ti­cal ele­ments. The mix­ture of play­ful ban­ter and pro­found rev­e­la­tion under­scores the unique lens through which the nar­ra­tive views life, plea­sure, and sur­vival, while main­tain­ing a tone that is both con­tem­pla­tive and engag­ing.

    FAQs

    • 1. How does the chapter illustrate the relationship between Mo and Thomas, and what significance does their physical closeness have in the narrative?

      Answer:
      The chapter portrays Mo and Thomas in an intimate and tender moment, lying naked together with Mo beneath Thomas. This physical closeness symbolizes vulnerability, trust, and emotional connection, highlighting the depth of their relationship beyond mere immortality or magical aspects. Mo enjoys the sensory details—Thomas’s breath, the rise and fall of his chest—and these moments contrast with the otherwise mystical or magical elements of their existence. Their closeness also emphasizes Mo’s internal conflict about his desires and the rules they must follow, such as orgasm denial, which adds layers to their dynamic and humanizes their supernatural experience.

      2. What is the “list song” mentioned in the chapter, and how does it function as a metaphor for Mo’s experiences?

      Answer:
      The “list song” is a metaphorical device that represents a catalog of experiences, particularly sexual acts or significant moments, that Mo keeps track of mentally. As Mo crosses items off the list, they become pauses in the performance of the song—moments that others try to guess or imagine, but can never fully know. This concept underscores the theme of secrecy and the unknowability of personal history, especially for immortal beings like Mo. It also reflects Mo’s desire to record and acknowledge his experiences while maintaining some mystery. The list song metaphorically captures the tension between revealing and concealing personal truths.

      3. How does the chapter connect the concepts of immortality, magic, and the need for sustenance, and what examples are provided to explain this connection?

      Answer:
      The chapter links immortality and magic with the necessity for some form of sustenance to maintain life and power. Thomas explains that beings like them can draw energy from various sources: magical items (such as Malo Mogge’s cup or knife), living creatures (animals or people), or bodily fluids. This explanation serves to demystify supernatural stories like those of vampires and witches, grounding them in the idea that magic requires feeding on life force or energy, which can take many forms. The dialogue also humorously touches on taboos such as menstrual blood and semen as potent magical substances, highlighting the role of cultural secrecy and symbolism in magical practices.

      4. In what ways does the chapter use humor and cultural references to explore themes of magic and taboo?

      Answer:
      The chapter uses humor through playful banter between Mo and Thomas, such as Mo’s Dracula imitation and the joke about earwax as a magical substance, which causes Thomas to laugh uncontrollably. These moments lighten the discussion of otherwise serious or taboo topics—like the use of bodily fluids in magic—and invite readers to reconsider cultural myths with a more open, irreverent perspective. References to popular culture, such as “True Blood” fan fiction, serve to critique how mainstream narratives often overlook or mishandle complex realities (e.g., menstrual blood in vampire lore). This blending of humor and cultural critique enriches the narrative by making the mystical more relatable and grounded.

      5. How might the concept of “orgasm denial” as described in the chapter be interpreted in terms of power dynamics and control within Mo and Thomas’s relationship?

      Answer:
      Orgasm denial in the chapter functions as a consensual exercise of power and control that deepens intimacy between Mo and Thomas. Thomas’s ability to command Mo not to climax until permitted introduces a dynamic where trust and self-restraint play critical roles. This control is not oppressive but erotic and empowering, as it heightens Mo’s anticipation and pleasure. The practice also reflects the broader theme of boundaries and consent in their immortal, magical lives, showing how even supernatural beings negotiate desire and autonomy. It adds complexity to their relationship by intertwining physicality with psychological and emotional layers of connection.

    Quotes

    • 1. “Why? You’re immortal.”

      This concise exchange captures the chapter’s exploration of immortality and its emotional nuances, highlighting how being immortal does not preclude desires, intimacy, or hesitation. It sets the tone for the intimate and reflective mood between Mo and Thomas.

      2. “You can tell people things, right? Tell people things and then they have to do them.”

      “I can, Thomas said. As infrequently as possible, but I can.”
      “Then tell me, Mo said. Tell me not to come until you decide I can. That’s on the list. My list song.”

      This dialogue reveals the intriguing magical concept of commands that must be obeyed, which becomes a metaphor for consent and control in their relationship. It also introduces the “list song” as a structural device for Mo’s experiences and desires.

      3. “There are myriad ways for ones like us to sustain ourselves. You can draw from an item that someone has stored their magic in. Like Malo Mogge’s cup. Once she had a knife, I believe. You can draw from living things, like animals or people. There are different ways of doing that, which is why you get so many stories about vampires and succubi and witches sucking cows dry and so on.”

      This passage provides a key explanation of the supernatural mechanics in the story’s world, linking folklore and magic to the characters’ existence. It grounds the fantasy elements in a broader mythological context.

      4. “Magic is all about patterns and secrecy and taboos. Menstrual blood ticks all the right boxes. Cum, too.”

      Here, the narrative confronts taboos head-on, discussing the sources of magical power with frankness and humor. It highlights the theme that magic, desire, and social norms are intertwined, and challenges conventional stigmas.

      5. “He was naked, made of magic, and someone thought he was funny.”

      This closing reflection encapsulates the chapter’s blend of vulnerability, intimacy, and levity. It emphasizes Mo’s contentment and connection, underscoring the human (and magical) need for acceptance and joy.

    Quotes

    1. “Why? You’re immortal.”

    This concise exchange captures the chapter’s exploration of immortality and its emotional nuances, highlighting how being immortal does not preclude desires, intimacy, or hesitation. It sets the tone for the intimate and reflective mood between Mo and Thomas.

    2. “You can tell people things, right? Tell people things and then they have to do them.”

    “I can, Thomas said. As infrequently as possible, but I can.”
    “Then tell me, Mo said. Tell me not to come until you decide I can. That’s on the list. My list song.”

    This dialogue reveals the intriguing magical concept of commands that must be obeyed, which becomes a metaphor for consent and control in their relationship. It also introduces the “list song” as a structural device for Mo’s experiences and desires.

    3. “There are myriad ways for ones like us to sustain ourselves. You can draw from an item that someone has stored their magic in. Like Malo Mogge’s cup. Once she had a knife, I believe. You can draw from living things, like animals or people. There are different ways of doing that, which is why you get so many stories about vampires and succubi and witches sucking cows dry and so on.”

    This passage provides a key explanation of the supernatural mechanics in the story’s world, linking folklore and magic to the characters’ existence. It grounds the fantasy elements in a broader mythological context.

    4. “Magic is all about patterns and secrecy and taboos. Menstrual blood ticks all the right boxes. Cum, too.”

    Here, the narrative confronts taboos head-on, discussing the sources of magical power with frankness and humor. It highlights the theme that magic, desire, and social norms are intertwined, and challenges conventional stigmas.

    5. “He was naked, made of magic, and someone thought he was funny.”

    This closing reflection encapsulates the chapter’s blend of vulnerability, intimacy, and levity. It emphasizes Mo’s contentment and connection, underscoring the human (and magical) need for acceptance and joy.

    FAQs

    1. How does the chapter illustrate the relationship between Mo and Thomas, and what significance does their physical closeness have in the narrative?

    Answer:
    The chapter portrays Mo and Thomas in an intimate and tender moment, lying naked together with Mo beneath Thomas. This physical closeness symbolizes vulnerability, trust, and emotional connection, highlighting the depth of their relationship beyond mere immortality or magical aspects. Mo enjoys the sensory details—Thomas’s breath, the rise and fall of his chest—and these moments contrast with the otherwise mystical or magical elements of their existence. Their closeness also emphasizes Mo’s internal conflict about his desires and the rules they must follow, such as orgasm denial, which adds layers to their dynamic and humanizes their supernatural experience.

    2. What is the “list song” mentioned in the chapter, and how does it function as a metaphor for Mo’s experiences?

    Answer:
    The “list song” is a metaphorical device that represents a catalog of experiences, particularly sexual acts or significant moments, that Mo keeps track of mentally. As Mo crosses items off the list, they become pauses in the performance of the song—moments that others try to guess or imagine, but can never fully know. This concept underscores the theme of secrecy and the unknowability of personal history, especially for immortal beings like Mo. It also reflects Mo’s desire to record and acknowledge his experiences while maintaining some mystery. The list song metaphorically captures the tension between revealing and concealing personal truths.

    3. How does the chapter connect the concepts of immortality, magic, and the need for sustenance, and what examples are provided to explain this connection?

    Answer:
    The chapter links immortality and magic with the necessity for some form of sustenance to maintain life and power. Thomas explains that beings like them can draw energy from various sources: magical items (such as Malo Mogge’s cup or knife), living creatures (animals or people), or bodily fluids. This explanation serves to demystify supernatural stories like those of vampires and witches, grounding them in the idea that magic requires feeding on life force or energy, which can take many forms. The dialogue also humorously touches on taboos such as menstrual blood and semen as potent magical substances, highlighting the role of cultural secrecy and symbolism in magical practices.

    4. In what ways does the chapter use humor and cultural references to explore themes of magic and taboo?

    Answer:
    The chapter uses humor through playful banter between Mo and Thomas, such as Mo’s Dracula imitation and the joke about earwax as a magical substance, which causes Thomas to laugh uncontrollably. These moments lighten the discussion of otherwise serious or taboo topics—like the use of bodily fluids in magic—and invite readers to reconsider cultural myths with a more open, irreverent perspective. References to popular culture, such as “True Blood” fan fiction, serve to critique how mainstream narratives often overlook or mishandle complex realities (e.g., menstrual blood in vampire lore). This blending of humor and cultural critique enriches the narrative by making the mystical more relatable and grounded.

    5. How might the concept of “orgasm denial” as described in the chapter be interpreted in terms of power dynamics and control within Mo and Thomas’s relationship?

    Answer:
    Orgasm denial in the chapter functions as a consensual exercise of power and control that deepens intimacy between Mo and Thomas. Thomas’s ability to command Mo not to climax until permitted introduces a dynamic where trust and self-restraint play critical roles. This control is not oppressive but erotic and empowering, as it heightens Mo’s anticipation and pleasure. The practice also reflects the broader theme of boundaries and consent in their immortal, magical lives, showing how even supernatural beings negotiate desire and autonomy. It adds complexity to their relationship by intertwining physicality with psychological and emotional layers of connection.

    Note