Chapter IX — Crome Yellow
byChapter IX opens on a still, airless room where Mr. Bodiham sits in quiet torment. The walls are lined with dense theological texts, and every piece of furniture seems dipped in the same somber shade of brown. Even the light that filters through the windows arrives dimmed, like it hesitates to disturb the heavy seriousness of the room. Mr. Bodiham’s presence matches this atmosphere perfectly—sharp, austere, unwavering. His faith burns with a harsh intensity, yet it flickers under the growing doubt that his words fall upon deaf ears. That morning, he delivered another impassioned sermon, one laced with fire and fear, warning his congregation about divine wrath. But as always, the people of Crome heard without listening, their reactions as soft and resistant as rubber bouncing off stone.
The sermon was meant to stir something—remorse, awe, even fear—but it only left him drained. He had spoken of God’s anger, of judgment looming over a complacent world, and yet no tremble passed through the church pews. His words, he feared, were treated like background noise, tolerated rather than felt. Years of preaching had not softened their hearts or awakened their spirits. The warning signs were all around—war, moral decline, godlessness—but to the villagers, these seemed like distant murmurs, not divine alarms. Bodiham, returning home, couldn’t help but replay that sermon from 1914 in his mind. In that moment, war had seemed to him like a trumpet call from heaven, the first act of Revelation itself. Now, over a decade later, that clarity had dulled, and the world continued spinning as if untouched.
What grieved him most was not disbelief, but indifference. People no longer fought God—they ignored Him. The Second Coming, once felt as a pulse in the air, had faded to a theological concept without urgency. In Mr. Bodiham’s view, each year of peace and normalcy was another affront to prophecy. How could so many signs pass unnoticed? He traced every famine, every fallen city, every plague with the precision of a scholar and the devotion of a prophet, but the conclusions never moved others as they did him. It was not that his interpretations lacked logic—it was that the world no longer wanted meaning rooted in fear or divine correction. When suffering came, people turned to science or policy, not to Scripture. This shift crushed him more than ridicule ever could.
The silence is interrupted by Mrs. Bodiham, pale and almost spectral, entering with a letter in hand. She says little, placing the envelope before him with an air of routine care. Inside is a catalogue from “The House of Sheeny, Clerical Outfitters”—a vibrant collection of cassocks, stoles, and ceremonial hats. The absurdity stings. Here he was, meditating on heaven’s fury and man’s blindness, and the world returned to him embroidered robes and price lists. It was a small reminder of how religion, even in its most sacred forms, had been tamed into spectacle. Robes could be bought; repentance could not. And in that moment, the catalogue felt more like a parody than a provision.
This brief interruption lays bare the absurd gap between the spiritual urgency Bodiham feels and the mundane routines he must still uphold. In his soul, judgment is near. In his mailbox, fashion options await. It’s this tension that defines his character—not a failure of belief, but a failure to bridge his belief with the world he lives in. He doesn’t question God, but he questions whether anyone else still knows how to listen. His stern posture hides weariness, not pride. As he lifts the catalogue and turns its pages, it’s unclear whether he’s seeing cloth or watching his vocation slowly unravel. The weight of unheeded truth presses heavier than ever.
For readers, Mr. Bodiham embodies the archetype of the isolated believer—unshaken in conviction yet deeply shaken by the world’s casual disinterest. His study, more tomb than office, holds not just books but buried hope. Through him, the novel explores the personal cost of clinging to prophecy in a secular age. There’s a lesson here that applies beyond theology: when a worldview meets a society no longer aligned with it, the result isn’t always confrontation—it’s silence, sometimes worse than opposition. Bodiham’s despair isn’t rooted in failure; it’s rooted in irrelevance. And in that, his tragedy becomes relatable, even for those who do not share his beliefs.
This chapter, though centered on one man, reflects a broader human struggle—the longing to matter in a world that moves on without you. Whether through art, faith, or ideals, many feel the ache of being unheard. Mr. Bodiham’s frustration may be extreme, but the sensation is universal: shouting truth into a void and hearing nothing come back. His robes, his sermons, and even his prophecy feel like relics in a world racing ahead. And so he sits, wrapped in brown shadows and the echo of unanswered warnings, unsure whether it is the world or his purpose that has slipped away.