Cover of Blood & Honey
    FantasyRomance Novel

    Blood & Honey

    by Mahurin, Shelby
    “Blood & Honey” by Shelby Mahurin is the second installment in the “Serpent & Dove” trilogy, a young adult fantasy-romance series. Following a near-fatal encounter with the Dames Blanches, protagonists Lou, Reid, Coco, and Ansel become fugitives, fleeing from coven, kingdom, and church. The narrative revolves around their journey to secure allies while navigating escalating dangers, including deadly witches and internal conflicts. The book shifts tone from the first installment, focusing more on tension and survival than romance. Key themes include loyalty, sacrifice, and the struggle between destiny and choice. The novel ends on a cliffhanger, setting up the trilogy’s conclusion. With 528 pages, it expands the dark, magical world of Belterra while deepening character arcs and conflicts.

    Reid stands out­side Léviathan, grap­pling with a tor­rent of emo­tions as painful thoughts about Lou con­sume him. He reflects on their frac­tured rela­tion­ship, haunt­ed by the real­iza­tion that Lou’s con­di­tion will wors­en and their life togeth­er will be fraught with chaos. The betray­al cuts deep, as he recalls how she dis­missed his sacrifices—his love, pro­tec­tion, and even his fam­i­ly. Anger and hurt inter­twine, leav­ing him ques­tion­ing whether their entire bond was built on lies. Despite his lin­ger­ing love for her, Reid acknowl­edges that their dynam­ic has irre­versibly changed.

    Strug­gling to regain con­trol, Reid bat­tles his rage, fear­ing it will expose his vul­ner­a­bil­i­ty to oth­ers inside Léviathan. A calmer voice in his mind urges him to mas­ter his emo­tions, remind­ing him that anger can­not dic­tate his actions. He reflects on the irony of their past—how they once fit togeth­er as witch and witch hunter, hus­band and wife—but now their paths diverge. Though he yearns to help Lou, he accepts that he can­not force her to change. Instead, he resolves to focus on what he can con­trol: pro­tect­ing his fam­i­ly from Morgane’s threat.

    Steel­ing him­self, Reid enters Léviathan, where ten­sion fills the air. The pres­ence of Lou, Coco, and Ansel upstairs stirs unease, but he avoids con­fronta­tion. The tav­ern, small and unas­sum­ing, serves as a gath­er­ing place for their uneasy alliance, includ­ing blood witch­es, were­wolves, and unex­pect­ed fig­ures like La Voisin. Reid’s arrival sparks hos­til­i­ty, par­tic­u­lar­ly from Blaise’s fam­i­ly, but he dis­miss­es the ani­mos­i­ty. His pri­or­i­ty is clear: he must vis­it his father to pre­pare for the loom­ing bat­tle against Mor­gane, who hunts his fam­i­ly.

    Amid the strained atmos­phere, Reid’s deter­mi­na­tion hard­ens. He ignores dis­trac­tions, includ­ing Deveraux’s cheer­ful chat­ter about La Mas­ca­rade des Crânes, and focus­es on his mis­sion. Madame Labelle’s qui­et remark about their luck in hav­ing him there under­scores the grav­i­ty of their sit­u­a­tion. Reid’s inter­nal conflict—between his love for Lou and his duty to pro­tect his family—culminates in a res­olute deci­sion: he will embrace his role as a hunter to elim­i­nate the threat Mor­gane pos­es, even if it means leav­ing behind the life he once envi­sioned with Lou.

    FAQs

    • 1. What internal conflict does Reid grapple with in this chapter, and how does it manifest physically and emotionally?

      Answer:
      Reid experiences intense emotional turmoil over his relationship with Lou, wrestling with feelings of betrayal, anger, and lingering love. The chapter vividly describes his physical reactions: a “painful” heartbeat, light-headedness, and fists clenched so tightly they draw blood (p. 379-380). Emotionally, he cycles through rage (“tendrils of anger curled around the words”) and despair (“sinking to his knees”), haunted by Lou’s alleged lies and her transformation. The “infection” metaphor (p. 380) underscores his unresolved wounds, while his eventual shift to a “deadly sense of purpose” (p. 381) reveals his coping mechanism—channeling emotions into vengeance against Morgane.

      2. Analyze how Reid’s perception of his relationship with Lou has evolved by this point in the story. What key realizations does he articulate?

      Answer:
      Reid now views their relationship as fundamentally broken, declaring, “Our entire relationship had been built on lies” (p. 380). He reflects on asymmetrical sacrifices: he gave “everything” (protection, love, even killing the Archbishop), while Lou allegedly dismissed these gestures (p. 380). Crucially, he acknowledges their incompatibility post-transformation: “we’d fit together as witch and witch hunter… But she’d changed. I’d changed” (p. 381). His realization that he “can’t force her to help herself” (p. 381) marks a turning point—accepting their divergent paths while clinging to love (“I always would,” p. 381).

      3. How does the setting of Léviathan reflect the thematic tensions in this chapter? Consider both physical and symbolic details.

      Answer:
      Léviathan’s paradoxical description mirrors Reid’s inner chaos. Though named after a biblical monster, it’s “small and unremarkable” with “gaps in the floorboards” and “cobwebs” (p. 382)—a faded shell of what it represents, much like Reid’s fractured identity. The cemetery view underscores mortality and past traumas. The absence of patrons isolates Reid’s turmoil, while the eclectic group inside (witches, werewolves, allies) embodies the unstable alliances he must navigate. The “cauldron in the hearth” (p. 382) is a stark reminder of the witchcraft that now defines his world, contrasting his hunter origins.

      4. Reid claims he must “kill a witch” to protect his family. How does this statement reflect both continuity and change in his character?

      Answer:
      This declaration shows continuity in Reid’s identity as a protector—he still operates in binaries (“kill a witch” vs. save his family, p. 381). However, the context reveals profound change: his target is now Morgane (Lou’s mother), not Lou, signaling shifted loyalties. His hunter skills are repurposed (“what I’d trained for,” p. 381), but the motivation is personal vengeance, not dogma. The plan to visit his father (p. 381) suggests a return to roots, yet his earlier rejection of his family name (p. 380) complicates this—highlighting his fractured sense of self amid unwavering purpose.

      5. Evaluate how secondary characters (e.g., Madame Labelle, La Voisin) serve as foils or mirrors to Reid’s state of mind in this scene.

      Answer:
      Madame Labelle’s quiet support (“touched my forearm,” p. 381) contrasts Reid’s volatility, modeling restraint he struggles to achieve. Her strained tone mirrors his suppressed emotions. La Voisin, however, amplifies his tensions: her “malice” (p. 382) externalizes his rage, while her formal greeting (“Good evening, Captain”) mockingly reflects his lost identity. The werewolves’ snarling (p. 382) parallels his instinctive aggression. Deveraux’s oblivious cheer (p. 382-383) highlights Reid’s isolation—others move on while he remains trapped in conflict.

    Quotes

    • 1. “Lou is going to get worse before she gets better. Much, much worse.”

      This haunting internal monologue captures Reid’s growing dread about Lou’s deterioration and foreshadows the painful transformation ahead. It represents the central conflict of their relationship’s unraveling.

      2. “Our entire relationship had been built on lies.”

      This pivotal realization marks the emotional climax of Reid’s reflections, summarizing his sense of betrayal after learning Lou’s secrets. It’s the thesis statement for his crisis of trust.

      3. “I wanted to help her. Desperately. But I couldn’t force her to help herself.”

      This poignant admission shows Reid’s painful acceptance of his limitations in saving Lou, representing a major turning point in his character arc from protector to someone recognizing boundaries.

      4. “What I could do was kill a witch. It’s what I knew. It’s what I’d trained for my entire life.”

      This declaration signifies Reid’s retreat into his original identity as a witch hunter, showing how heartbreak drives him back to his foundational purpose and skillset.

      5. “She will not remain the girl with whom you fell in love.”

      This devastating prophecy encapsulates the tragedy at the story’s core - the inevitability of change and loss, even between people who deeply love each other.

    Quotes

    1. “Lou is going to get worse before she gets better. Much, much worse.”

    This haunting internal monologue captures Reid’s growing dread about Lou’s deterioration and foreshadows the painful transformation ahead. It represents the central conflict of their relationship’s unraveling.

    2. “Our entire relationship had been built on lies.”

    This pivotal realization marks the emotional climax of Reid’s reflections, summarizing his sense of betrayal after learning Lou’s secrets. It’s the thesis statement for his crisis of trust.

    3. “I wanted to help her. Desperately. But I couldn’t force her to help herself.”

    This poignant admission shows Reid’s painful acceptance of his limitations in saving Lou, representing a major turning point in his character arc from protector to someone recognizing boundaries.

    4. “What I could do was kill a witch. It’s what I knew. It’s what I’d trained for my entire life.”

    This declaration signifies Reid’s retreat into his original identity as a witch hunter, showing how heartbreak drives him back to his foundational purpose and skillset.

    5. “She will not remain the girl with whom you fell in love.”

    This devastating prophecy encapsulates the tragedy at the story’s core - the inevitability of change and loss, even between people who deeply love each other.

    FAQs

    1. What internal conflict does Reid grapple with in this chapter, and how does it manifest physically and emotionally?

    Answer:
    Reid experiences intense emotional turmoil over his relationship with Lou, wrestling with feelings of betrayal, anger, and lingering love. The chapter vividly describes his physical reactions: a “painful” heartbeat, light-headedness, and fists clenched so tightly they draw blood (p. 379-380). Emotionally, he cycles through rage (“tendrils of anger curled around the words”) and despair (“sinking to his knees”), haunted by Lou’s alleged lies and her transformation. The “infection” metaphor (p. 380) underscores his unresolved wounds, while his eventual shift to a “deadly sense of purpose” (p. 381) reveals his coping mechanism—channeling emotions into vengeance against Morgane.

    2. Analyze how Reid’s perception of his relationship with Lou has evolved by this point in the story. What key realizations does he articulate?

    Answer:
    Reid now views their relationship as fundamentally broken, declaring, “Our entire relationship had been built on lies” (p. 380). He reflects on asymmetrical sacrifices: he gave “everything” (protection, love, even killing the Archbishop), while Lou allegedly dismissed these gestures (p. 380). Crucially, he acknowledges their incompatibility post-transformation: “we’d fit together as witch and witch hunter… But she’d changed. I’d changed” (p. 381). His realization that he “can’t force her to help herself” (p. 381) marks a turning point—accepting their divergent paths while clinging to love (“I always would,” p. 381).

    3. How does the setting of Léviathan reflect the thematic tensions in this chapter? Consider both physical and symbolic details.

    Answer:
    Léviathan’s paradoxical description mirrors Reid’s inner chaos. Though named after a biblical monster, it’s “small and unremarkable” with “gaps in the floorboards” and “cobwebs” (p. 382)—a faded shell of what it represents, much like Reid’s fractured identity. The cemetery view underscores mortality and past traumas. The absence of patrons isolates Reid’s turmoil, while the eclectic group inside (witches, werewolves, allies) embodies the unstable alliances he must navigate. The “cauldron in the hearth” (p. 382) is a stark reminder of the witchcraft that now defines his world, contrasting his hunter origins.

    4. Reid claims he must “kill a witch” to protect his family. How does this statement reflect both continuity and change in his character?

    Answer:
    This declaration shows continuity in Reid’s identity as a protector—he still operates in binaries (“kill a witch” vs. save his family, p. 381). However, the context reveals profound change: his target is now Morgane (Lou’s mother), not Lou, signaling shifted loyalties. His hunter skills are repurposed (“what I’d trained for,” p. 381), but the motivation is personal vengeance, not dogma. The plan to visit his father (p. 381) suggests a return to roots, yet his earlier rejection of his family name (p. 380) complicates this—highlighting his fractured sense of self amid unwavering purpose.

    5. Evaluate how secondary characters (e.g., Madame Labelle, La Voisin) serve as foils or mirrors to Reid’s state of mind in this scene.

    Answer:
    Madame Labelle’s quiet support (“touched my forearm,” p. 381) contrasts Reid’s volatility, modeling restraint he struggles to achieve. Her strained tone mirrors his suppressed emotions. La Voisin, however, amplifies his tensions: her “malice” (p. 382) externalizes his rage, while her formal greeting (“Good evening, Captain”) mockingly reflects his lost identity. The werewolves’ snarling (p. 382) parallels his instinctive aggression. Deveraux’s oblivious cheer (p. 382-383) highlights Reid’s isolation—others move on while he remains trapped in conflict.

    Note