Cover of Gods & Monsters
    FantasyRomance NovelYoung Adult

    Gods & Monsters

    by Mahurin, Shelby
    “Gods & Monsters” by Shelby Mahurin is the final installment in the “Serpent & Dove” trilogy, a YA fantasy series blending French-inspired witchcraft, forbidden romance, and political intrigue. Following a devastating loss, protagonist Lou—now possessed by a powerful enemy witch—joins Reid, Beau, and Coco in a quest for vengeance against the dark witch Morgane. Themes of sacrifice, identity, and the blurred lines between good and evil drive the narrative as alliances are tested and divine forces intervene. The novel culminates in a high-stakes battle, resolving the trilogy’s central conflicts while exploring the cost of power and redemption. Its mix of action, mythology, and emotional depth solidifies its place in the YA fantasy genre.

    The chap­ter fol­lows Reid and their companions—Coco, Beau, Nicholi­na, and Célie—as they search for black pearls in the vil­lage of Anchois. Their efforts prove fruit­less as they comb through mar­ket stalls, encoun­ter­ing super­sti­tious fish­er­men and grow­ing frus­tra­tion. Nicholina’s eerie chant­i­ng about drown­ing adds to the ten­sion, while Coco warns of poten­tial Chas­seur inter­fer­ence. The group’s des­per­a­tion mounts as time runs out, and their inter­ac­tions grow increas­ing­ly irri­ta­ble, cul­mi­nat­ing in pet­ty squab­bles and a sense of hope­less­ness.

    Amid their search, Reid notices a mys­te­ri­ous sign for “La Curieuse Madame Sauvage,” which inter­mit­tent­ly appears and dis­ap­pears, hint­ing at mag­i­cal inter­fer­ence. The oth­ers ini­tial­ly dis­miss it, but Coco even­tu­al­ly con­firms its pres­ence, spark­ing curios­i­ty and unease. The cart, adorned with lux­u­ri­ous items like jew­el­ry, books, and a caged snake, stands out stark­ly against the rus­tic mar­ket. Most impor­tant­ly, it holds the cov­et­ed black pearls, seem­ing­ly placed there as if await­ing their arrival.

    Coco, a self-pro­claimed thief, imme­di­ate­ly con­sid­ers steal­ing the pearls, argu­ing that their mis­sion to save Lou jus­ti­fies the act. Reid hes­i­tates, con­flict­ed by their moral stance, but the urgency of their sit­u­a­tion looms large. The group’s dynam­ic is test­ed as Coco’s prag­ma­tism clash­es with Reid’s prin­ci­ples, while Nicholina’s cryp­tic warn­ings and Beau’s impul­sive­ness fur­ther com­pli­cate mat­ters. The sud­den appear­ance of the pearls feels too con­ve­nient, rais­ing sus­pi­cions of a trap or hid­den agen­da.

    The chap­ter ends on a cliffhang­er as Coco pre­pares to take the pearls, leav­ing the read­er ques­tion­ing the true nature of Madame Sauvage’s stall and the con­se­quences of their actions. The blend of ten­sion, mag­ic, and moral ambi­gu­i­ty sets the stage for fur­ther con­flict, empha­siz­ing the high stakes of their quest and the unpre­dictable forces at play in their world.

    FAQs

    • 1. What is the significance of the black pearls in this chapter, and how does their discovery create tension in the story?

      Answer:
      The black pearls are a crucial objective for the characters, likely tied to their mission to save Lou or address the melusine threat mentioned earlier. Their discovery creates tension through the mysterious circumstances—the sign for Madame Sauvage’s stall appears and disappears magically, suggesting supernatural forces at play. Additionally, Coco’s immediate inclination to steal the pearls clashes with Reid’s hesitation, highlighting their differing moral approaches. The pearls’ placement in a seemingly enchanted stall also raises questions about potential traps or consequences, amplifying the group’s unease (pages 151-152).

      2. Analyze how Nicholina’s behavior and cryptic chanting (“drown, drown, drown”) contribute to the chapter’s atmosphere.

      Answer:
      Nicholina’s erratic behavior and ominous refrain create a sense of foreboding and instability. Her chants about drowning mirror the villagers’ superstitions about melusines and L’Eau Mélancolique, reinforcing the aquatic danger lurking in the narrative. The repetition of “drown” also foreshadows potential peril, possibly hinting at a future confrontation with water-based threats. Her actions—like tugging Coco away from the stall—suggest she senses hidden dangers, adding to the group’s paranoia and the chapter’s eerie tone (pages 149-151).

      3. How does the chapter portray the dynamic between Reid and Coco, particularly in their contrasting approaches to problem-solving?

      Answer:
      Reid and Coco embody opposing strategies: Reid favors caution and moral integrity, while Coco prioritizes pragmatism and theft if necessary. This is clearest when Reid stops Beau from rashly grabbing the pearls and confronts Coco about stealing. Coco’s retort—”Lou is a thief too”—underscores her utilitarian view, while Reid’s frustration (“I was surrounded by children”) reveals his leadership struggles. Their tension reflects deeper themes of trust and methodology within the group, as Reid’s authority clashes with Coco’s rebelliousness (pages 150-152).

      4. What role does setting play in this chapter, particularly the market and its supernatural elements?

      Answer:
      The dwindling market—with its drunken villagers, abandoned stalls, and hidden magic—mirrors the group’s desperation and the encroaching threat of the Chasseurs. The supernatural elements (the vanishing sign, Madame Sauvage’s sudden appearance) transform the setting into a liminal space where reality is unreliable. This ambiguity heightens suspense, as the characters (and readers) question what is real. The fish-oil barrels and anchovies also ground the scene in the coastal village’s culture, contrasting with the pearls’ otherworldly allure (pages 148-152).

      5. Why might the author have included the detail about the fishermen’s fear of melusines, and how does it connect to broader themes?

      Answer:
      The fishermen’s superstition about melusines (and their violent reaction to questions about black pearls) underscores the pervasive fear of the supernatural in this world. This detail connects to themes of prejudice and misinformation, as the villagers’ dread may be manipulated or exaggerated by forces like the Chasseurs. It also foreshadows potential conflicts, as the group’s search for pearls could draw them deeper into the melusine mystery. The hostility they face reflects the dangers of their quest and the world’s ingrained biases (page 149).

    Quotes

    • 1. “The waters go down, down, down,” Nicholina sang, her face hidden within the hood of her cloak. “And there you’ll drown, drown, drown.”

      This eerie, repetitive chant from Nicholina serves as a haunting foreshadowing of danger and creates an unsettling atmosphere. It underscores the supernatural elements at play and hints at the group’s impending peril near the water.

      2. “Fishermen. They’re superstitious on the best of days, but they fear melusines most of all. I wouldn’t be surprised if he calls the Chasseurs. They’ll be swarming these streets by morning.”

      Coco’s observation reveals the tense relationship between the villagers and magical beings (melusines), while also introducing the threat of the Chasseurs. This quote highlights the broader societal conflicts in their world and raises the stakes for the group’s mission.

      3. “Children. I was surrounded by children.”

      Reid’s exasperated internal monologue captures the group’s dynamic and his leadership frustrations. This brief but impactful statement reveals his growing impatience with their immature behavior during a critical mission.

      4. “Magic,” Célie whispered.

      This simple yet significant utterance marks the moment the group recognizes the supernatural nature of Madame Sauvage’s stall. It serves as a turning point where their search takes a magical turn, introducing new possibilities and dangers.

      5. “I’m a thief, Reid… And as soon as we’ve saved her, you can soak in your virtue until your fingers wrinkle with it. Until then…”

      Coco’s defiant statement to Reid highlights the moral tensions within the group and establishes her pragmatic approach to their mission. It showcases the conflict between idealism and necessity that runs through their quest.

    Quotes

    1. “The waters go down, down, down,” Nicholina sang, her face hidden within the hood of her cloak. “And there you’ll drown, drown, drown.”

    This eerie, repetitive chant from Nicholina serves as a haunting foreshadowing of danger and creates an unsettling atmosphere. It underscores the supernatural elements at play and hints at the group’s impending peril near the water.

    2. “Fishermen. They’re superstitious on the best of days, but they fear melusines most of all. I wouldn’t be surprised if he calls the Chasseurs. They’ll be swarming these streets by morning.”

    Coco’s observation reveals the tense relationship between the villagers and magical beings (melusines), while also introducing the threat of the Chasseurs. This quote highlights the broader societal conflicts in their world and raises the stakes for the group’s mission.

    3. “Children. I was surrounded by children.”

    Reid’s exasperated internal monologue captures the group’s dynamic and his leadership frustrations. This brief but impactful statement reveals his growing impatience with their immature behavior during a critical mission.

    4. “Magic,” Célie whispered.

    This simple yet significant utterance marks the moment the group recognizes the supernatural nature of Madame Sauvage’s stall. It serves as a turning point where their search takes a magical turn, introducing new possibilities and dangers.

    5. “I’m a thief, Reid… And as soon as we’ve saved her, you can soak in your virtue until your fingers wrinkle with it. Until then…”

    Coco’s defiant statement to Reid highlights the moral tensions within the group and establishes her pragmatic approach to their mission. It showcases the conflict between idealism and necessity that runs through their quest.

    FAQs

    1. What is the significance of the black pearls in this chapter, and how does their discovery create tension in the story?

    Answer:
    The black pearls are a crucial objective for the characters, likely tied to their mission to save Lou or address the melusine threat mentioned earlier. Their discovery creates tension through the mysterious circumstances—the sign for Madame Sauvage’s stall appears and disappears magically, suggesting supernatural forces at play. Additionally, Coco’s immediate inclination to steal the pearls clashes with Reid’s hesitation, highlighting their differing moral approaches. The pearls’ placement in a seemingly enchanted stall also raises questions about potential traps or consequences, amplifying the group’s unease (pages 151-152).

    2. Analyze how Nicholina’s behavior and cryptic chanting (“drown, drown, drown”) contribute to the chapter’s atmosphere.

    Answer:
    Nicholina’s erratic behavior and ominous refrain create a sense of foreboding and instability. Her chants about drowning mirror the villagers’ superstitions about melusines and L’Eau Mélancolique, reinforcing the aquatic danger lurking in the narrative. The repetition of “drown” also foreshadows potential peril, possibly hinting at a future confrontation with water-based threats. Her actions—like tugging Coco away from the stall—suggest she senses hidden dangers, adding to the group’s paranoia and the chapter’s eerie tone (pages 149-151).

    3. How does the chapter portray the dynamic between Reid and Coco, particularly in their contrasting approaches to problem-solving?

    Answer:
    Reid and Coco embody opposing strategies: Reid favors caution and moral integrity, while Coco prioritizes pragmatism and theft if necessary. This is clearest when Reid stops Beau from rashly grabbing the pearls and confronts Coco about stealing. Coco’s retort—”Lou is a thief too”—underscores her utilitarian view, while Reid’s frustration (“I was surrounded by children”) reveals his leadership struggles. Their tension reflects deeper themes of trust and methodology within the group, as Reid’s authority clashes with Coco’s rebelliousness (pages 150-152).

    4. What role does setting play in this chapter, particularly the market and its supernatural elements?

    Answer:
    The dwindling market—with its drunken villagers, abandoned stalls, and hidden magic—mirrors the group’s desperation and the encroaching threat of the Chasseurs. The supernatural elements (the vanishing sign, Madame Sauvage’s sudden appearance) transform the setting into a liminal space where reality is unreliable. This ambiguity heightens suspense, as the characters (and readers) question what is real. The fish-oil barrels and anchovies also ground the scene in the coastal village’s culture, contrasting with the pearls’ otherworldly allure (pages 148-152).

    5. Why might the author have included the detail about the fishermen’s fear of melusines, and how does it connect to broader themes?

    Answer:
    The fishermen’s superstition about melusines (and their violent reaction to questions about black pearls) underscores the pervasive fear of the supernatural in this world. This detail connects to themes of prejudice and misinformation, as the villagers’ dread may be manipulated or exaggerated by forces like the Chasseurs. It also foreshadows potential conflicts, as the group’s search for pearls could draw them deeper into the melusine mystery. The hostility they face reflects the dangers of their quest and the world’s ingrained biases (page 149).

    Note