Blood & Honey
“Blood & Honey” by Shelby Mahurin is the second installment in the “Serpent & Dove” trilogy, a young adult fantasy-romance series. Following a near-fatal encounter with the Dames Blanches, protagonists Lou, Reid, Coco, and Ansel become fugitives, fleeing from coven, kingdom, and church. The narrative revolves around their journey to secure allies while navigating escalating dangers, including deadly witches and internal conflicts. The book shifts tone from the first installment, focusing more on tension and survival than romance. Key themes include loyalty, sacrifice, and the struggle between destiny and choice. The novel ends on a cliffhanger, setting up the trilogy’s conclusion. With 528 pages, it expands the dark, magical world of Belterra while deepening character arcs and conflicts.
A Warning Bell: Reid
byMahurin, Shelby
The chapter opens with Lou floating serenely in a frozen pool, her ethereal beauty likened to that of a melusine. Reid observes her with a mix of admiration and curiosity as snowflakes gather on her skin. Their playful banter reveals a comfortable intimacy, with Lou teasing Reid about magic and his apparent lack of enthusiasm. The scene is charged with warmth despite the icy surroundings, as Lou offers to teach Reid how to heat water, hinting at the magical undercurrents between them.
Reid’s internal conflict becomes apparent as Lou probes his knowledge of magic, inadvertently touching on a painful memory—the death of the Archbishop. The weight of his actions lingers, and Reid retreats into himself, struggling to face Lou’s piercing gaze. The atmosphere shifts when Reid hears a whisper in the wind, a haunting reminder of the Archbishop’s words, “You were like a son to me.” This moment of unease underscores Reid’s guilt and the psychological toll of his past.
Lou shares a harrowing story from her past, recounting the night she fled her mother, Morgane, and the terrifying hallucinations she experienced in the forest. The trees, she explains, can manifest fears into monstrous visions, a revelation that deepens the sense of dread. Reid listens intently, struck by Lou’s vulnerability and the scars—both physical and emotional—that she carries. Her tale of survival and the horrors she faced adds layers to her character and their shared connection.
The chapter closes with a lingering sense of unease as Reid grapples with the idea that the trees might still be watching them, serving as Morgane’s spies. Lou’s attempt to reassure him falls short, as Reid remains hyperaware of their vulnerability. The pool, once a place of playful intimacy, now feels exposed, and the chapter leaves readers with a foreboding sense that the past—and its ghosts—is never far behind.
FAQs
1. How does the setting of the forest pool contribute to the mood and themes of the chapter?
Answer:
The forest pool creates a juxtaposition of tranquility and underlying tension that mirrors the characters’ emotional states. While Lou appears serene and ethereal floating in the heated water—described with imagery like “snowflakes gathered in her eyelashes”—the scene is undercut by Reid’s growing unease. The steam rising from the pool symbolizes the fleeting warmth of their intimacy, while the surrounding trees (which “have eyes”) hint at surveillance and psychological haunting. This duality reflects key themes: the fragility of safety, the weight of guilt (Reid hearing the Archbishop’s voice), and nature’s role as both sanctuary and threat in their magical world.2. Analyze how Reid’s reaction to Lou’s offer to teach him magic reveals his internal conflict.
Answer:
Reid’s hesitant “Sure” and subsequent sarcastic praise (“O Radiant One”) mask deeper turmoil. While he consciously avoids flinching at magic now (unlike earlier in their relationship), his retreat into a “steel trap” mindset after Lou mentions Modraniht shows unresolved trauma from killing the Archbishop with magic. The text emphasizes this through physical cues (swallowing hard, clutching Lou tighter) and the interrupted thought about the Archbishop’s death. His conflict lies in wanting to connect with Lou’s world while associating magic with violence and betrayal—both of the Archbishop (“You were like a son to me”) and of his own moral code.3. What significance does Lou’s revelation about her past flight through the forest hold for her character and relationship with Reid?
Answer:
Lou’s account of fleeing on her sixteenth birthday—where the trees manifested her vision of Reid’s slain siblings—marks a rare moment of vulnerability. This confession reveals three key aspects: 1) Her trauma parallels Reid’s (both see hallucinations tied to guilt), deepening their bond; 2) It explains her later resilience, having faced psychological torture (“corpses climbing out”); and 3) It underscores trust issues, as she admits Morgane used the trees as spies. By sharing this, Lou inches toward emotional openness, but Reid’s focus on the trees’ surveillance (“they still saw us”) shows how their intimacy remains shadowed by external threats.4. How does the chapter use sensory details to blur the line between reality and psychological perception?
Answer:
The narrative employs vivid sensory cues to create ambiguity: the “whispered voice” of the Archbishop in the wind, the “pine-scented air” that feels watchful, and Lou’s tactile memory of the corpse’s hand (“clawed at me”). These details anchor hallucinations in physicality, making them indistinguishable from reality. Reid’s goosebumps and Lou’s tension validate each other’s perceptions, yet the abrupt stillness of the trees leaves the supernatural encounter unresolved. This technique mirrors the characters’ mental states—Reid’s guilt makes him “hear” the Archbishop, while Lou’s past trauma resurfaces through tactile imagery (“bleeding everywhere”).5. Evaluate how the dynamic between Lou and Reid in this chapter reflects their evolving relationship.
Answer:
Their interaction shows both progress and persistent barriers. Physically, they share easy intimacy (Lou’s legs around Reid’s waist, his urge to kiss her), but emotionally, Reid withdraws into his “fortress” when topics like magic or the Archbishop arise. Lou’s attempt to teach magic is a gesture of inclusion, while her childhood story is a tentative step toward trust. However, Reid’s fixation on danger (“the trees saw us”) and Lou’s armored secrecy (“she shed [secrets] for no one”) reveal lingering divides. Their dynamic is now defined by this push-pull—moments of closeness punctuated by the unspoken weight of violence and betrayal.
Quotes
1. “Lou floated atop the water in lazy contentment. Her eyes shut. Her arms spread wide. Her hair thick and heavy around her. Snowflakes fell gently. They gathered in her eyelashes, on her cheeks. Though I’d never seen a melusine—only read of them in Saint-Cécile’s ancient tombs—I imagined they looked like her in this moment. Beautiful. Ethereal.”
This opening passage establishes the hauntingly beautiful atmosphere of the scene while revealing Reid’s deep admiration for Lou. The melusine comparison introduces the chapter’s magical undercurrent and foreshadows later discussions of magic.
2. “This close, I could count every freckle on her nose. I could see the water droplets clinging to her lashes. It took all my resolve not to kiss her again.”
A pivotal moment showing Reid’s internal conflict between desire and restraint. The intimate physical details contrast with his emotional guardedness, highlighting the tension in their relationship.
3. “And on Modraniht, you killed the Archbishop with magic. She cleared her throat. ‘I—I just know you’ve been paying attention. Your mind is a steel trap.’”
This interrupted thought reveals the unspoken trauma between them - Lou’s near-mention of Reid’s magical killing of the Archbishop. The abrupt shift to humor (“steel trap”) shows how they avoid confronting painful truths.
4. “You were like a son to me, Reid.”
This ghostly whisper represents Reid’s psychological torment and guilt over killing the Archbishop. The brief, haunting line serves as the chapter’s emotional climax and “warning bell” referenced in the title.
5. “The trees in this forest have eyes. They can… see things, inside your head, and twist them. Manifest fears into monsters.”
Lou’s explanation of the forest’s magic reveals the chapter’s central theme of psychological haunting. This concept ties together both Reid’s guilt (manifested as the Archbishop’s voice) and Lou’s past trauma (manifested as visions of Reid’s dead siblings).