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    Cover of Crome Yellow
    Novel

    Crome Yellow

    by

    Chap­ter XXII begins with Denis with­draw­ing into the qui­et of his room, seek­ing a space where thought might flour­ish into cre­ativ­i­ty. The still­ness helps at first. He believes that writing—specifically a piece inspired by Anne and the pain of unre­turned affection—might ease his rest­less­ness. But just as his pen hes­i­tates above the page, he glances out the win­dow and sees Anne walk­ing with Gom­bauld. The image strikes with sud­den force. What­ev­er clar­i­ty Denis had been build­ing col­laps­es beneath a wave of envy and frus­tra­tion. Gom­bauld, with his easy con­fi­dence, seems to win Anne’s atten­tion effort­less­ly. Denis, now too agi­tat­ed to focus, aban­dons the pre­tense of work and descends from his room, his thoughts loud with uncer­tain­ty. Seek­ing dis­trac­tion or per­haps val­i­da­tion, he steps out, only to find Mr. Sco­gan wait­ing, always eager to fill silence with the­o­ry.

    Sco­gan, delight­ed by com­pa­ny, steers Denis into con­ver­sa­tion with­out ask­ing. As they pass Hen­ry Wim­bush and Mary engaged in a leisure­ly game of bowls, Sco­gan’s thoughts leap far beyond the gar­den. He begins expound­ing on the idea of san­i­ty ver­sus madness—not as med­ical con­di­tions, but as forces that shape human his­to­ry. Rea­son, he claims, may explain the world, but it nev­er moves it. What tru­ly changes things are moments of madness—belief so strong it over­rules doubt. Great lead­ers, he argues, are not those who think clear­ly, but those who feel intense­ly. Denis lis­tens, half-engaged, try­ing to teth­er his scat­tered emo­tions to Scogan’s con­trolled enthu­si­asm. There’s some­thing dis­ori­ent­ing about watch­ing some­one so assured in abstract thought, espe­cial­ly when your own heart refus­es to set­tle.

    As their walk con­tin­ues, Sco­gan out­lines his imag­ined society—a Ratio­nal State engi­neered for har­mo­ny through struc­tured mad­ness. He pro­pos­es three castes: the Direc­tors, thinkers tasked with plan­ning; the Men of Faith, whose fer­vor is chan­neled but nev­er allowed to com­mand; and the Herd, those who fol­low with unques­tion­ing loy­al­ty. It’s a machine built from psy­chol­o­gy, each part aware of its lim­its, gov­erned not by free­dom but by effi­cien­cy. Mad­ness becomes use­ful when man­aged, and pas­sion, once unpre­dictable, is reduced to fuel under super­vi­sion. Denis, already strug­gling to define him­self in any real world, finds this arti­fi­cial vision even more alien. He won­ders aloud where he might belong, hop­ing per­haps to be count­ed among the thinkers. But Sco­gan, with a dry smile, sug­gests that Denis fits nowhere—too timid for pas­sion, too mud­dled for intel­lect.

    This off­hand remark stings more than Denis is will­ing to admit. It con­firms a fear he already car­ries: that he is out of place in every sys­tem, real or imag­ined. He nei­ther burns bright­ly nor thinks clear­ly enough to lead. He only observes, half hop­ing to be noticed, half afraid of being seen too clear­ly. The jest about the “lethal cham­ber” hov­ers in the air, too absurd to take seri­ous­ly, but too close to his hid­den self-doubt to ignore. Still, Denis doesn’t protest. There’s a part of him that agrees. Not that he wish­es to van­ish, but that he can­not yet see a ver­sion of him­self that belongs or mat­ters. The walk con­tin­ues, but the ener­gy has shift­ed. Denis feels small­er in Scogan’s the­o­ret­i­cal world, and even small­er in his own skin.

    What the chap­ter cap­tures is more than a stroll or an argument—it’s a snap­shot of inter­nal dis­so­nance. Denis’s per­son­al dis­il­lu­sion­ment with love mir­rors his dis­il­lu­sion­ment with pur­pose. The grandeur of Scogan’s Ratio­nal State only empha­sizes the lim­i­ta­tions Denis feels in him­self. He can­not love with con­fi­dence, nor can he argue with cer­tain­ty. He exists in between—aware, self-crit­i­cal, but ulti­mate­ly unsure of how to act. The ideas may be grand, but for Denis, they remain as dis­tant as Anne’s affec­tion. All he wants is clarity—a role to play, a feel­ing to trust, a response that con­firms he belongs. But clar­i­ty con­tin­ues to elude him.

    As they return to the estate, the world regains its famil­iar shape. The grass, the bowls, the sounds of oth­ers at play—these remind Denis of where he is, though not who he should be. Sco­gan, con­tent with his the­o­ries, seems untouched by doubt. Denis, how­ev­er, walks away more entan­gled in his own. This chap­ter doesn’t resolve anything—it sim­ply deep­ens the ques­tions. In the col­li­sion of grand ideas and pri­vate emo­tions, Denis remains the qui­et wit­ness to both, search­ing for mean­ing in a world that offers only frag­ments.

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