Cover of Gods & Monsters
    FantasyRomance NovelYoung Adult

    Gods & Monsters

    by Mahurin, Shelby
    “Gods & Monsters” by Shelby Mahurin is the final installment in the “Serpent & Dove” trilogy, a YA fantasy series blending French-inspired witchcraft, forbidden romance, and political intrigue. Following a devastating loss, protagonist Lou—now possessed by a powerful enemy witch—joins Reid, Beau, and Coco in a quest for vengeance against the dark witch Morgane. Themes of sacrifice, identity, and the blurred lines between good and evil drive the narrative as alliances are tested and divine forces intervene. The novel culminates in a high-stakes battle, resolving the trilogy’s central conflicts while exploring the cost of power and redemption. Its mix of action, mythology, and emotional depth solidifies its place in the YA fantasy genre.

    The chap­ter fol­lows Reid Dig­gory, a deter­mined and angry Chas­seur cap­tain, as he races through a misty north­ern for­est, dri­ven by frag­ment­ed mem­o­ries and a burn­ing desire to reclaim his stolen knife, Bal­is­ar­da. He recalls a past mis­sion under Cap­tain Blan­chart, who sus­pect­ed melusines in the area, and dis­miss­es the claims of a freck­led witch who insists she is his wife. Reid’s thoughts are chaot­ic, filled with images of blood­stained snow, laven­der hair, and a demon­ic tree that con­sumed his weapon. His rage fuels his sprint toward a near­by ham­let, where he plans to gath­er forces against the witch­es he believes hold his sis­ter Célie and the crown prince hostage.

    Reid’s inter­nal con­flict inten­si­fies as he grap­ples with dis­joint­ed mem­o­ries, includ­ing his brief asso­ci­a­tion with the Troupe de For­tune and the scarred witch Lou, who claims to be his wife. He scoffs at the idea, refus­ing to believe he would ever mar­ry a witch, yet her words haunt him. His pri­ma­ry focus remains on retriev­ing Bal­is­ar­da, even if it means destroy­ing the for­est. The chap­ter high­lights his sin­gle-mind­ed deter­mi­na­tion and deep-seat­ed hatred for witch­es, jux­ta­posed with flash­es of doubt and unre­solved ques­tions about his past.

    Upon reach­ing the ham­let, Reid attempts to ral­ly the locals for a witch hunt, but his efforts are met with unex­pect­ed resis­tance. A young boy at the parish door accus­es Reid of being a mur­der­er and a witch, ref­er­enc­ing his killing of the Arch­bish­op. This shock­ing rev­e­la­tion momen­tar­i­ly stuns Reid, forc­ing him to con­front the pos­si­bil­i­ty that his mem­o­ries are incom­plete or manip­u­lat­ed. The boy’s defi­ance and the vil­lagers’ hos­til­i­ty sug­gest that Reid’s rep­u­ta­tion has been tar­nished, and his author­i­ty is no longer rec­og­nized.

    The chap­ter ends on a cliffhang­er, with Reid reel­ing from the boy’s accu­sa­tions and the chill­ing real­iza­tion that he may have com­mit­ted unfor­giv­able acts. His once-unshak­able con­vic­tion wavers as the pieces of his frac­tured mem­o­ries begin to form a dis­turb­ing pic­ture. The con­fronta­tion at the parish door under­scores the theme of iden­ti­ty and betray­al, leav­ing Reid—and the reader—questioning who he tru­ly is and what he has done. The ten­sion builds as Reid stands on the precipice of a truth that could shat­ter his world­view.

    FAQs

    • 1. What internal conflict does Reid experience regarding his memories, and how does this manifest in his actions?

      Answer:
      Reid experiences significant cognitive dissonance as fragmented memories contradict his current beliefs and identity. While he remembers events like traveling with the Troupe de Fortune and throwing knives with them, he cannot reconcile these memories with his self-image as a devout Chasseur who despises witches. This manifests in physical stumbling and emotional turmoil, described as “pieces of memory swarm[ing] and sting[ing] like insects.” His denial is particularly evident when he dismisses Lou’s claim of being his wife, despite her emotional reaction suggesting truth. Reid copes by fixating on retrieving his Balisarda knife, channeling confusion into a singular, actionable goal.

      2. How does the hamlet boy’s reaction to Reid reveal a shift in societal perceptions of Chasseurs?

      Answer:
      The boy’s hostility—calling Reid a “murderer” and “witch”—reflects a dramatic reversal of traditional power dynamics. Previously, Chasseurs like Reid commanded fear and respect as witch hunters sanctioned by the Church. Now, the boy threatens Reid with a knife and references “huntsmen,” implying Chasseurs are themselves hunted. This aligns with Reid’s fragmented memory of killing the Archbishop, a sacrilegious act that would delegitimize him. The confrontation underscores a broader societal shift where Chasseurs are no longer protectors but outlaws, mirroring Reid’s internal crisis of identity.

      3. Analyze the significance of Reid’s fixation on his Balisarda knife. What might it symbolize?

      Answer:
      The Balisarda represents Reid’s fractured identity and lost purpose. As a Chasseur, his knives are tools of righteousness, but the empty sheath “above [his] heart” suggests a spiritual void. His vow to “burn the whole forest” to reclaim it mirrors his desperate clinging to past certainty. The knife’s absorption by the “demonic tree” (likely magical) parallels how Reid’s worldview has been subsumed by truths he cannot accept—like his marriage to Lou. His obsession with the physical weapon contrasts with his inability to grasp emotional truths, highlighting his prioritization of duty over humanity.

      4. How does the chapter use sensory details to convey Reid’s emotional state? Provide examples.

      Answer:
      Physical sensations mirror Reid’s turmoil: his “flushed” skin and “burning” cheeks reflect rage, while the “numbing” wind echoes emotional detachment. The “searing pain” of memories contrasts with the “sickening cold” of realizing he killed the Archbishop, illustrating shock. Auditory details like “pounded” footsteps and the door “bang[ing]” against stone externalize his aggression. Notably, his breath “catch[ing]” around Lou’s name reveals subconscious recognition beneath his sneering. These visceral descriptions immerse readers in Reid’s unstable psyche, blurring lines between physical and emotional distress.

      5. Why might Reid’s sudden concern for Célie be ironic or hypocritical?

      Answer:
      Reid’s panic over leaving Célie with witches ignores his own violent history. He earlier recalls “bloodstained snow” and “gruesome injury,” implying past harm to innocents. His concern also contrasts with dismissing Lou’s grief—another woman he supposedly loved—as “hideous.” The irony deepens when considering Célie’s implied safety with the crown prince, whom Reid distrusts for sympathizing with witches. This selective protectiveness underscores his cognitive dissonance: he upholds patriarchal duty (protecting a lady) while rejecting relational bonds (his marriage), revealing inconsistent morals.

    Quotes

    • 1. “I’d burn the whole forest if necessary. I’d hack the demonic tree down to the ground, and I’d dig until its roots became kindling.”

      This quote showcases Reid’s fanatical determination and violent resolve to reclaim his lost Balisarda knife, embodying his single-minded devotion to his mission and his willingness to destroy anything in his path.

      2. “I’m your wife, she’d said, her eyes glistening with unshed tears. In the biblical sense.”

      A pivotal moment that introduces the emotional conflict and memory gaps Reid experiences, hinting at a deeper, forgotten relationship with the “freckled witch” that challenges his identity and beliefs.

      3. “As if I’d ever debase myself with a witch. As if I’d ever marry anyone, let alone a bride of Satan.”

      This quote highlights Reid’s ingrained prejudice and denial, reflecting the ideological clash between his Chasseur indoctrination and the personal history he can’t remember—or refuses to acknowledge.

      4. “Do you want the lives of innocents on your conscience?… Do you? His voice cracked on the challenge…”

      A tense exchange that reveals the growing societal shift against Chasseurs, as even a young boy dares to confront Reid, calling him a “murderer” and “witch”—a stark role reversal from the usual dynamics of power.

      5. “Father Angelart ain’t here, but I—I got me a knife too, right? I’ll gut you, I will, before the huntsmen arrive.”

      This moment underscores the crumbling authority of the Chasseurs, as a civilian threatens Reid with the same violence he once wielded, symbolizing the turning tide in their world’s power structure.

    Quotes

    1. “I’d burn the whole forest if necessary. I’d hack the demonic tree down to the ground, and I’d dig until its roots became kindling.”

    This quote showcases Reid’s fanatical determination and violent resolve to reclaim his lost Balisarda knife, embodying his single-minded devotion to his mission and his willingness to destroy anything in his path.

    2. “I’m your wife, she’d said, her eyes glistening with unshed tears. In the biblical sense.”

    A pivotal moment that introduces the emotional conflict and memory gaps Reid experiences, hinting at a deeper, forgotten relationship with the “freckled witch” that challenges his identity and beliefs.

    3. “As if I’d ever debase myself with a witch. As if I’d ever marry anyone, let alone a bride of Satan.”

    This quote highlights Reid’s ingrained prejudice and denial, reflecting the ideological clash between his Chasseur indoctrination and the personal history he can’t remember—or refuses to acknowledge.

    4. “Do you want the lives of innocents on your conscience?… Do you? His voice cracked on the challenge…”

    A tense exchange that reveals the growing societal shift against Chasseurs, as even a young boy dares to confront Reid, calling him a “murderer” and “witch”—a stark role reversal from the usual dynamics of power.

    5. “Father Angelart ain’t here, but I—I got me a knife too, right? I’ll gut you, I will, before the huntsmen arrive.”

    This moment underscores the crumbling authority of the Chasseurs, as a civilian threatens Reid with the same violence he once wielded, symbolizing the turning tide in their world’s power structure.

    FAQs

    1. What internal conflict does Reid experience regarding his memories, and how does this manifest in his actions?

    Answer:
    Reid experiences significant cognitive dissonance as fragmented memories contradict his current beliefs and identity. While he remembers events like traveling with the Troupe de Fortune and throwing knives with them, he cannot reconcile these memories with his self-image as a devout Chasseur who despises witches. This manifests in physical stumbling and emotional turmoil, described as “pieces of memory swarm[ing] and sting[ing] like insects.” His denial is particularly evident when he dismisses Lou’s claim of being his wife, despite her emotional reaction suggesting truth. Reid copes by fixating on retrieving his Balisarda knife, channeling confusion into a singular, actionable goal.

    2. How does the hamlet boy’s reaction to Reid reveal a shift in societal perceptions of Chasseurs?

    Answer:
    The boy’s hostility—calling Reid a “murderer” and “witch”—reflects a dramatic reversal of traditional power dynamics. Previously, Chasseurs like Reid commanded fear and respect as witch hunters sanctioned by the Church. Now, the boy threatens Reid with a knife and references “huntsmen,” implying Chasseurs are themselves hunted. This aligns with Reid’s fragmented memory of killing the Archbishop, a sacrilegious act that would delegitimize him. The confrontation underscores a broader societal shift where Chasseurs are no longer protectors but outlaws, mirroring Reid’s internal crisis of identity.

    3. Analyze the significance of Reid’s fixation on his Balisarda knife. What might it symbolize?

    Answer:
    The Balisarda represents Reid’s fractured identity and lost purpose. As a Chasseur, his knives are tools of righteousness, but the empty sheath “above [his] heart” suggests a spiritual void. His vow to “burn the whole forest” to reclaim it mirrors his desperate clinging to past certainty. The knife’s absorption by the “demonic tree” (likely magical) parallels how Reid’s worldview has been subsumed by truths he cannot accept—like his marriage to Lou. His obsession with the physical weapon contrasts with his inability to grasp emotional truths, highlighting his prioritization of duty over humanity.

    4. How does the chapter use sensory details to convey Reid’s emotional state? Provide examples.

    Answer:
    Physical sensations mirror Reid’s turmoil: his “flushed” skin and “burning” cheeks reflect rage, while the “numbing” wind echoes emotional detachment. The “searing pain” of memories contrasts with the “sickening cold” of realizing he killed the Archbishop, illustrating shock. Auditory details like “pounded” footsteps and the door “bang[ing]” against stone externalize his aggression. Notably, his breath “catch[ing]” around Lou’s name reveals subconscious recognition beneath his sneering. These visceral descriptions immerse readers in Reid’s unstable psyche, blurring lines between physical and emotional distress.

    5. Why might Reid’s sudden concern for Célie be ironic or hypocritical?

    Answer:
    Reid’s panic over leaving Célie with witches ignores his own violent history. He earlier recalls “bloodstained snow” and “gruesome injury,” implying past harm to innocents. His concern also contrasts with dismissing Lou’s grief—another woman he supposedly loved—as “hideous.” The irony deepens when considering Célie’s implied safety with the crown prince, whom Reid distrusts for sympathizing with witches. This selective protectiveness underscores his cognitive dissonance: he upholds patriarchal duty (protecting a lady) while rejecting relational bonds (his marriage), revealing inconsistent morals.

    Note