257 Results with the "Poetry" genre
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Chapter
Chapter Thirty-one
The chapter opens with the narrator reflecting on their first experience with death, which they missed entirely, leaving them with unresolved grief. This time, they aim to confront their own mortality head-on through their final art installation, *Death-Speak*, which serves as a literal and metaphorical presence in the face of death. The narrator contrasts their experience with Leila, who may have found clarity in death, while they remain burdened by the weight of living. The installation becomes a way to…-
74.6 K • Ongoing
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The chapter follows Arash Shirazi, a young Iranian man conscripted into military service during the Iran-Iraq War in 1984. With no means to avoid enlistment, Arash reflects on the absurdity of war and the shift from a revolution led by idealists to one controlled by armed zealots. He resigns himself to his fate, imagining his future as just another martyr's photo on the mosque wall. His observations highlight the senselessness of war, where men like him—poor, uneducated, and without special skills—are…
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74.6 K • Ongoing
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Chapter
Chapter Twenty-two
The chapter opens with Cyrus dreaming of Orkideh, a bald woman with bushy eyebrows and oversized sunglasses, walking through a luxurious mall alongside President Invective, who struggles to keep pace. Orkideh appears amused by his discomfort, while Invective, clad in an ill-fitting suit, pants heavily despite carrying nothing. Cyrus reflects on his tendency to involuntarily include repulsive figures in his dreams, such as past bullies or infamous criminals, suggesting a subconscious grappling with…-
74.6 K • Ongoing
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Chapter
Chapter One
The chapter introduces Cyrus, a medical actor at Keady University Hospital who portrays dying patients or grieving family members for medical students to practice difficult conversations. He finds purpose in inhabiting various roles, from Sally Gutierrez, a mother losing her daughter, to Buck Stapleton, a Catholic coach facing his wife's brain death. The job requires him to calibrate emotional responses based on pain scales while evaluating students' empathy through score sheets. Cyrus enjoys the…-
74.6 K • Ongoing
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Chapter
Coda
The chapter "Sang Linh" from *Coda* captures a pivotal moment in 1997 New York, where the narrator reflects on the success of Orkideh's art exhibition *Why We Put Mirrors in Birdcages*. The narrator, a gallery owner, works alongside their oldest son, Duy, and the artist Roya to dismantle the show. Roya's meticulous nature shines as she oversees the handling of her paintings, particularly *Odi et Amo*, a piece evoking mixed emotions in the narrator due to its unsettling yet nostalgic imagery. The scene…-
74.6 K • Ongoing
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Chapter
Chapter Twelve
The chapter introduces Cyrus Shams, an Iranian-American navigating life in the Midwest during the post-9/11 era, where he grapples with xenophobia and cultural alienation. Cyrus perceives natural phenomena like storms and sunlight as personal affronts, reflecting his broader sense of isolation. His upbringing is marked by microaggressions, such as a math teacher’s racist joke and a social studies teacher’s condescending remarks about U.S. intervention in the Middle East. These experiences highlight…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-three
The chapter depicts a pivotal moment between Roya and Leila during a visit in Tehran, August 1987. While their husbands are away camping, Leila leads Roya through the bustling Tajrish bazaar, filled with vendors and sensory details like flowers, kabobs, and perfumes. The atmosphere is lively yet ordinary until Leila abruptly pulls Roya into a secluded alley, where she kneels and presses her ear to the ground, claiming to hear angels drumming beneath the earth. Roya, confused but intrigued, follows suit,…-
74.6 K • Ongoing
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Chapter
Chapter Two
The chapter opens with Cyrus attending an AA meeting at Camp5 Center, a dingy lavender recovery clubhouse frequented by a mix of old-timers and reluctant newcomers. The setting is vividly described—cigarette smoke, a dim basement with plastic tables, and the no-nonsense presence of Angus B. selling cheap snacks. Cyrus’s sponsor, Gabe Bardo, a seasoned figure with 33 years of sobriety, sits quietly beside him. The meeting’s broad topic, “life on life’s terms,” sparks disjointed shares, from a…-
74.6 K • Ongoing
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Chapter
Chapter Thirteen
The chapter introduces Roya Shams, a woman living in Tehran in 1987, who reflects on her ambivalence toward life and the constraints of her marriage. She describes her limited personal freedoms, cherishing small moments of solitude like sipping tea or doodling, which stand in stark contrast to her domestic responsibilities. Roya’s husband, Ali, is friends with Gilgamesh, a police officer, and the two men take annual trips to Rasht, leaving Roya briefly free from the exhaustion of constant scrutiny.…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-four: Orkideh
The chapter opens with Cyrus Shams waking up disoriented in a Brooklyn hotel room, cold and wet from having urinated in his bed—a relapse of an old habit from his drinking days. Despite being sober now, the incident floods him with familiar shame and self-loathing, along with the practical dread of inconveniencing the hotel staff. Cyrus reflects on how these feelings were once routine during his alcoholism, intertwined with rituals of hiding his messes. The episode triggers a wave of existential despair,…-
74.6 K • Ongoing
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