CHAPTER 24 – Changing Paris

Paris is undergoing significant transformations in anticipation of the 1900 Exhibition, both in its physical landscape and social dynamics. The Palais de l’Industrie, a symbol of past exhibitions and social festivities, is being dismantled to make way for a new avenue that will extend from the Champs Elysées to the Esplanade des Invalides, highlighting Napoleon’s tomb. This change reflects the city’s continuous evolution and the ironic impermanence of what was once deemed everlasting.

The narrative reminisces about the grandeur of the 1850s, showcasing the high society of that era through the detailed description of Empress Eugenie’s attire at an exhibition opening, highlighting her fashion as a stark contrast to the simpler dress of Queen Victoria of England. These moments of opulence are juxtaposed with the current decay and transformation, suggesting the transient nature of glory and power.

Moreover, Paris is not just changing architecturally but also socially and politically. The narrative points out the shifting attitudes towards the aristocracy, who, despite their diminished influence, challenge the Republican government and nostalgically cling to their past privileges. This tension is exemplified by a recent royalist demonstration at the funerals of Duchesse d’Alencon and Duc d’Aumale, signaling the enduring conflicts between the old guard and the current state.

Additionally, the chapter discusses modern developments like railways and electric cars disrupting the cityscape and the controversial potential for elevated railways linked to the world fair. These changes, driven by a more radical municipal council, highlight the broader shift towards a cityscape that caters to modern necessity over historical preservation or aristocratic preference.

Lastly, the narrative briefly touches on the general sentiment towards the government and the aristocracy’s diminished fear of the latter due to their political insignificance, suggesting a complex interplay of nostalgia, resistance, and adaptation as Paris approaches the new century.