91 Results with the "Satire" genre
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Chapter
Chapter K
Chapter K opens with an imagined history of the letter itself, tying K to an ancient culture known as the Cerathians, who Bierce claims once flourished in the land of Smero. The letter's modern form, according to his mock-history, emerged from a catastrophe—the collapse of a sacred temple—which transformed the Cerathian character “Klatch” into a symbol of loss and ruin. Bierce connects the shape of the letter to tragedy, humorously suggesting that the alphabet itself bears the weight of forgotten…-
82.1 K • Ongoing
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Chapter
Chapter XXIII — Crome yellow
Chapter XXIII opens with an unexpected shift in Gombauld’s mood. Just moments before, frustration had bubbled under his calm exterior, mostly directed at Anne. But when Mr. Scogan and Denis step into the studio, the irritation vanishes, replaced by a sudden buoyancy. Their arrival acts as a welcome disruption, saving Gombauld from what might have turned into a quarrel. He greets them with exaggerated warmth, even inviting them to inspect his latest work. Mr. Scogan immediately obliges, leaning in to…-
141.2 K • Ongoing
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Chapter VIII: How Lazaro Brought a Lawsuit against His Wife begins as Lazaro enjoys a brief period of comfort and recognition. His status has grown, his purse is full, and with it comes a swarm of companions eager to flatter him. These new friends are not drawn by loyalty, but by the shine of his good fortune. It is they who begin whispering rumors into his ear—stories about his wife and her closeness with the archpriest. They claim that she’s more than just familiar with the man who had once helped…-
108.4 K • Ongoing
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Chapter
Chapter V
The chapter opens with Mollie, the vain mare, becoming increasingly unreliable as winter approaches. She neglects her duties, admires her reflection, and is eventually confronted by Clover about consorting with a human from a neighboring farm. When Clover discovers hidden sugar and ribbons in Mollie's stall, it confirms her suspicions of betrayal. Mollie soon abandons Animal Farm altogether, choosing a life of comfort under human care, symbolized by her appearance pulling a dogcart with a red ribbon—a…-
23.3 K • Ongoing
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Chapter
Chapter I — Crome Yellow
Chapter I begins with Denis sitting in a slow-moving train, watching the countryside blur past in measured monotony. Each stop, marked by oddly named stations, becomes a quiet reminder of how unremarkable the journey has been so far. He doesn’t travel with excitement but with an undercurrent of fatigue, both physical and mental. His suitcase shuffles from one seat corner to another, not out of necessity but as a way to distract himself from the weight of wasted time. Thoughts swirl as he counts the…-
141.2 K • Ongoing
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Chapter
My Fourth Stage
My Fourth Stage unspools in the carefully curated world of Mrs. Milton-Cleave, a woman who thrives on appearances and subtle manipulation. Known for her tasteful luncheons and careful conversation, she moves through her day with a practiced grace that conceals her desire to influence those around her. That day, her mind lingers not on her usual preoccupations but on a passing moment she witnessed—Gertrude Morley and Sigismund Zaluski walking together in the garden, absorbed in each other’s company. The…-
33.6 K • Ongoing
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Chapter
Chapter A
Chapter A unfolds with Bierce’s familiar edge, starting with Abasement, which he defines not as humility, but as calculated submission—particularly in contexts of employment or authority. Rather than depicting it as a virtue, he recasts it as a social strategy, where people learn to shrink themselves in order to survive power dynamics. The sharpness of the definition cuts through the illusion of dignity in hierarchy. For Bierce, the act of lowering oneself is not noble, but necessary in systems built…-
82.1 K • Ongoing
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Chapter
Chapter XII — Crome Yellow
Chapter XII brings us into a different rhythm of Crome, one where thought, ambition, and subtle yearning take center stage. Gombauld retreats into his studio, a transformed granary, surrounded by nothing but light, the smell of linseed oil, and a canvas that will not surrender easily. The painting, intense in motion and form, shows a man mid-fall from a horse—his limbs bent, his body collapsing under some unseen weight. And yet, despite the technical control and depth of emotion, Gombauld feels a nagging…-
141.2 K • Ongoing
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Chapter VII begins with Lazarillo reaping the fruits of a lifetime spent dodging misfortune and adapting with wit. No longer the boy scrambling for crusts or running from cruel masters, he now walks through the streets in respectable clothes purchased with money he earned. His role as a chaplain’s water carrier behind him, he tries his hand briefly at being a bailiff. That job, however, quickly reveals its dangers when faced with outlaws and desperate criminals. Realizing that courage without a sword is…
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108.4 K • Ongoing
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Chapter
Chapter L
Chapter L opens with a stark look at Labor, which Bierce describes as an effort not for personal gain but for the benefit of someone else—typically an employer or master. This definition frames labor as a one-sided transaction in which toil and time are exchanged for minimal return, questioning the dignity often associated with hard work. He implies that work, praised as virtuous, often disguises exploitation beneath the language of duty. Bierce’s entry calls attention to how society masks inequality…-
82.1 K • Ongoing
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