Chapter Index
    Cover of The Demon of Unrest
    Biography

    The Demon of Unrest

    by testsuphomeAdmin
    The Demon of Unrest by Michael James Fannon is a dark, atmospheric novel that follows a troubled protagonist as they confront supernatural forces and inner demons. Set in a mysterious, haunting world, the story weaves together elements of horror, suspense, and psychological drama as the character grapples with unsettling events that threaten their sanity and survival. Themes of fear, guilt, and the unknown drive the narrative, creating a tense exploration of what happens when external horrors mirror personal turmoil.

    The chap­ter titled “The Time Will Come” begins with Orville Brown­ing’s let­ter to Abra­ham Lin­coln regard­ing his inau­gur­al address. Brown­ing, reflect­ing on Lincoln’s speech, voic­es con­cern over a pas­sage he finds exces­sive­ly aggres­sive, specif­i­cal­ly Lin­col­n’s asser­tion to reclaim pub­lic prop­er­ties and duties, which he fears may antag­o­nize seces­sion­ists. Brown­ing empha­sizes that the admin­is­tra­tion should present seces­sion­ists as the aggres­sors in any poten­tial con­flict, urg­ing Lin­coln to revise his lan­guage to avoid incit­ing irri­ta­tion from bor­der states. He also prophet­i­cal­ly sug­gests Lin­coln will even­tu­al­ly need to pro­claim free­dom for slaves in the South, a theme that would res­onate lat­er in Lincoln’s pres­i­den­cy.

    Lin­coln took Brown­ing’s advice to heart, edit­ing his address and not­ing on his letter’s back page that “Amer­i­cans, all, we are not ene­mies, but friends,” sig­nal­ing his desire for nation­al uni­ty despite the exist­ing ten­sions.

    As Lin­coln jour­neys towards his inau­gu­ra­tion, he encoun­ters enthu­si­as­tic crowds at each stop, wit­ness­ing the influx of office seek­ers hop­ing for posi­tions in his new admin­is­tra­tion. The nar­ra­tive high­lights Lincoln’s trav­els, where he is greet­ed by cit­i­zens and notable fig­ures like jour­nal­ist Horace Gree­ley. An amus­ing moment occurs when a boy implies that a man giv­ing Lin­coln an apple is cam­paign­ing for a patron­age posi­tion.

    In Albany, Lin­coln wit­ness­es a per­for­mance by John Wilkes Booth, an actor whose dra­mat­ic fall on stage sparks con­sid­er­able media atten­tion. Upon reach­ing New York City on Feb­ru­ary 19, Lin­coln makes a strik­ing entrance that cap­tures the atten­tion of poet Walt Whit­man, who vivid­ly describes Lin­col­n’s demeanor and appear­ance upon dis­em­bark­ing from car­riages.

    Mean­while, Kate Warne, a detec­tive, notes Lin­col­n’s pale and fatigued appear­ance and meets with an aide to share con­cerns about threats against Lin­coln, which are dis­missed as just anoth­er false alarm. Dur­ing his time in New York, Lin­coln meets show­man P. T. Bar­num, who pro­motes Lin­col­n’s depar­ture as a spec­ta­cle at his muse­um, although Lin­coln does not attend.

    After a night enjoy­ing Verdi’s opera, he con­tin­ues to Philadel­phia on Feb­ru­ary 21, engag­ing with an expec­tant crowd and address­ing the seces­sion cri­sis direct­ly. He express­es the need for a firm stance against seces­sion­ist actions, prompt­ing a spir­it­ed approval from the audi­ence. Upon his arrival in Philadel­phia, he faces a mas­sive crowd amid win­try con­di­tions, prompt­ing him to deliv­er an impromp­tu, sig­nif­i­cant speech that sets the tone for the esca­lat­ing nation­al cri­sis .

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