Cover of Blood & Honey
    FantasyRomance Novel

    Blood & Honey

    by Mahurin, Shelby
    “Blood & Honey” by Shelby Mahurin is the second installment in the “Serpent & Dove” trilogy, a young adult fantasy-romance series. Following a near-fatal encounter with the Dames Blanches, protagonists Lou, Reid, Coco, and Ansel become fugitives, fleeing from coven, kingdom, and church. The narrative revolves around their journey to secure allies while navigating escalating dangers, including deadly witches and internal conflicts. The book shifts tone from the first installment, focusing more on tension and survival than romance. Key themes include loyalty, sacrifice, and the struggle between destiny and choice. The novel ends on a cliffhanger, setting up the trilogy’s conclusion. With 528 pages, it expands the dark, magical world of Belterra while deepening character arcs and conflicts.

    The chap­ter opens with Reid reflect­ing on the unset­tling events at La Mas­ca­rade des Crânes as he sits with Dev­er­aux and Jean Luc in Léviathan. Jean Luc, vis­i­bly tense, warns the group that the king is aware of their actions and insists they leave before he returns, threat­en­ing arrest. Despite his harsh words, Jean Luc’s con­flict­ed loy­al­ty is evi­dent when he advis­es Reid to flee the king­dom with Lou and Coco. The ten­sion between them under­scores the pre­car­i­ous alliance between witch­es and those who hunt them, with Jean Luc strug­gling to rec­on­cile his duty with his con­science.

    Dev­er­aux probes Jean Luc about his men’s loy­al­ty and the con­se­quences of his involve­ment, hint­ing at the moral ambi­gu­i­ty of their sit­u­a­tion. The con­ver­sa­tion shifts to Célie, who remains trau­ma­tized and silent after her ordeal. Jean Luc offers to escort her home, reveal­ing a soft­er side, while Reid grap­ples with mixed emo­tions about their depar­ture. The scene high­lights the per­son­al toll of the con­flict, as char­ac­ters nav­i­gate guilt, grief, and unre­solved rela­tion­ships amid the larg­er cri­sis.

    Mean­while, Coco and Beau mourn Ansel’s death, their pain fuel­ing a desire for vengeance. Dev­er­aux express­es con­cern about Lou’s plan to attack Mor­gane, warn­ing that such dark inten­tions could invite evil into their lives. Coco, how­ev­er, argues that Morgane’s actions jus­ti­fy their retal­i­a­tion, accus­ing Dev­er­aux of unleash­ing the very evil he now cau­tions against. This exchange reveals the group’s frac­tur­ing dynam­ics, as grief and anger threat­en to over­ride rea­son.

    The chap­ter con­cludes with Lou emerg­ing from a meet­ing with La Voisin and Nicholi­na, her unchar­ac­ter­is­tic grin and sud­den kiss leav­ing Reid unset­tled. Her behav­ior sig­nals a dan­ger­ous shift, hint­ing at the dark path she may be embrac­ing. The chap­ter mas­ter­ful­ly inter­twines per­son­al tur­moil with broad­er themes of vengeance and moral­i­ty, set­ting the stage for esca­lat­ing con­flict as the char­ac­ters grap­ple with loss and the seduc­tive pull of dark­ness.

    FAQs

    • 1. What is the nature of Jean Luc’s conflicted relationship with the witches, and how does this tension manifest in his dialogue with Deveraux?

      Answer:
      Jean Luc demonstrates a complex, adversarial-yet-cooperative dynamic with the witches. While he rescues Célie and warns Reid to leave the kingdom for safety, he explicitly states they are “not allies” and threatens to arrest them if they remain. His internal conflict emerges when Deveraux challenges him about labeling all witches like Morgane, forcing Jean Luc to confront his biases after witnessing Louise’s heroic actions. The tension peaks when Jean Luc admits, “I could see you burned,” yet still chooses to help them escape, revealing his moral struggle between duty and emerging empathy (pages 530-531).

      2. Analyze the symbolic significance of Célie’s physical state and how it reflects the chapter’s themes.

      Answer:
      Célie’s stained mourning dress and “putrid” appearance symbolize the lingering trauma from La Mascarade des Crânes. Her trembling hands and silence contrast with her earlier privileged life, embodying innocence corrupted by violence—a theme echoed in Reid’s observation that she doesn’t belong in their dangerous world. The dirt and unidentifiable stains mirror the “evil seeking a foothold” motif, suggesting irreversible exposure to darkness. Her connection to both Jean Luc (order) and Reid (chaos) positions her as a bridge between conflicting forces in the narrative (pages 530-531).

      3. How does Coco’s emotional outburst reveal the chapter’s central conflict about vengeance versus morality?

      Answer:
      Coco’s shattered wineglass and near-black eyes physically manifest her rage over Ansel’s death, framing vengeance as an all-consuming force. Her accusation that Deveraux “let evil roam free” critiques passive morality in the face of atrocities. This clashes directly with Deveraux’s warning that vengeance “invites something dark,” creating a thematic duel between justified retribution and cyclical violence. The sizzling tear—a blend of grief and magic—visually reinforces how emotion fuels dangerous power, foreshadowing Lou’s own descent into darkness (page 532).

      4. What does Lou’s unexpected passionate kiss suggest about her psychological state and the story’s trajectory?

      Answer:
      Lou’s uncharacteristic grin and impulsive kiss signal a disturbing transformation. Reid notes she hasn’t smiled since before the traumatic events, implying this happiness is unnatural—possibly influenced by her alliance with morally ambiguous figures like Nicholina. The kiss may represent either desperate emotional clinging or a manipulative tactic learned from her mother, Morgane. This moment starkly contrasts with Deveraux’s earlier warning about evil’s foothold, suggesting Lou is embracing darkness under the guise of righteous vengeance (page 532).

      5. Evaluate Deveraux’s role as a moral compass in this chapter. How effective are his warnings?

      Answer:
      Deveraux serves as the chapter’s ethical anchor, voicing concerns about vengeance corrupting their cause. His repeated “oh dear” reactions and careful word choices show awareness of moral slippery slopes, particularly when condemning blanket witch persecution. However, his warnings fail to sway Coco or Lou, highlighting the limitations of reason against raw grief. His admission that evil is already “roam[ing] free” acknowledges his partial responsibility, adding nuance to his moral authority. Ultimately, his foresight proves prescient but impotent against the group’s emotional turmoil (pages 531-532).

    Quotes

    • 1. “After what you saw down there, I assume you have many questions… Are you prepared to paint us all with the same stroke as Morgane?”

      This quote captures the central tension between Jean Luc and the witches, questioning whether he will generalize all witches as evil after witnessing Morgane’s atrocities. It represents the chapter’s theme of moral ambiguity and prejudice.

      2. “Louise is the reason Célie was kidnapped… Take care of yourself.”

      Jean Luc’s conflicted farewell to Reid shows his internal struggle between duty and personal connections. This moment marks a turning point where alliances are tested, and the characters face impossible choices.

      3. “Thoughts such as these could invite something very dark into your lives… Evil always seeks a foothold. We must not give it one.”

      Deveraux’s warning about vengeance serves as the chapter’s philosophical core, articulating the book’s central theme about how grief and anger can open doors to darkness. This concept gives the chapter its title.

      4. “He was the best of us. Evil has more than a foothold here, thanks to you. You set it loose last night. You let it roam free.”

      Coco’s emotional outburst reveals the devastating consequences of recent events and how characters blame each other for the darkness that’s taken hold. This quote powerfully conveys the group’s fractured state and mounting despair.

      5. “Without a word, she swept me into a passionate kiss.”

      This surprising final moment with Lou hints at significant character transformation, suggesting that her pursuit of vengeance may have already changed her in unsettling ways. It leaves readers questioning what darkness may have taken root in her.

    Quotes

    1. “After what you saw down there, I assume you have many questions… Are you prepared to paint us all with the same stroke as Morgane?”

    This quote captures the central tension between Jean Luc and the witches, questioning whether he will generalize all witches as evil after witnessing Morgane’s atrocities. It represents the chapter’s theme of moral ambiguity and prejudice.

    2. “Louise is the reason Célie was kidnapped… Take care of yourself.”

    Jean Luc’s conflicted farewell to Reid shows his internal struggle between duty and personal connections. This moment marks a turning point where alliances are tested, and the characters face impossible choices.

    3. “Thoughts such as these could invite something very dark into your lives… Evil always seeks a foothold. We must not give it one.”

    Deveraux’s warning about vengeance serves as the chapter’s philosophical core, articulating the book’s central theme about how grief and anger can open doors to darkness. This concept gives the chapter its title.

    4. “He was the best of us. Evil has more than a foothold here, thanks to you. You set it loose last night. You let it roam free.”

    Coco’s emotional outburst reveals the devastating consequences of recent events and how characters blame each other for the darkness that’s taken hold. This quote powerfully conveys the group’s fractured state and mounting despair.

    5. “Without a word, she swept me into a passionate kiss.”

    This surprising final moment with Lou hints at significant character transformation, suggesting that her pursuit of vengeance may have already changed her in unsettling ways. It leaves readers questioning what darkness may have taken root in her.

    FAQs

    1. What is the nature of Jean Luc’s conflicted relationship with the witches, and how does this tension manifest in his dialogue with Deveraux?

    Answer:
    Jean Luc demonstrates a complex, adversarial-yet-cooperative dynamic with the witches. While he rescues Célie and warns Reid to leave the kingdom for safety, he explicitly states they are “not allies” and threatens to arrest them if they remain. His internal conflict emerges when Deveraux challenges him about labeling all witches like Morgane, forcing Jean Luc to confront his biases after witnessing Louise’s heroic actions. The tension peaks when Jean Luc admits, “I could see you burned,” yet still chooses to help them escape, revealing his moral struggle between duty and emerging empathy (pages 530-531).

    2. Analyze the symbolic significance of Célie’s physical state and how it reflects the chapter’s themes.

    Answer:
    Célie’s stained mourning dress and “putrid” appearance symbolize the lingering trauma from La Mascarade des Crânes. Her trembling hands and silence contrast with her earlier privileged life, embodying innocence corrupted by violence—a theme echoed in Reid’s observation that she doesn’t belong in their dangerous world. The dirt and unidentifiable stains mirror the “evil seeking a foothold” motif, suggesting irreversible exposure to darkness. Her connection to both Jean Luc (order) and Reid (chaos) positions her as a bridge between conflicting forces in the narrative (pages 530-531).

    3. How does Coco’s emotional outburst reveal the chapter’s central conflict about vengeance versus morality?

    Answer:
    Coco’s shattered wineglass and near-black eyes physically manifest her rage over Ansel’s death, framing vengeance as an all-consuming force. Her accusation that Deveraux “let evil roam free” critiques passive morality in the face of atrocities. This clashes directly with Deveraux’s warning that vengeance “invites something dark,” creating a thematic duel between justified retribution and cyclical violence. The sizzling tear—a blend of grief and magic—visually reinforces how emotion fuels dangerous power, foreshadowing Lou’s own descent into darkness (page 532).

    4. What does Lou’s unexpected passionate kiss suggest about her psychological state and the story’s trajectory?

    Answer:
    Lou’s uncharacteristic grin and impulsive kiss signal a disturbing transformation. Reid notes she hasn’t smiled since before the traumatic events, implying this happiness is unnatural—possibly influenced by her alliance with morally ambiguous figures like Nicholina. The kiss may represent either desperate emotional clinging or a manipulative tactic learned from her mother, Morgane. This moment starkly contrasts with Deveraux’s earlier warning about evil’s foothold, suggesting Lou is embracing darkness under the guise of righteous vengeance (page 532).

    5. Evaluate Deveraux’s role as a moral compass in this chapter. How effective are his warnings?

    Answer:
    Deveraux serves as the chapter’s ethical anchor, voicing concerns about vengeance corrupting their cause. His repeated “oh dear” reactions and careful word choices show awareness of moral slippery slopes, particularly when condemning blanket witch persecution. However, his warnings fail to sway Coco or Lou, highlighting the limitations of reason against raw grief. His admission that evil is already “roam[ing] free” acknowledges his partial responsibility, adding nuance to his moral authority. Ultimately, his foresight proves prescient but impotent against the group’s emotional turmoil (pages 531-532).

    Note