Cover of Blood & Honey
    FantasyRomance Novel

    Blood & Honey

    by Mahurin, Shelby
    “Blood & Honey” by Shelby Mahurin is the second installment in the “Serpent & Dove” trilogy, a young adult fantasy-romance series. Following a near-fatal encounter with the Dames Blanches, protagonists Lou, Reid, Coco, and Ansel become fugitives, fleeing from coven, kingdom, and church. The narrative revolves around their journey to secure allies while navigating escalating dangers, including deadly witches and internal conflicts. The book shifts tone from the first installment, focusing more on tension and survival than romance. Key themes include loyalty, sacrifice, and the struggle between destiny and choice. The novel ends on a cliffhanger, setting up the trilogy’s conclusion. With 528 pages, it expands the dark, magical world of Belterra while deepening character arcs and conflicts.

    Lou explores the eerie Trem­blay fam­i­ly tomb in the cat­a­combs, dis­turbed by the macabre tra­di­tion of dis­play­ing skulls of the deceased. Her dis­com­fort grows as she ques­tions the grue­some process of decap­i­ta­tion, whether it occurs before or after decom­po­si­tion, and who car­ries out such a task. The unset­tling atmos­phere weighs on her as she search­es for Fil­ip­pa Allou­ette Tremlay’s cas­ket, hop­ing to find Célie. When she final­ly locates the ornate rose­wood cof­fin, she strug­gles to open it, resort­ing to mag­ic when phys­i­cal effort fails.

    Ansel unex­pect­ed­ly appears, explain­ing that he fol­lowed her after deduc­ing her path through the cat­a­combs. Lou is both sur­prised and con­cerned, espe­cial­ly when he reveals that Reid and the oth­ers have gone to a ceme­tery entrance. Her emo­tions surge as she releas­es a mag­i­cal restraint on her heart, over­whelmed by fear and love for Reid. Ansel insists on help­ing, but Lou hes­i­tates, torn between pro­tect­ing him and acknowl­edg­ing his des­per­a­tion to prove him­self.

    Their con­ver­sa­tion esca­lates into an argu­ment as Ansel express­es frus­tra­tion at being treat­ed as inca­pable. He pleads for a chance to con­tribute, reveal­ing his deep-seat­ed belief in his own worth­less­ness. Lou’s heart breaks at his vul­ner­a­bil­i­ty, but she knows she must push him away to pro­tect him from a loom­ing dan­ger hint­ed at by a prophecy—a man close to her heart will die. Reluc­tant­ly, she adopts a harsh tone, delib­er­ate­ly wound­ing him to force his retreat.

    Lou cold­ly lists Ansel’s per­ceived fail­ures, crush­ing his spir­it with each word. Though it pains her to see him crum­ble under her ver­bal assault, she believes this cru­el­ty is nec­es­sary to save his life. The chap­ter ends on a tense note, with Lou’s inter­nal con­flict laid bare—she must sac­ri­fice their bond to keep him safe, even if it means break­ing his trust and dri­ving him away.

    FAQs

    • 1. What cultural difference between witches and the Tremblay family is highlighted in Lou’s observations of the catacombs?

      Answer:
      Lou notes a stark cultural contrast in death practices between witches and the Tremblay family. While witches do not decapitate their dead, the Tremblay tomb displays skulls lining the shelves as part of their ancestral resting tradition. Lou expresses visceral discomfort, questioning the logistics (whether heads are removed before, during, or after decomposition) and the ethics of family members potentially performing this act. This observation underscores the chapter’s themes of mortality and cultural dissonance, as Lou grapples with her own revulsion toward the practice (pages 489-490).

      2. Analyze Lou’s emotional conflict regarding Ansel’s presence in the catacombs. What does this reveal about her character and priorities?

      Answer:
      Lou experiences intense internal conflict when Ansel arrives. While she initially expresses relief at his help, her panic escalates as she recalls the prophecy (“A man close to your heart will die”). Her eventual cruel outburst—belittling Ansel’s abilities—reveals her desperation to protect him, even at the cost of their relationship. This moment showcases Lou’s protective instincts and the burdens of leadership, as she prioritizes his survival over his self-worth. Her internal monologue (“to me, he was precious beyond value”) contrasts sharply with her harsh words, highlighting her tragic dilemma (pages 492-493).

      3. How does the chapter use physical space (the catacombs) to reflect Lou’s psychological state?

      Answer:
      The catacombs serve as a metaphor for Lou’s escalating dread and emotional weight. Her steps grow “heavier, leaden” as she moves deeper, mirroring her mounting anxiety about Célie’s fate and the prophecy. The confined space amplifies her claustrophobic panic when Ansel appears unexpectedly, while the macabre skulls reflect her morbid thoughts about mortality and sacrifice. The trapped, labyrinthine quality of the catacombs parallels Lou’s feeling of being cornered by impossible choices, particularly when she fails to open Filippa’s casket—a physical manifestation of her powerlessness (pages 489-491).

      4. Evaluate Ansel’s argument for staying to help Lou. How does his perspective challenge Lou’s assumptions?

      Answer:
      Ansel’s plea—”I’m not a child… I’m almost seventeen!“—challenges Lou’s protective tendencies by asserting his agency. He cites her own past heroics (saving the kingdom at 16) to highlight her double standard, while his raw confession (“I still don’t believe you [that I’m not worthless]”) reveals his deep insecurity. His desire to prove himself forces Lou to confront how her overprotectiveness might reinforce his self-doubt. This confrontation exposes the tension between safety and growth, as Ansel prioritizes self-actualization over survival (pages 492-493).

      5. What thematic significance does Filippa Tremblay’s casket hold in this chapter?

      Answer:
      Filippa’s rosewood casket symbolizes both hope and futility. Its “pretty” exterior contrasts with the grim skulls, representing Lou’s fragile hope that Célie might be alive inside. However, Lou’s inability to open it (“the damn thing is too heavy”) mirrors her broader struggle against forces beyond her control—the prophecy, Reid’s potential danger, and Ansel’s vulnerability. The epitaph (“Beloved daughter and sister”) also foreshadows Lou’s fear of losing someone she loves, echoing her earlier vision. The casket thus becomes a physical anchor for the chapter’s themes of loss and desperate rescue (pages 490-491).

    Quotes

    • 1. “Witches didn’t decapitate their dead. Did one remove the deceased’s head before or after decomposition? Or—or did they do it during the embalming process? And for that matter, who was responsible for doing it in the first place?”

      This quote highlights Lou’s visceral discomfort and morbid curiosity about the Tremblay family’s burial customs, emphasizing the cultural dissonance and horror she feels in the catacombs. It sets the tone for the chapter’s exploration of death, tradition, and the macabre.

      2. “A man close to your heart will die.”

      A chilling prophetic statement that serves as the emotional pivot of the chapter. This quote underscores the looming threat and foreshadows Lou’s agonizing decision to push Ansel away to protect him, driving the narrative tension forward.

      3. “You wreck everything you touch. You can’t even walk without stumbling, let alone wield a sword. You can’t talk to a woman without blushing, so how could you save one? Honestly, it’s—it’s tragic how helpless you are.”

      Lou’s cruel but calculated words to Ansel reveal her desperation to save him, even at the cost of his self-worth. This moment captures the tragic conflict between protection and cruelty, showcasing the chapter’s theme of sacrificial love.

      4. “He thought he was worthless. No, he believed it, deep down in his bones, and I—I could do nothing about it.”

      This introspective line reveals Lou’s painful awareness of Ansel’s insecurities and her helplessness in the face of them. It underscores the chapter’s exploration of self-worth, agency, and the limits of love in dire circumstances.

      5. “Perhaps he wasn’t worth much to the world, to himself, but to me… to me, he was precious beyond value.”

      A poignant counterpoint to Lou’s harsh words, this quote encapsulates the chapter’s central emotional conflict. It highlights the disparity between Ansel’s self-perception and Lou’s unconditional love, emphasizing the tragedy of her protective deception.

    Quotes

    1. “Witches didn’t decapitate their dead. Did one remove the deceased’s head before or after decomposition? Or—or did they do it during the embalming process? And for that matter, who was responsible for doing it in the first place?”

    This quote highlights Lou’s visceral discomfort and morbid curiosity about the Tremblay family’s burial customs, emphasizing the cultural dissonance and horror she feels in the catacombs. It sets the tone for the chapter’s exploration of death, tradition, and the macabre.

    2. “A man close to your heart will die.”

    A chilling prophetic statement that serves as the emotional pivot of the chapter. This quote underscores the looming threat and foreshadows Lou’s agonizing decision to push Ansel away to protect him, driving the narrative tension forward.

    3. “You wreck everything you touch. You can’t even walk without stumbling, let alone wield a sword. You can’t talk to a woman without blushing, so how could you save one? Honestly, it’s—it’s tragic how helpless you are.”

    Lou’s cruel but calculated words to Ansel reveal her desperation to save him, even at the cost of his self-worth. This moment captures the tragic conflict between protection and cruelty, showcasing the chapter’s theme of sacrificial love.

    4. “He thought he was worthless. No, he believed it, deep down in his bones, and I—I could do nothing about it.”

    This introspective line reveals Lou’s painful awareness of Ansel’s insecurities and her helplessness in the face of them. It underscores the chapter’s exploration of self-worth, agency, and the limits of love in dire circumstances.

    5. “Perhaps he wasn’t worth much to the world, to himself, but to me… to me, he was precious beyond value.”

    A poignant counterpoint to Lou’s harsh words, this quote encapsulates the chapter’s central emotional conflict. It highlights the disparity between Ansel’s self-perception and Lou’s unconditional love, emphasizing the tragedy of her protective deception.

    FAQs

    1. What cultural difference between witches and the Tremblay family is highlighted in Lou’s observations of the catacombs?

    Answer:
    Lou notes a stark cultural contrast in death practices between witches and the Tremblay family. While witches do not decapitate their dead, the Tremblay tomb displays skulls lining the shelves as part of their ancestral resting tradition. Lou expresses visceral discomfort, questioning the logistics (whether heads are removed before, during, or after decomposition) and the ethics of family members potentially performing this act. This observation underscores the chapter’s themes of mortality and cultural dissonance, as Lou grapples with her own revulsion toward the practice (pages 489-490).

    2. Analyze Lou’s emotional conflict regarding Ansel’s presence in the catacombs. What does this reveal about her character and priorities?

    Answer:
    Lou experiences intense internal conflict when Ansel arrives. While she initially expresses relief at his help, her panic escalates as she recalls the prophecy (“A man close to your heart will die”). Her eventual cruel outburst—belittling Ansel’s abilities—reveals her desperation to protect him, even at the cost of their relationship. This moment showcases Lou’s protective instincts and the burdens of leadership, as she prioritizes his survival over his self-worth. Her internal monologue (“to me, he was precious beyond value”) contrasts sharply with her harsh words, highlighting her tragic dilemma (pages 492-493).

    3. How does the chapter use physical space (the catacombs) to reflect Lou’s psychological state?

    Answer:
    The catacombs serve as a metaphor for Lou’s escalating dread and emotional weight. Her steps grow “heavier, leaden” as she moves deeper, mirroring her mounting anxiety about Célie’s fate and the prophecy. The confined space amplifies her claustrophobic panic when Ansel appears unexpectedly, while the macabre skulls reflect her morbid thoughts about mortality and sacrifice. The trapped, labyrinthine quality of the catacombs parallels Lou’s feeling of being cornered by impossible choices, particularly when she fails to open Filippa’s casket—a physical manifestation of her powerlessness (pages 489-491).

    4. Evaluate Ansel’s argument for staying to help Lou. How does his perspective challenge Lou’s assumptions?

    Answer:
    Ansel’s plea—”I’m not a child… I’m almost seventeen!“—challenges Lou’s protective tendencies by asserting his agency. He cites her own past heroics (saving the kingdom at 16) to highlight her double standard, while his raw confession (“I still don’t believe you [that I’m not worthless]”) reveals his deep insecurity. His desire to prove himself forces Lou to confront how her overprotectiveness might reinforce his self-doubt. This confrontation exposes the tension between safety and growth, as Ansel prioritizes self-actualization over survival (pages 492-493).

    5. What thematic significance does Filippa Tremblay’s casket hold in this chapter?

    Answer:
    Filippa’s rosewood casket symbolizes both hope and futility. Its “pretty” exterior contrasts with the grim skulls, representing Lou’s fragile hope that Célie might be alive inside. However, Lou’s inability to open it (“the damn thing is too heavy”) mirrors her broader struggle against forces beyond her control—the prophecy, Reid’s potential danger, and Ansel’s vulnerability. The epitaph (“Beloved daughter and sister”) also foreshadows Lou’s fear of losing someone she loves, echoing her earlier vision. The casket thus becomes a physical anchor for the chapter’s themes of loss and desperate rescue (pages 490-491).

    Note