Cover of Gods & Monsters
    FantasyRomance NovelYoung Adult

    Gods & Monsters

    by Mahurin, Shelby
    “Gods & Monsters” by Shelby Mahurin is the final installment in the “Serpent & Dove” trilogy, a YA fantasy series blending French-inspired witchcraft, forbidden romance, and political intrigue. Following a devastating loss, protagonist Lou—now possessed by a powerful enemy witch—joins Reid, Beau, and Coco in a quest for vengeance against the dark witch Morgane. Themes of sacrifice, identity, and the blurred lines between good and evil drive the narrative as alliances are tested and divine forces intervene. The novel culminates in a high-stakes battle, resolving the trilogy’s central conflicts while exploring the cost of power and redemption. Its mix of action, mythology, and emotional depth solidifies its place in the YA fantasy genre.

    The chap­ter “Le Cauchemar” fol­lows Reid and their companions—Lou, Coco, Célie, and Beau—as they explore a dark, aban­doned light­house in search of a myth­i­cal crea­ture called the *cauchemar*. The light­house is eerie, filled with bro­ken mir­rors, rust­ed hooks, and rem­nants of its last keep­er. The group’s ten­sion is pal­pa­ble as they nav­i­gate the space, with the door slam­ming shut behind them, trig­ger­ing pan­ic. Reid tries to reas­sure the oth­ers, attribut­ing the noise to the wind, but the unset­tling atmos­phere per­sists, ampli­fied by faint laugh­ter that unnerves them.

    Rei­d’s inter­nal strug­gle becomes evi­dent as they grap­ple with fear and para­noia, mis­tak­ing Lou’s laugh­ter for the Archbishop’s—a fig­ure they claim not to fear. The *cauchemar* preys on their minds, twist­ing per­cep­tions and sow­ing doubt. Despite the crea­ture’s rep­u­ta­tion for cru­el­ty, Reid ratio­nal­izes that it has­n’t attacked them, sug­gest­ing its tac­tics are defen­sive rather than aggres­sive. Lou, how­ev­er, sens­es the per­va­sive fear in the envi­ron­ment, describ­ing it as a tan­gi­ble pres­ence coat­ing the walls and floor. Her sud­den urge to leave adds to the group’s unease.

    The group cau­tious­ly ascends the light­house­’s rot­ting stair­case, each step height­en­ing their anx­i­ety. Strange noises—groans, creaks, and gusts of wind—keep them on edge. Beau’s pan­ic peaks as he demands they dis­cuss their fears, but the oth­ers dis­tract them­selves by arm­ing with shards of bro­ken mir­ror, a makeshift defense against the unseen threat. Coco and Célie’s resource­ful­ness con­trasts with Beau’s skep­ti­cism, while Rei­d’s approval of the idea hints at their grow­ing des­per­a­tion.

    As they near the final floor, the ten­sion esca­lates. The door slams again, and Beau’s whis­pered sug­ges­tion to con­front their fears goes unan­swered. The chap­ter ends on a cliffhang­er, leav­ing the group’s fate uncer­tain. The *cauchemar*‘s pres­ence remains ambigu­ous, but its psy­cho­log­i­cal toll is unde­ni­able, blur­ring the line between real­i­ty and night­mare for Reid and their com­pan­ions.

    FAQs

    • 1. How does the setting of the lighthouse contribute to the atmosphere of tension and fear in this chapter?

      Answer:
      The lighthouse setting creates a claustrophobic, unsettling atmosphere through multiple sensory details. The darkness of windowless lower floors, dank stale air, broken glass (revealed to be mirrors), and remnants of a past keeper (rusted hooks, moldy bed) establish decay and abandonment. The sudden slamming door and skittering creature amplify jump-scares, while the characters’ nervous movements through the space heighten tension. The broken mirrors particularly symbolize fractured reality, as they reflect distorted pieces of the environment and characters’ fearful expressions. This setting primes both characters and readers for supernatural encounters, making every sound and shadow feel threatening (pages 74-78).

      2. Analyze how Reid’s perception of the cauchemar evolves during their exploration of the lighthouse. What does this reveal about the creature’s nature?

      Answer:
      Reid initially assumes the cauchemar is a physical threat, preparing weapons and interpreting Lou’s laughter as a potential attack (page 76). However, he realizes the creature operates psychologically—it manipulates fears without direct violence, as shown when the “Archbishop’s laugh” is revealed to be imaginary (page 75). This mirrors La Forêt des Yeux’s mind games, suggesting cauchemars specialize in exploiting personal traumas rather than physical confrontation. Reid’s observation that the creature “hasn’t yet attacked” and uses fear “to protect itself” (page 75-76) reveals its defensive, psychological warfare tactics, contrasting with traditional monster tropes.

      3. How do the characters’ differing reactions to fear demonstrate their personalities and relationships? Provide specific examples.

      Answer:
      The characters’ responses reveal distinct traits: Reid masks fear with authoritative actions (wrenching the door open, insisting “We’re fine”), while Lou is unnervingly attuned to fear’s scent, showing her supernatural instincts (page 76). Célie and Coco’s mirrored shrieks and subsequent weaponization of mirror shards highlight their resourcefulness under pressure, with Coco’s dual-wielding knives and glass showing combat pragmatism (page 77-78). Beau’s panic manifests as irritability (“such rubbish!”), but his suggestion to discuss fears reveals unexpected vulnerability (page 78). Their cohesion—Reid arming Beau, Coco supporting Célie—shows trust despite tensions.

      4. What thematic significance do the broken mirrors hold in this chapter, both literally and symbolically?

      Answer:
      Literally, the mirrors serve as both hazard (glass shards) and potential weapon (repurposed by Célie and Coco). Symbolically, they reflect the fractured mental state induced by the cauchemar: individual shards capture isolated, distorted images of the room and characters (page 74), mirroring how fear fragments perception. The mirrors also literalize self-confrontation—characters see disjointed parts of themselves (Célie’s wide eye, Beau’s drawn mouth) as their fears surface. This foreshadows the cauchemar’s ability to “reflect” internal horrors, turning the characters’ psyches against them, much like the mirrors reflect broken versions of reality.

      5. Evaluate Lou’s statement about scenting fear. How does this detail enhance the chapter’s exploration of fear’s nature?

      Answer:
      Lou’s olfactory perception of fear (“coats the ropes… slick with it”) (page 76) concretizes fear as a tangible, environmental force rather than just an emotion. This supernatural sensitivity underscores fear’s lingering presence in traumatic spaces, implying past victims’ suffering permeates the lighthouse. Her remark that it might be the group’s own fear blurs the line between external threat and internal panic, reinforcing the cauchemar’s psychological warfare. The detail also contrasts human and non-human reactions: while others jump at sounds, Lou analyzes fear chemically, highlighting her dual role as both insider and outsider to human vulnerability.

    Quotes

    • 1. “The lower floors had no windows to let in the early morning sun, so the lighthouse’s interior remained dark. The air dank. Stale. Broken glass littered the floor, glinting in the narrow swath of light from the door.”

      This opening description sets the eerie, oppressive atmosphere of the lighthouse, establishing the unsettling setting where the characters encounter the cauchemar. The sensory details create immediate tension.

      2. “It was La Fôret des Yeux all over again. Instead of trees, the cauchemar mocked me, twisting my thoughts into nightmares.”

      This quote reveals the psychological terror inflicted by the cauchemar, showing how it weaponizes the characters’ own fears. It’s a key insight into the creature’s modus operandi and the protagonist’s vulnerable mental state.

      3. “I can smell the fear in this place. It’s potent. Alive… The entire room is slick with it.”

      Lou’s observation highlights the supernatural nature of the location and the lingering terror left by previous victims. This moment underscores how fear becomes a tangible, almost physical presence in the narrative.

      4. “We will. After we warn the creature. After we ask for its help.”

      This turning point shows the group’s unusual approach to the cauchemar - seeking dialogue rather than confrontation. It reveals their strategic thinking and the chapter’s central tension between fear and diplomacy.

      5. “At Célie’s incredulous stare, one corner of my mouth quirked up. ‘What?’ I shrugged and continued upward, not looking back. ‘It was a good idea.’”

      This moment of levity amidst tension shows character dynamics and adaptability. The mirror shards as improvised weapons symbolize both their resourcefulness and the reflective nature of their fears.

    Quotes

    1. “The lower floors had no windows to let in the early morning sun, so the lighthouse’s interior remained dark. The air dank. Stale. Broken glass littered the floor, glinting in the narrow swath of light from the door.”

    This opening description sets the eerie, oppressive atmosphere of the lighthouse, establishing the unsettling setting where the characters encounter the cauchemar. The sensory details create immediate tension.

    2. “It was La Fôret des Yeux all over again. Instead of trees, the cauchemar mocked me, twisting my thoughts into nightmares.”

    This quote reveals the psychological terror inflicted by the cauchemar, showing how it weaponizes the characters’ own fears. It’s a key insight into the creature’s modus operandi and the protagonist’s vulnerable mental state.

    3. “I can smell the fear in this place. It’s potent. Alive… The entire room is slick with it.”

    Lou’s observation highlights the supernatural nature of the location and the lingering terror left by previous victims. This moment underscores how fear becomes a tangible, almost physical presence in the narrative.

    4. “We will. After we warn the creature. After we ask for its help.”

    This turning point shows the group’s unusual approach to the cauchemar - seeking dialogue rather than confrontation. It reveals their strategic thinking and the chapter’s central tension between fear and diplomacy.

    5. “At Célie’s incredulous stare, one corner of my mouth quirked up. ‘What?’ I shrugged and continued upward, not looking back. ‘It was a good idea.’”

    This moment of levity amidst tension shows character dynamics and adaptability. The mirror shards as improvised weapons symbolize both their resourcefulness and the reflective nature of their fears.

    FAQs

    1. How does the setting of the lighthouse contribute to the atmosphere of tension and fear in this chapter?

    Answer:
    The lighthouse setting creates a claustrophobic, unsettling atmosphere through multiple sensory details. The darkness of windowless lower floors, dank stale air, broken glass (revealed to be mirrors), and remnants of a past keeper (rusted hooks, moldy bed) establish decay and abandonment. The sudden slamming door and skittering creature amplify jump-scares, while the characters’ nervous movements through the space heighten tension. The broken mirrors particularly symbolize fractured reality, as they reflect distorted pieces of the environment and characters’ fearful expressions. This setting primes both characters and readers for supernatural encounters, making every sound and shadow feel threatening (pages 74-78).

    2. Analyze how Reid’s perception of the cauchemar evolves during their exploration of the lighthouse. What does this reveal about the creature’s nature?

    Answer:
    Reid initially assumes the cauchemar is a physical threat, preparing weapons and interpreting Lou’s laughter as a potential attack (page 76). However, he realizes the creature operates psychologically—it manipulates fears without direct violence, as shown when the “Archbishop’s laugh” is revealed to be imaginary (page 75). This mirrors La Forêt des Yeux’s mind games, suggesting cauchemars specialize in exploiting personal traumas rather than physical confrontation. Reid’s observation that the creature “hasn’t yet attacked” and uses fear “to protect itself” (page 75-76) reveals its defensive, psychological warfare tactics, contrasting with traditional monster tropes.

    3. How do the characters’ differing reactions to fear demonstrate their personalities and relationships? Provide specific examples.

    Answer:
    The characters’ responses reveal distinct traits: Reid masks fear with authoritative actions (wrenching the door open, insisting “We’re fine”), while Lou is unnervingly attuned to fear’s scent, showing her supernatural instincts (page 76). Célie and Coco’s mirrored shrieks and subsequent weaponization of mirror shards highlight their resourcefulness under pressure, with Coco’s dual-wielding knives and glass showing combat pragmatism (page 77-78). Beau’s panic manifests as irritability (“such rubbish!”), but his suggestion to discuss fears reveals unexpected vulnerability (page 78). Their cohesion—Reid arming Beau, Coco supporting Célie—shows trust despite tensions.

    4. What thematic significance do the broken mirrors hold in this chapter, both literally and symbolically?

    Answer:
    Literally, the mirrors serve as both hazard (glass shards) and potential weapon (repurposed by Célie and Coco). Symbolically, they reflect the fractured mental state induced by the cauchemar: individual shards capture isolated, distorted images of the room and characters (page 74), mirroring how fear fragments perception. The mirrors also literalize self-confrontation—characters see disjointed parts of themselves (Célie’s wide eye, Beau’s drawn mouth) as their fears surface. This foreshadows the cauchemar’s ability to “reflect” internal horrors, turning the characters’ psyches against them, much like the mirrors reflect broken versions of reality.

    5. Evaluate Lou’s statement about scenting fear. How does this detail enhance the chapter’s exploration of fear’s nature?

    Answer:
    Lou’s olfactory perception of fear (“coats the ropes… slick with it”) (page 76) concretizes fear as a tangible, environmental force rather than just an emotion. This supernatural sensitivity underscores fear’s lingering presence in traumatic spaces, implying past victims’ suffering permeates the lighthouse. Her remark that it might be the group’s own fear blurs the line between external threat and internal panic, reinforcing the cauchemar’s psychological warfare. The detail also contrasts human and non-human reactions: while others jump at sounds, Lou analyzes fear chemically, highlighting her dual role as both insider and outsider to human vulnerability.

    Note