Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by testsuphomeAdmin
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    In Chap­ter 155 of “All the Col­ors of the Dark,” Patch takes dras­tic steps to cope with his cir­cum­stances. He uses a large track exca­va­tor to demol­ish the rem­nants of his past, reduc­ing his for­mer home to rub­ble in a pub­lic dis­play observed by curi­ous neigh­bors. After the demo­li­tion, he uti­lizes a bull­doz­er to strip the land. Amidst this chaos, Patch finds him­self liv­ing a tran­sient lifestyle, sleep­ing in his car, lack­ing basic hygiene, and shar­ing meals with Saint and her grand­moth­er.

    Dur­ing one meal, Saint inquires about his future plans, prompt­ing Patch to declare, “I build.” This state­ment is met with skep­ti­cism, as he refus­es to hire an archi­tect and instead relies on his past mem­o­ries and paint­ings that influ­ence his designs. Despite the deliv­ery of wood that dis­turbs the neigh­bors, Patch promis­es to host a par­ty once his con­struc­tion is com­plete.

    Patch’s build­ing efforts face skep­ti­cism from Sam­my, who jokes about the struc­ture’s insta­bil­i­ty, and the sit­u­a­tion wors­ens when funds dimin­ish. In des­per­a­tion, Patch sells paint­ings to finance his project, each sale feel­ing like a loss of con­nec­tions to his pre­vi­ous life. His inter­ac­tions with Misty and Char­lotte pro­vide brief com­pan­ion­ship amid his iso­la­tion, although Char­lotte per­ceives his sit­u­a­tion as “bat­shit crazy.”

    As he digs foun­da­tions man­u­al­ly, Patch grap­ples with sleep­less nights, frus­trat­ing neigh­bors, and build­ing inspec­tors who ques­tion his non-com­pli­ance with codes. He appeas­es the inspec­tor with the poignant sto­ry of his strug­gle, result­ing in a few amend­ments that allow him to resume work with­out major penal­ties.

    The harsh win­ter brings work to a stand­still, com­pelling Patch to wear a wool hat gift­ed by Char­lotte. He rec­i­p­ro­cates by paint­ing a por­trait of her with her moth­er, cap­tur­ing a moment in time that con­nects him to the past. Despite feel­ing the emo­tion­al dis­tance from her moth­er, he remains con­nect­ed to Char­lotte through these shared expe­ri­ences and per­for­mances, such as attend­ing her piano recital. His resolve is also evi­dent as he under­takes late-night jour­neys to seek answers about his lost past, demon­strat­ing his unwa­ver­ing deter­mi­na­tion to reclaim a sense of nor­mal­cy and clo­sure despite the tur­moil.

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