Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by testsuphomeAdmin
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    In Chap­ter 181 of “All the Col­ors of the Dark,” Sis­ter Cecile engages with Saint over a set of rosary beads, show­cas­ing their exquis­ite craftsmanship—cedar wood with black glass, craft­ed by Sis­ter Agnes, fea­tur­ing a medal of Mary Mag­da­lene. Sis­ter Cecile, acknowl­edg­ing the beads’ spir­i­tu­al sig­nif­i­cance, reflects on the nature of sin and for­give­ness. Saint’s mind drifts to Mar­ty Tooms as she reveals pho­tographs of Eli Aaron, prompt­ing Sis­ter Cecile to recall Robert Peter Fred­er­ick, an altar boy who had gone miss­ing and like­ly died.

    Despite the somber news of his dis­ap­pear­ance, Sis­ter Cecile remains com­posed. When Saint men­tions the rosary beads found with the boy, Sis­ter Cecile hints at Robert’s chal­leng­ing nature and the weight of the teach­ings he received. Saint ques­tions the cir­cum­stances sur­round­ing Robert’s behav­ior after over­hear­ing a con­fes­sion of an unmar­ried preg­nant woman. Sis­ter Cecile reas­sures her that no harm came to the woman, who chose not to file a com­plaint, ulti­mate­ly lead­ing to Robert’s exit from the com­mu­ni­ty.

    Saint con­nects Robert to Eli Aaron, a fig­ure from the Old Tes­ta­ment known for his down­falls as a par­ent. Sis­ter Cecile elu­ci­dates Eli’s lega­cy of judg­ment and neglect, explain­ing that he faced God’s wrath for his lenien­cy with his chil­dren. Saint sur­mis­es there are like­ly many more miss­ing indi­vid­u­als asso­ci­at­ed with Eli Aaron, prompt­ing her thoughts deep­er into the past.

    As Saint pre­pares to leave with the rosary beads, she is inter­cept­ed by Sis­ter Isabelle, who casu­al­ly reveals that a man recent­ly pur­chased a sec­ond set of sim­i­lar beads. Saint, tak­en aback by the men­tion of a man, instinc­tive­ly ques­tions the details, only to be fur­ther unset­tled by the rev­e­la­tion that this man had died in a hor­rif­ic inci­dent: “I set him on fire,” Saint con­fess­es, real­iz­ing the con­nec­tions between the past and present are haunt­ing­ly close. The atmos­phere thick­ens as both women grap­ple with the impli­ca­tions of the moment, cul­mi­nat­ing in a shared under­stand­ing of loss and con­fronta­tion with the spec­tral mem­o­ries of those long gone.

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