Cover of Gods & Monsters
    FantasyRomance NovelYoung Adult

    Gods & Monsters

    by Mahurin, Shelby
    “Gods & Monsters” by Shelby Mahurin is the final installment in the “Serpent & Dove” trilogy, a YA fantasy series blending French-inspired witchcraft, forbidden romance, and political intrigue. Following a devastating loss, protagonist Lou—now possessed by a powerful enemy witch—joins Reid, Beau, and Coco in a quest for vengeance against the dark witch Morgane. Themes of sacrifice, identity, and the blurred lines between good and evil drive the narrative as alliances are tested and divine forces intervene. The novel culminates in a high-stakes battle, resolving the trilogy’s central conflicts while exploring the cost of power and redemption. Its mix of action, mythology, and emotional depth solidifies its place in the YA fantasy genre.

    The chap­ter opens with Reid observ­ing the after­math of a chaot­ic bat­tle, where Lou clings to her moth­er while oth­ers nav­i­gate the emo­tion­al and phys­i­cal wreck­age. Coco and blood witch­es con­struct a vine bridge, allow­ing sur­vivors like Célie and her com­pan­ions to cross. Some witch­es show def­er­ence, while oth­ers, like a dis­traught Dame Blanche, react vio­lent­ly, forc­ing Jean Luc to inter­vene. The Oracle’s Hand, Elvire, pre­pares to depart with the dead, hint­ing at unre­solved ten­sions and future encoun­ters. Reid remains torn between fol­low­ing Coco and stay­ing with Lou, ulti­mate­ly choos­ing the lat­ter as Coco insists Lou needs him more.

    Reid’s reunion with his moth­er, Madame Labelle, becomes a poignant moment of relief and vul­ner­a­bil­i­ty. He finds her healed and vibrant, thanks to Babette’s blood mag­ic, and embraces her fierce­ly. Their ban­ter reveals a deep bond, though Madame Labelle’s play­ful scold­ing of Babette for past mis­chief light­ens the mood. The con­ver­sa­tion turns somber as they dis­cuss Auguste’s death, with Reid express­ing bit­ter­ness over his father’s cru­el­ty. Madame Labelle, though sym­pa­thet­ic, focus­es on Reid’s well-being, urg­ing him to return to Lou while she watch­es the sun­rise, sym­bol­iz­ing hope amid the dev­as­ta­tion.

    As Reid pre­pares to rejoin Lou, he stum­bles upon a heart­break­ing scene: Beau, Gabrielle, and Vio­lette mourn­ing the deaths of Ismay and Vic­toire, sur­round­ed by fall­en witch­es. The raw grief of his sib­lings strikes Reid deeply, forc­ing him to con­front missed oppor­tu­ni­ties for con­nec­tion with Vic­toire. The moment under­scores the per­son­al toll of the con­flict, blend­ing famil­ial love with regret. Beau’s sobs and the girls’ anguish high­light the chapter’s themes of loss and resilience, leav­ing Reid emo­tion­al­ly shak­en yet resolved to cher­ish his remain­ing bonds.

    The chap­ter clos­es with a mix of clo­sure and unre­solved threads. Reid’s inter­ac­tions with his moth­er and sib­lings empha­size the impor­tance of fam­i­ly, even in the face of tragedy. Mean­while, Lou’s still­ness with her moth­er and Coco’s depar­ture with Beau sug­gest lin­ger­ing emo­tion­al jour­neys. The sun­rise Madame Labelle awaits sym­bol­izes renew­al, but the deaths of Vic­toire and oth­ers serve as stark reminders of the cost of war. Reid’s inter­nal conflict—between duty to Lou and his own famil­ial ties—sets the stage for future rec­on­cil­i­a­tion and heal­ing.

    FAQs

    • 1. How does the chapter illustrate the theme of reconciliation between former enemies, and what specific interactions demonstrate this?

      Answer:
      The chapter shows several instances of reconciliation between former enemies, particularly between the Chasseurs and witches. Coco’s tentative greeting of the witches Corinne and Barnabé—who remembered her from childhood—demonstrates this, as does their act of baring their throats in submission. Additionally, Babette’s healing of Madame Labelle, despite their past conflicts, shows reconciliation in action. These interactions highlight the possibility of moving beyond historical animosities, especially when characters share personal connections or acknowledge past debts. The chapter suggests that reconciliation often begins with small, personal gestures rather than grand declarations.

      2. Analyze Reid’s emotional journey in this chapter. How does his reunion with his mother contrast with his observations of Lou’s grief?

      Answer:
      Reid experiences a mix of relief, love, and lingering tension in this chapter. His reunion with Madame Labelle is emotionally charged—he crushes her in a hug, expresses gratitude for her survival, and even tells her he loves her for the first time. This contrasts sharply with his silent vigil for Lou, who remains immobilized by grief under her mother’s body. While Reid finds comfort in his mother’s warmth and humor, he recognizes Lou’s pain is deeper and more unresolved. His decision to stay with Lou after ensuring his mother’s safety shows his growing emotional maturity and prioritization of their bond.

      3. What role does humor play in easing the chapter’s heavier themes, and how does Madame Labelle specifically contribute to this?

      Answer:
      Humor provides much-needed levity amid the chapter’s themes of loss and trauma. Madame Labelle’s witty remarks—such as her complaint about Babette dyeing her hair blue or her teasing about Reid naming future children after her—soften the gravity of recent events. Even when discussing Auguste’s death, she lightens the mood by imagining him suffering in the afterlife “with rats.” Her banter with Reid about Father Achille further defuses tension. This humor serves as a coping mechanism, allowing characters (and readers) to process pain without being overwhelmed by it.

      4. How does the chapter handle the aftermath of violence and death, and what does the final scene with Gabrielle, Violette, and Beau reveal about communal grief?

      Answer:
      The chapter portrays grief as both personal and collective. While Lou’s solitary mourning is private, the final scene shows communal grief: Beau sobbing with Gabrielle and Violette over Ismay and Victoire’s bodies, their anguish raw and shared. This contrast highlights how loss affects relationships differently. The witches’ presence around the bodies also underscores that the battle’s toll extends beyond individual factions. The scene emphasizes that grief can unite people across divides, as seen in Beau’s physical embrace of the girls—a gesture that mirrors Reid’s earlier protectiveness over his own family.

      5. Critical Thinking: How does the setting (e.g., the bridge, the sunrise, winter jasmine) symbolically reflect the chapter’s themes of transition and hope?

      Answer:
      The bridge of vines symbolizes connection and tentative steps toward reconciliation, literally spanning a chasm between characters. The impending sunrise represents a new beginning after darkness, mirroring Madame Labelle’s desire to “watch the sun rise” as a metaphor for renewal. The winter jasmine blooming beside her bench—a flower that thrives in cold months—suggests resilience and hope persisting amid hardship. These elements collectively reinforce the chapter’s message: even in the wake of destruction, there are signs of growth and the possibility of rebuilding, both physically and emotionally.

    Quotes

    • 1. “They’d even bared their throats before leaving to find their kin. A sign of submission.”

      This moment captures a significant shift in power dynamics between the witches and the protagonists, symbolizing both reconciliation and the end of conflict. The gesture of submission marks a turning point in their fraught relationship.

      2. “She was here. She was alive.”

      Reid’s visceral relief upon seeing his mother safe underscores the chapter’s themes of family and survival amid chaos. The repetition and italicized emphasis make this a powerful emotional anchor in the narrative.

      3. “I love you. I don’t think I’ve ever told you.”

      This vulnerable admission between Reid and his mother represents a key character growth moment, breaking his emotional restraint. It contrasts sharply with their usual banter, revealing deeper layers in their relationship.

      4. “You shall visit at least thrice a week, and you and Louise shall name your firstborn child after me. Perhaps your second too.”

      Madame Labelle’s humorous yet heartfelt demands lighten the mood while reinforcing familial bonds. The quote exemplifies the chapter’s balance of wit and tenderness amid trauma.

      5. “My siblings. Though I hadn’t known Victoire as well as Beau, I could have. I would have.”

      Reid’s realization about lost opportunities with his family underscores the chapter’s reflections on grief and reconciliation. The italicized resolve adds poignancy to this closing emotional beat.

    Quotes

    1. “They’d even bared their throats before leaving to find their kin. A sign of submission.”

    This moment captures a significant shift in power dynamics between the witches and the protagonists, symbolizing both reconciliation and the end of conflict. The gesture of submission marks a turning point in their fraught relationship.

    2. “She was here. She was alive.”

    Reid’s visceral relief upon seeing his mother safe underscores the chapter’s themes of family and survival amid chaos. The repetition and italicized emphasis make this a powerful emotional anchor in the narrative.

    3. “I love you. I don’t think I’ve ever told you.”

    This vulnerable admission between Reid and his mother represents a key character growth moment, breaking his emotional restraint. It contrasts sharply with their usual banter, revealing deeper layers in their relationship.

    4. “You shall visit at least thrice a week, and you and Louise shall name your firstborn child after me. Perhaps your second too.”

    Madame Labelle’s humorous yet heartfelt demands lighten the mood while reinforcing familial bonds. The quote exemplifies the chapter’s balance of wit and tenderness amid trauma.

    5. “My siblings. Though I hadn’t known Victoire as well as Beau, I could have. I would have.”

    Reid’s realization about lost opportunities with his family underscores the chapter’s reflections on grief and reconciliation. The italicized resolve adds poignancy to this closing emotional beat.

    FAQs

    1. How does the chapter illustrate the theme of reconciliation between former enemies, and what specific interactions demonstrate this?

    Answer:
    The chapter shows several instances of reconciliation between former enemies, particularly between the Chasseurs and witches. Coco’s tentative greeting of the witches Corinne and Barnabé—who remembered her from childhood—demonstrates this, as does their act of baring their throats in submission. Additionally, Babette’s healing of Madame Labelle, despite their past conflicts, shows reconciliation in action. These interactions highlight the possibility of moving beyond historical animosities, especially when characters share personal connections or acknowledge past debts. The chapter suggests that reconciliation often begins with small, personal gestures rather than grand declarations.

    2. Analyze Reid’s emotional journey in this chapter. How does his reunion with his mother contrast with his observations of Lou’s grief?

    Answer:
    Reid experiences a mix of relief, love, and lingering tension in this chapter. His reunion with Madame Labelle is emotionally charged—he crushes her in a hug, expresses gratitude for her survival, and even tells her he loves her for the first time. This contrasts sharply with his silent vigil for Lou, who remains immobilized by grief under her mother’s body. While Reid finds comfort in his mother’s warmth and humor, he recognizes Lou’s pain is deeper and more unresolved. His decision to stay with Lou after ensuring his mother’s safety shows his growing emotional maturity and prioritization of their bond.

    3. What role does humor play in easing the chapter’s heavier themes, and how does Madame Labelle specifically contribute to this?

    Answer:
    Humor provides much-needed levity amid the chapter’s themes of loss and trauma. Madame Labelle’s witty remarks—such as her complaint about Babette dyeing her hair blue or her teasing about Reid naming future children after her—soften the gravity of recent events. Even when discussing Auguste’s death, she lightens the mood by imagining him suffering in the afterlife “with rats.” Her banter with Reid about Father Achille further defuses tension. This humor serves as a coping mechanism, allowing characters (and readers) to process pain without being overwhelmed by it.

    4. How does the chapter handle the aftermath of violence and death, and what does the final scene with Gabrielle, Violette, and Beau reveal about communal grief?

    Answer:
    The chapter portrays grief as both personal and collective. While Lou’s solitary mourning is private, the final scene shows communal grief: Beau sobbing with Gabrielle and Violette over Ismay and Victoire’s bodies, their anguish raw and shared. This contrast highlights how loss affects relationships differently. The witches’ presence around the bodies also underscores that the battle’s toll extends beyond individual factions. The scene emphasizes that grief can unite people across divides, as seen in Beau’s physical embrace of the girls—a gesture that mirrors Reid’s earlier protectiveness over his own family.

    5. Critical Thinking: How does the setting (e.g., the bridge, the sunrise, winter jasmine) symbolically reflect the chapter’s themes of transition and hope?

    Answer:
    The bridge of vines symbolizes connection and tentative steps toward reconciliation, literally spanning a chasm between characters. The impending sunrise represents a new beginning after darkness, mirroring Madame Labelle’s desire to “watch the sun rise” as a metaphor for renewal. The winter jasmine blooming beside her bench—a flower that thrives in cold months—suggests resilience and hope persisting amid hardship. These elements collectively reinforce the chapter’s message: even in the wake of destruction, there are signs of growth and the possibility of rebuilding, both physically and emotionally.

    Note