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    Cover of The Bab Ballads
    Poetry

    The Bab Ballads

    by

    Bob Polter stood as a famil­iar fig­ure among the Eng­lish work­ing class—strong in stature, cal­loused from labor, and unre­fined but hon­est in his deal­ings. His life moved in rhythm with pick­ax­es and pub nights, where smoke curled above bat­tered tables and laugh­ter echoed after long hours of toil. Though no stranger to ale and the occa­sion­al brawl, Bob wasn’t a man adrift in vice—his habits nev­er ful­ly con­sumed his char­ac­ter. He wasn’t per­fect, but his choic­es, even flawed, were human and relat­able. The absence of a fam­i­ly gave him a sort of root­less inde­pen­dence, one that made his com­pan­ion­ship with oth­er navvies his clos­est ver­sion of kin­ship. Days passed in hard work, evenings in sim­ple plea­sures, and week­ends with enough rev­el­ry to for­get sore backs and blis­tered hands. Still, some­thing with­in Bob remained upright—an invis­i­ble line he had­n’t crossed. This reserved sense of con­trol made him an every­man in a world increas­ing­ly blurred by excess.

    That sense of mod­er­a­tion faced its first real test at the Nelson’s Head, a tav­ern like any other—noisy, hazy, full of warmth and mis­chief. While Bob nursed his usu­al pot of beer, an unex­pect­ed fig­ure arrived. The man, not mere­ly sober but saint­ly in appear­ance, dis­rupt­ed the scene by dous­ing Bob’s drink with ser­mon-like resolve. To most, this act might’ve sparked laugh­ter or out­rage, but Bob was stunned. The man spoke of two spirits—abstinence and inebriety—locked in bat­tle over men like him. This wasn’t mere sym­bol­ism; the warn­ing seemed alive. Before Bob could dis­miss the moment as the­ater, a ghast­ly form crept into view. Ragged, stum­bling, and reek­ing of ruin, the fig­ure looked like a vision torn from the dark­er cor­ners of the human psy­che. The air shift­ed, and Bob found him­self caught in a moment of eerie clar­i­ty.

    What made the appari­tion so pow­er­ful wasn’t its horror—it was its famil­iar­i­ty. This was no demon con­jured from ancient myth, but a mir­ror of what Bob might become if he lost the reins. The blood­shot eyes, the trem­bling hands, the smell of rot and regret—it was a ver­sion of him­self twist­ed by unchecked indul­gence. It told him that drink was the work­ing man’s friend, a balm for hard­ship, a just reward for toil. Its voice, cracked and wheedling, tried to seduce with sym­pa­thy. But Bob saw through it. He rec­og­nized not cama­raderie but cor­ro­sion, not relief but decay. And in that instant, instinct over­ruled habit. With a ges­ture almost holy in its final­i­ty, Bob refused the ghost’s offer and turned away—not from a drink, but from a future he no longer wished to know.

    The deci­sion didn’t make Bob a saint. It didn’t erase the bruis­es of old Sat­ur­day night fights or scrub clean the soot on his boots. But it marked a boundary—one cho­sen with full clar­i­ty. He hadn’t become some­one else; he had mere­ly returned to him­self. In a world where escapism can wear the mask of tra­di­tion, Bob’s choice stood out not as rebel­lion but as rare self-pos­ses­sion. The sto­ry does­n’t preach in absolutes; it reveals that moral bat­tles aren’t won in grand dec­la­ra­tions but in moments as qui­et as a reject­ed pint. His rejec­tion of the fiend was a dec­la­ra­tion of worth, one made not with speech­es but with an hon­est look at what he did and didn’t want to become. In that refusal, Bob reclaimed own­er­ship of his life—flawed, grit­ty, but proud­ly his own.

    What’s com­pelling about Bob’s sto­ry is its sim­plic­i­ty. There were no grand inter­ven­tions or mirac­u­lous reforms. Instead, a sin­gle choice—clear-eyed and unsentimental—tilted the arc of a man’s life away from decline. The image of him stand­ing in that pub, haunt­ed not by guilt but by a vision of con­se­quence, lingers for good rea­son. It tells us that every indul­gence car­ries an echo, and that some­times, the real strength lies in step­ping back, not push­ing for­ward. For read­ers, the tale invites reflection—not nec­es­sar­i­ly on alco­hol alone, but on all forms of habit that qui­et­ly shape us. And in Bob Polter’s moment of reck­on­ing, there’s a uni­ver­sal truth: you don’t need to be per­fect to choose bet­ter. You just need to see clear­ly, even for a moment, and act on what you know deep down is right.

    Today, Bob’s sto­ry feels even more rel­e­vant. The pres­sures of work, iso­la­tion, and find­ing com­fort in rou­tine tempt many into escapes that begin as harm­less rit­u­als. Whether it’s a drink, a dis­trac­tion, or a destruc­tive mind­set, the pull is strong—but so is the pow­er of a sin­gle deci­sion. Bob didn’t promise life­long absti­nence. He just said no, then. That was enough to change his course. In the rhythm of ordi­nary life, it’s these qui­et turns—subtle, per­son­al, unspectacular—that steer us toward who we become. Through the haze of smoke and temp­ta­tion, Bob Polter found clar­i­ty. And in doing so, he offered a mes­sage that endures far beyond the walls of the Nelson’s Head.

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