91 Results with the "Satire" genre
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Chapter
Chapter XXVII — Crome yellow
Chapter XXVII begins with an absurd yet magnetic performance as Mr. Scogan takes on his theatrical alter ego, “Sesostris, the Sorceress of Ecbatana.” Draped in flamboyant robes and heavy with mock mysticism, he draws a crowd eager for entertainment, not enlightenment. One by one, the guests offer their palms and receive cryptic fates—some grave, others comically vague. The sorceress performs with dramatic gravity, her voice thick with prophetic flair, turning every word into a spectacle. Denis,…-
141.2 K • Ongoing
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Chapter XII: What Happened to Lazaro in an Inn Three Miles outside of Valladolid opens with Lazaro moving away from Madrid with a rare sense of freedom in his step. He carries with him a substantial sum—two hundred silver coins and profits from a sold diamond band—and feels, for once, unburdened by past servitude. On his journey, he finds himself among gypsies and watches their daily rhythms with fascination. Despite their reputation, they exhibit a kind of liberty few others enjoy, wandering without…-
108.4 K • Ongoing
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Chapter
Chapter X
The chapter depicts the passage of time on Animal Farm, where most original Rebellion participants have died or been forgotten. Only Clover, Benjamin, Moses, and the pigs remain as living links to the past. The farm has expanded with new animals who know little of the Rebellion's history, while the original ideals have eroded. Napoleon and the pigs live luxuriously, contrasting sharply with the other animals' hard lives. The windmill, once promised to bring modern comforts, now serves only to enrich the…-
23.3 K • Ongoing
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Chapter
Chapter V — Crome Yellow
Chapter V draws the reader into a vivid landscape of rural life, where farm animals and philosophical musings share equal space. The group’s visit to the Home Farm, hosted by Henry Wimbush, starts innocently enough with a tour of the piggery. There, a sow’s surprising fertility—a litter of fourteen—stirs admiration, while another's disappointing five brings forth practical, if unsettling, commentary about culling. Anne, unsettled by the cold calculations of agricultural efficiency, voices her…-
141.2 K • Ongoing
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Chapter
My Triumphant Finale
My Triumphant Finale begins not with celebration, but with silence—the heavy kind that settles in a prison cell at night when hope has begun to fade. Sigismund Zaluski, a man once full of promise and intellect, finds himself confined not by just stone walls, but by the weight of an accusation rooted in thoughtless gossip. Within those narrow walls, time slows, days blur, and the mind becomes both sanctuary and tormentor. Desperate for a lifeline, he reaches out—not through voice, which the walls…-
33.6 K • Ongoing
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Chapter
Chapter F
Chapter F begins with Bierce’s playful critique of the mythical Fairy, portrayed not as a symbol of innocence but as a mischievous relic of outdated belief systems. He recalls how laws once protected these fictional beings, illustrating the absurd lengths to which societies have gone to defend the imaginary. By invoking their reported appearances in the 19th century, Bierce highlights the human tendency to embrace superstition, even when faced with advancing reason. His depiction draws attention to how…-
82.1 K • Ongoing
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Chapter
Chapter XVII — Crome yellow
Chapter XVII introduces a night thick with tension, not through grand conflict but quiet emotion and social complexity. The chapter begins with Ivor Lombard delivering a passionate piano performance that leaves his listeners awed. His music ends in a dramatic flourish, prompting Mary’s admiration and deepening his enigmatic appeal. Ivor’s charm is effortless, weaving through his talents and physical presence, making others bend subtly to his rhythm. Without hesitation, he suggests they all move…-
141.2 K • Ongoing
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Chapter II: How Lazaro Embarked at Cartagena begins with a quiet sense of desperation masked by hope as Lazaro leaves behind yet another chapter of suffering. Mocked for his ragged clothes and treated as little more than a vagrant, he faces ridicule with an inward resolve. He believes that endurance, no matter how bitter, might yet bring him closer to dignity. With nowhere else to turn, he boards a ship docked at Cartagena, lured by the thought of escape and renewal. The harbor, loud and bustling, gives…
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108.4 K • Ongoing
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Chapter
Chapter Q
Chapter Q opens with Bierce’s definition of Queen, who he presents as a monarch not limited to figurehead or consort. Her presence is shown to possess influence both active and implied, shaping outcomes whether she reigns directly or supports from behind the throne. Bierce suggests that while kings may rule, queens maneuver—often more subtly, and sometimes with greater lasting impact. This nuanced depiction challenges the assumption that power is loud, offering instead the idea that it is often wielded…-
82.1 K • Ongoing
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Chapter
Chapter XXVIII ‑Crome yellow
Chapter XXVIII opens in the fading light of day, where the village fair begins its spirited descent into evening’s festivities. Bright acetylene lamps flicker to life, throwing sharp, shifting shadows across the open space where dancers gather in joyful chaos. Bodies move in rhythm, feet echoing on the hard ground, laughter rising above the crackling music. Denis watches from the edge, present yet apart, caught between the pull of the scene and the weight of his thoughts. Around him swirl the…-
141.2 K • Ongoing
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