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    Cover of Ban and Arriere Ban
    Poetry

    Ban and Arriere Ban

    by

    Bal­lad of the Phil­an­thropist begins in a place where peace reigned so steadi­ly, it became near­ly unbear­able for one man sworn to uphold the law. Pomona Road and its adjoin­ing gar­dens stood as an exem­plar of domes­tic civility—each house adorned with flo­ral per­fec­tion, each res­i­dent attuned to qui­et har­mo­ny. Chapels echoed soft­ly on Sun­day morn­ings, not a sin­gle pub­lic house dis­rupt­ed the order, and dis­putes, if any, nev­er rose above whis­pered dis­con­tent. But amid this pol­ished calm­ness walked B. 13, a police­man whose spir­it qui­et­ly erod­ed beneath the weight of inac­tiv­i­ty. Crime had evad­ed his dis­trict entire­ly, leav­ing him not proud, but pur­pose­less. Each night he paced his beat, untouched by dis­or­der, yet deeply unset­tled by the absence of any­thing to fight for.

    B. 13 had no wife, no vices, and no taste for dis­trac­tion. All he craved was the stir of pur­suit, the sat­is­fac­tion of out­wit­ting some clever rogue, or even the noise of a pet­ty brawl. But Pomona Road offered none of this. It was too per­fect, too trimmed, and too well-man­nered. His soul, dulled by rou­tine, became a sub­ject of curios­i­ty to the locals, who noticed the odd heav­i­ness in his steps. Among them was Howard Fry, a man of great wealth and greater eccen­tric­i­ty, known for giv­ing gen­er­ous­ly but qui­et­ly. See­ing the despair beneath the officer’s pol­ished brass but­tons, Fry found him­self struck by a strange urge—not to lec­ture or dis­tract, but to help in a way no one would expect.

    Howard Fry’s plan defied all log­ic and leaned pre­car­i­ous­ly on absur­di­ty. Believ­ing that pur­pose was more vital than peace, he resolved to intro­duce crime into Pomona Road. Not out of mal­ice, but out of mis­guid­ed empa­thy. A man who had once fund­ed schools and soup kitchens now turned to bur­glary and arson with the same cal­cu­lat­ed gen­eros­i­ty. Each act—tossing bricks through win­dows, pick­ing locks at twi­light, set­ting fire to tool sheds—was done with the­atri­cal restraint. No lives were endan­gered, but fear spread quick­ly. Fry act­ed not as a vil­lain but as an awk­ward bene­fac­tor, deliv­er­ing pan­ic in small dos­es, all to revi­tal­ize the career of a sin­gle man.

    And indeed, B. 13 came alive. His night­ly patrols trans­formed into adren­a­line-fueled hunts, his name whis­pered with awe and appre­ci­a­tion by once-indif­fer­ent neigh­bors. Reports were filed, clues col­lect­ed, arrests made. Pomona Road, for­mer­ly for­get­table, now echoed with tales of brav­ery and intrigue. The policeman’s gait grew brisk, his pres­ence sharp­er. He cracked cas­es with the fer­vor of a man restored, though nev­er sus­pect­ing that the very crim­i­nal who revived him did so with benev­o­lent intent. Fry, mean­while, watched from behind lace cur­tains, his con­science twist­ed by the irony that doing wrong had brought some­thing good.

    But the cost of this rebirth was not even­ly shared. The com­mu­ni­ty, once prized for its tran­quil­i­ty, was now avoid­ed by deliv­ery­men and feared by trades­peo­ple. Real estate val­ues dipped. Chil­dren were ush­ered indoors before dusk. Fry had intro­duced not only excite­ment, but uncer­tain­ty, and he began to ques­tion the sus­tain­abil­i­ty of his scheme. How much fear could one man jus­ti­fy for another’s ful­fill­ment? His phil­an­thropy had always been root­ed in relief, not unrest. Yet revers­ing the chaos proved hard­er than start­ing it. The crimes, though ini­tial­ly designed with care, began to echo. Imi­ta­tors emerged. Pet­ty thieves took advan­tage. The road slipped fur­ther into dis­or­der.

    B. 13, though revi­tal­ized, was not blind to the irony. As weeks passed and crimes con­tin­ued, he sensed a pat­tern that defied crim­i­nal log­ic. He began to sus­pect some­thing arti­fi­cial in the chaos, a chore­og­ra­phy too pre­cise. But his grat­i­tude, his sheer plea­sure in mat­ter­ing again, blurred his judg­ment. He did not search too hard. Per­haps deep down, he didn’t want to know. To dis­cov­er Fry’s role would mean ques­tion­ing the foun­da­tion of his sec­ond wind. And so the game con­tin­ued, unspo­ken yet under­stood.

    In the final days of Fry’s qui­et rebel­lion, he con­fessed his motives—not to B. 13, but to his own jour­nals, which he sealed away. His hope had been sim­ple: to restore dig­ni­ty, to give pur­pose to some­one adrift. Yet the out­come left him uneasy. The bal­ance between altru­ism and dis­rup­tion had proved more del­i­cate than he imag­ined. B. 13 thrived, but Pomona Road paid the price. Fry, once revered, with­drew from pub­lic view, no longer sure whether he had saved or cor­rupt­ed.

    The tale clos­es not with judg­ment, but with reflec­tion. Good inten­tions, how­ev­er noble, can spi­ral when forced into unfa­mil­iar molds. A desire to do good, if act­ed out with­out cau­tion, may birth the very harm one sought to pre­vent. Pomona Road became a parable—of peace dis­turbed, of pur­pose reclaimed, and of the strange ways in which kind­ness, when too force­ful, can blur into chaos. In the end, it asks not whether Fry was right or wrong, but whether mean­ing, when giv­en by force, ever tru­ly belongs.

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