Chapter Index
    Cover of The Demon of Unrest
    Biography

    The Demon of Unrest

    by testsuphomeAdmin
    The Demon of Unrest by Michael James Fannon is a dark, atmospheric novel that follows a troubled protagonist as they confront supernatural forces and inner demons. Set in a mysterious, haunting world, the story weaves together elements of horror, suspense, and psychological drama as the character grapples with unsettling events that threaten their sanity and survival. Themes of fear, guilt, and the unknown drive the narrative, creating a tense exploration of what happens when external horrors mirror personal turmoil.

    In the chap­ter “A Rumor of Plaid” from *The Demon of Unrest*, the secre­tive arrival of Pres­i­dent-elect Abra­ham Lin­coln in Wash­ing­ton, D.C., cap­ti­vates the city. A reporter from the *New-York Times* describes Lin­col­n’s unex­pect­ed entrance, liken­ing it to mag­ic, not­ing, “the whole city has been agree­ably sur­prised.” The arti­cle on Feb­ru­ary 25 famous­ly depicts Lin­coln in a Scotch plaid cap and a long mil­i­tary cloak, mak­ing him unrec­og­niz­able. This imagery incites car­toon­ists to humor­ous­ly por­tray Lin­coln flee­ing in pan­ic, such as one that fea­tures him peer­ing from a freight car at a hiss­ing cat. Mary Ches­nut’s diary reflects this sen­ti­ment, under­scor­ing the absur­di­ty of Lin­col­n’s “noble entrance.”

    As Lincoln’s jour­ney unfolds, colum­nists from both the North and South crit­i­cize him. The *Charleston Mer­cury* con­demns him for cow­ardice, assert­ing that “every­body here is dis­gust­ed” by his clan­des­tine arrival, while pro-slav­ery out­lets like the *New York Her­ald* liken his entry to that of a “thief in the night.” Many even com­pared Lin­col­n’s jour­ney to the Under­ground Rail­road, invok­ing racial con­no­ta­tions of him as a fugi­tive slave.

    The chap­ter high­lights Lincoln’s pre­car­i­ous posi­tion; at a crit­i­cal junc­ture, his stealthy arrival does not project the com­mand­ing fig­ure he needs to be. A diarist referred to as “Pub­lic Man” shares a sense of nation­al fail­ure, remark­ing on the shame in an elect­ed Pres­i­dent being “smug­gled through by night.” Anoth­er observ­er, George Tem­ple­ton Strong, wor­ries about the authen­tic­i­ty of the alleged assas­si­na­tion plot against Lin­coln, not­ing its impor­tance for his moral stand­ing as Pres­i­dent.

    Despite the claims of a con­spir­a­cy sur­round­ing his entrance, the evi­dence is scant. No weapons or arrests were con­firmed, and fig­ures such as Ward Lam­on express skep­ti­cism about the exis­tence of a plot. The nar­ra­tive of the sup­posed plot con­tin­ues to be con­test­ed years lat­er, with Pinker­ton ulti­mate­ly seek­ing recog­ni­tion for “sav­ing” Lin­coln while coun­ter­ing oth­ers’ claims. Mean­while, Lin­col­n’s orig­i­nal train ride—believed to be a target—proceeded with­out inci­dent, sug­gest­ing that pub­lic fears may have been exag­ger­at­ed. In stark con­trast, new­ly inau­gu­rat­ed Con­fed­er­ate Pres­i­dent Jef­fer­son Davis enters Mont­gomery, charged with a call for war, fur­ther esca­lat­ing ten­sions between the North and South.

    0 Comments

    Heads up! Your comment will be invisible to other guests and subscribers (except for replies), including you after a grace period.
    Note