Chapter Index
    Cover of All the Colors of the Dark
    Thriller

    All the Colors of the Dark

    by testsuphomeAdmin
    All the Colors of the Dark by Alessandra Zecchini is a haunting novel that blends mystery, suspense, and the supernatural. The story follows a woman struggling with grief and trauma who begins to uncover strange, eerie events that blur the line between reality and the unknown. As she navigates her dark past and unsettling present, the novel explores themes of fear, self-discovery, and the psychological toll of unresolved pain. With a tense, atmospheric tone, Zecchini crafts a gripping journey into the depths of the human mind.

    In Chap­ter 154 of “All the Col­ors of the Dark,” Patch under­takes a mon­u­men­tal task of clear­ing out his moth­er’s belong­ings from their home as sum­mer reach­es its peak. Strip­ping off his shirt, he method­i­cal­ly brings furniture—sofa, book­cas­es, din­ing table, and sideboard—out to the front yard, each object imbued with mem­o­ries and scents of his moth­er’s pres­ence. He box­es kitchen uten­sils and drags the refrig­er­a­tor out­side, feel­ing the weight of the mem­o­ries tied to each item.

    Upstairs, he con­tin­ues the emo­tion­al purge by bag­ging bed­ding, clothes, and var­i­ous per­son­al items. An acci­den­tal crash of a bot­tle sends a wave of rec­ol­lec­tion, fill­ing him with bit­ter­sweet nos­tal­gia. In the midst of box­ing up child­hood mem­o­ra­bil­ia, par­tic­u­lar­ly pirate-themed items, Patch reflects on his iden­ti­ty, acknowl­edg­ing the com­plex­i­ty of being a thir­ty-year-old with a crim­i­nal record, yet still har­bor­ing child­like con­nec­tions to his past.

    Dur­ing lunchtime, he fetch­es Saint’s grand­moth­er, Nor­ma, who stands by as a van col­lects what can still be used. Their con­ver­sa­tion drifts towards hous­ing projects and char­i­ties, with Nor­ma light­ing a cig­a­rette while observ­ing Patch’s intense labor. Patch returns home, armed with a sledge­ham­mer, and unleash­es his pent-up frus­tra­tion on the house, vio­lent­ly tear­ing it apart. He demol­ish­es doors, rips out base­boards, and shreds car­pets, fueled by a chaot­ic mix of anger and grief, his mus­cles aching as he becomes enveloped in dust. An errant nail injures him, yet he per­sists, return­ing for anoth­er round.

    That night, the old Macauley house becomes engulfed in flames as Patch sits on the rem­nants of the porch, wit­ness­ing the rem­nants of his past turn to ash. Misty and Char­lotte, joined by Sam­my with a drink in hand, watch from a dis­tance. Although Sam­my offers slugs of wine, Misty inter­venes, insist­ing on the need to pro­tect Char­lotte. As flames con­sume the struc­ture, Patch’s gaze drifts to his daugh­ter, rec­og­niz­ing that the warmth he feels is not just from the fire, but from the deep­er con­nec­tion and resolve with­in him­self. The chap­ter encap­su­lates the raw and cathar­tic expe­ri­ence of destruc­tion inter­twined with mem­o­ries and fam­i­ly dynam­ics.

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