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Chapter
Chapter XXIV — Crome yellow
Chapter XXIV opens with Denis entering a quiet drawing room and coming across Jenny’s red sketchbook—an unassuming object that quickly becomes a mirror he’s unprepared to face. Curiosity leads him to flip through its pages, despite an earlier hint that its contents are not meant for his eyes. Inside, Jenny has rendered everyone at Crome in brutally honest caricatures, each accompanied by pointed captions. The humor is sharp, but what stings most is the accuracy. For Denis, her drawing reduces his…-
141.2 K • Ongoing
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Chapter IX titled "How Lazaro Became a Baggage Carrier" begins with his arrival in Madrid, carrying little more than determination and a hopeful heart. Inspired by advice from a more seasoned rogue, he invests in a porter’s strap and sets out to earn a living through honest labor. His optimism is tangible as he stations himself in the plaza, expecting that the weight of others’ burdens will lift his own misfortune. His first client appears to be a refined young lady, carefully groomed and graceful in…-
108.4 K • Ongoing
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Chapter
Chapter VI
The animals toiled relentlessly throughout the year, driven by the belief that their labor benefited their own community rather than exploitative humans. Despite grueling hours, including voluntary Sunday work enforced by ration cuts, they fell behind on tasks like sowing crops, foreshadowing a harsh winter. The windmill construction posed unexpected challenges, particularly breaking limestone boulders without human tools. Through collective ingenuity, they devised a method using gravity—dragging…-
23.3 K • Ongoing
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Chapter
Chapter II — Crome Yellow
Chapter II introduces Denis’s arrival at Crome, a house that seems to breathe silence as he steps into its grand, empty halls. The stillness doesn’t discomfort him; rather, it invites reflection. Each room evokes a personality, a mood shaped by the invisible presence of those who have inhabited the space. His eyes move from paintings to furniture, noting how the past lingers in these carefully preserved corners. He finds amusement in imagining conversations that never happened, assigning thoughts and…-
141.2 K • Ongoing
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Chapter
My Fifth Stage
My Fifth Stage begins in a drawing room dimly lit by chandeliers and softly humming with the buzz of a formal dinner party. At the heart of the gathering is Mrs. Selldon, a hostess known more for her generous hospitality than for sparkling conversation. Her greatest social challenge isn’t arranging cutlery or managing menus—it’s managing words. Especially when her companion at the table is none other than Mark Shrewsbury, a celebrated novelist whose penetrating prose unnerves her more than she would…-
33.6 K • Ongoing
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Chapter
Chapter B
Chapter B begins with a look at Baal, a deity once worshipped across various ancient civilizations, often symbolizing power and natural forces. Bierce does not simply define Baal as a figure of mythology; he connects it to the confusion born of humanity’s attempts to build structures—literal and ideological—that reach too far. By referencing the story of Babel, he draws a line between the ambition to touch the divine and the chaos that follows. The implication is that veneration often disguises…-
82.1 K • Ongoing
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Chapter XIII — Crome Yellow
Chapter XIII begins with a sense of quiet fulfillment as Henry Wimbush shares the final pages of his magnum opus, the History of Crome. Composed with scholarly diligence, his work traces the estate’s evolution over centuries, capturing everything from architectural shifts to the arrival of new culinary implements like the three-pronged fork. His guests receive the news with a mixture of genuine admiration and polite detachment, aware that Wimbush’s passion surpasses their own interest. Still, the…-
141.2 K • Ongoing
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Chapter VIII follows a moment in Lazaro’s life when luck seemed firmly in his favor. In Toledo, he enjoyed a stretch of comfort unlike anything he had previously known, thanks to his close friendship with a group of Germans who had taken a liking to him. Every day, he walked the streets carrying a shining pan of fruit—glistening pears, tender figs, and sugared plums—that not only delighted the eye but advertised the delicacies he helped distribute. His visibility made him known, but it was his…
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108.4 K • Ongoing
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Chapter
Chapter M
Chapter M opens with Bierce’s sardonic interpretation of Mace, not as an ornamental staff of office, but as a relic of violence disguised in symbolism. Once wielded to physically crush opposition, it now merely represents authority—yet the threat it implies has not vanished. Bierce suggests that all symbols of power retain traces of their brutal origins, no matter how ceremonial they appear today. This observation invites reflection on how civilization dresses violence in the robes of civility. The…-
82.1 K • Ongoing
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Chapter XXV — Crome yellow
Chapter XXV begins with Henry Wimbush announcing the return of a longstanding tradition—the Crome charity fair, to be held on Bank Holiday. He describes its steady evolution over the past two decades with a mix of civic pride and personal reluctance. Though he finds little joy in the bustle of the event, he maintains it for the benefit of the local hospital, whose financial gains have become an annual expectation. The guests at the table, representing an eclectic mix of temperaments and talents, are…-
141.2 K • Ongoing
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