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Chapter
Coda
The chapter "Sang Linh" from *Coda* captures a pivotal moment in 1997 New York, where the narrator reflects on the success of Orkideh's art exhibition *Why We Put Mirrors in Birdcages*. The narrator, a gallery owner, works alongside their oldest son, Duy, and the artist Roya to dismantle the show. Roya's meticulous nature shines as she oversees the handling of her paintings, particularly *Odi et Amo*, a piece evoking mixed emotions in the narrator due to its unsettling yet nostalgic imagery. The scene…-
74.6 K • Ongoing
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Chapter
Chapter Thirty-one
The chapter opens with the narrator reflecting on their first experience with death, which they missed entirely, leaving them with unresolved grief. This time, they aim to confront their own mortality head-on through their final art installation, *Death-Speak*, which serves as a literal and metaphorical presence in the face of death. The narrator contrasts their experience with Leila, who may have found clarity in death, while they remain burdened by the weight of living. The installation becomes a way to…-
74.6 K • Ongoing
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Chapter
Chapter Thirty
The chapter opens with Cyrus Shams waiting on a park bench in Brooklyn, lost in thought as he anticipates meeting Sang Linh. His disheveled appearance and anxious demeanor hint at his emotional turmoil. When Sang arrives, Cyrus immediately recognizes her despite her unassuming presence, noting her practical attire and weary expression. Their initial interaction is tentative, marked by silence and shared cigarettes, as both characters grapple with the weight of their connection through Orkideh, Cyrus’s…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-nine
The chapter "Orkideh, Martyr!" reflects on the narrator's life through a lens of gratitude and acceptance. Despite acknowledging that happiness was not a constant state, the speaker emphasizes experiencing profound joy, particularly during moments shared with Leila. This perspective challenges conventional notions of tragedy, suggesting that even a life cut short can be rich in meaning if it contained genuine happiness. The tone is introspective yet defiant, rejecting pity in favor of celebrating the…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-eight
The chapter explores the concept of grace through the perspective of Roya Shams, a woman who narrowly escaped death when her plane was mistakenly shot down by the USS *Vincennes*. Roya reflects on grace as an unearned gift, contrasting it with justice, which is transactional. She recounts how she traded passports with her lover, Leila, to help her flee Iran, only for Leila to perish in the crash instead. Roya grapples with the guilt of surviving while Leila died, framing her second chance at life as an…-
74.6 K • Ongoing
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Cyrus sits on a bench in Prospect Park, reeling from the news of Orkideh’s death after receiving a voicemail from her ex-wife and gallerist, Sang. Despite having known Orkideh for only a short time, Cyrus is deeply affected, contrasting his grief with the seemingly effortless composure of those around him. The chapter reflects on the fleeting nature of modern grief, reduced to a brief interruption in the constant stream of daily life. As Cyrus hesitantly returns Sang’s call, the weight of the moment is…
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74.6 K • Ongoing
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The chapter opens with a reflection on Michelangelo's approach to sculpture—removing excess stone to reveal the masterpiece within. This metaphor extends to life, where eliminating negative elements (toxic relationships, bad habits) is often mistaken for creating goodness. The author critiques the Abrahamic moral framework, arguing that avoiding wrongdoing doesn't equate to active virtue. A rich man, for instance, may pride himself on not harming others while neglecting positive action, exposing the…
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74.6 K • Ongoing
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Chapter
Chapter Twenty-six
The chapter opens in Tehran, August 1987, with the narrator reflecting on a transformative first kiss with Leila, described as a word that evokes "heaven" rather than just "sky." The moment is charged with emotional depth, setting the tone for their intimate connection. The narrative shifts to a phone call from Ali and Gilgamesh, who are drunkenly checking in from a campsite, their boisterous banter contrasting with the quiet tension of the narrator and Leila's shared space. Leila's playful interaction…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-five
The chapter depicts a dreamlike encounter between Cyrus's father, Ali Shams, and the legendary poet Rumi outside a music venue. Ali, a hardworking immigrant who rarely appears in Cyrus's dreams, is seen smoking a cigarette—a habit he had abandoned in America. Rumi, adorned in vibrant robes and smoking a blunt, greets Ali with enthusiasm, revealing a mutual recognition between the two. The scene is set against the backdrop of a loud hardcore show, with young attendees milling about, creating a surreal…-
74.6 K • Ongoing
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Chapter
Chapter Twenty-four: Orkideh
The chapter opens with Cyrus Shams waking up disoriented in a Brooklyn hotel room, cold and wet from having urinated in his bed—a relapse of an old habit from his drinking days. Despite being sober now, the incident floods him with familiar shame and self-loathing, along with the practical dread of inconveniencing the hotel staff. Cyrus reflects on how these feelings were once routine during his alcoholism, intertwined with rituals of hiding his messes. The episode triggers a wave of existential despair,…-
74.6 K • Ongoing
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