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    FictionPoetry

    Just Folks

    by

    Vaca­tion Time stirs a vivid image of long-await­ed free­dom, espe­cial­ly seen through a child’s eyes. It begins with a boy trapped in the clos­ing weeks of school, where every clock tick feels exag­ger­at­ed. His mind, already play­ing in open fields or beside gen­tle streams, bare­ly stays in the class­room. He pic­tures sun­shine, the thrill of being out­doors, and the end of pen­cils and recita­tions. When the teacher’s voice breaks the day­dream, it feels like being pulled from a place far more alive. Each school day stretch­es end­less­ly, yet the reward at the end—unstructured, play­ful freedom—makes the wait feel worth it. Those child­hood sum­mers were not just breaks from school; they were win­dows to grow, explore, and feel com­plete­ly free.

    Now a father, the nar­ra­tor watch­es his own chil­dren go through the same pat­tern. Their long­ing is famil­iar, mir­rored in every sigh and every rest­less glance at the cal­en­dar. They don’t yet believe that time will some­day move faster, or that the things they now dread—like responsibilities—will one day take vacation’s place. Their excite­ment mir­rors his own, and he smiles, know­ing what they don’t: that these years are fleet­ing. He recalls how real the fan­ta­sy once felt, so he lets them dream. The joy they feel, and the free­dom they crave, deserve to be embraced, not rushed. Child­hood is short, but these mem­o­ries will stretch across life­times, etched in the sim­ple delight of count­ing down to vaca­tion.

    In these moments, time becomes a char­ac­ter itself. For the young, it drags and teas­es. For adults, it accel­er­ates, often rob­bing them of the same patience and imag­i­na­tion. Vaca­tion becomes not just a pause, but a reminder of how dif­fer­ent life looks through a child’s lens. The chap­ter cel­e­brates this con­trast with warmth and humor. It tells us that while child­hood rush­es toward joy, adult­hood must slow down to remem­ber how joy once felt. Let­ting chil­dren wait, wish, and wan­der in their minds gives them more than rest—it gives them won­der. That, in itself, is a gift par­ents often for­get to give.

    The sec­ond part shifts from antic­i­pa­tion to affec­tion, through a night­ly rit­u­al of care. Each evening, his daugh­ter presents new scrapes—tiny badges from a day spent explor­ing with­out fear. Her father kneels patient­ly, clean­ing cuts and press­ing kiss­es where oint­ment can’t reach. These moments are small but pro­found. They show a love so deep it doesn’t wait for grand gestures—it finds pow­er in tend­ing to tiny hurts. As he warns her gen­tly to be more care­ful, he knows full well that these bruis­es are part of grow­ing up. It’s hard to stop adven­ture, espe­cial­ly when legs are eager and hearts are brave.

    These night­ly exchanges build some­thing stronger than scabs—they build trust. His daugh­ter learns that no mat­ter what the day brings, safe­ty and com­fort wait at home. The pain fades, but the feel­ing of being cared for lasts. Par­ents, espe­cial­ly fathers, often wres­tle with want­i­ng to shield their chil­dren while let­ting them grow. Through these moments, he sees that both pro­tec­tion and per­mis­sion can live side by side. He does not want her to stop playing—he just wish­es she could stay unharmed. But life doesn’t offer that bar­gain, so he set­tles for ban­dages and qui­et reas­sur­ances.

    Togeth­er, Vaca­tion Time and The Lit­tle Hurts form a qui­et tapes­try of child­hood. One part bursts with ener­gy and antic­i­pa­tion, the oth­er puls­es with ten­der­ness and care. They show how par­ents shape their children’s lives in big plans and small ges­tures. Whether allow­ing them to dream about sum­mer or sooth­ing their minor wounds, the impact is last­ing. It is the every­day moments—permission to go bare­foot, a dab of oint­ment on a knee—that become the anchor of mem­o­ry. What feels like rou­tine becomes lega­cy. And as the chap­ter clos­es, we’re remind­ed that joy and love, though expressed dif­fer­ent­ly across ages, always begin in the small­est places.

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