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Chapter
CHAPTER XX – THE FAREWELL
Chapter XX of "Agnes Grey," titled "The Farewell," marks a poignant juncture in Agnes's life, embodying themes of loss, hope, and the transient nature of human connections. Agnes returns to Horton Lodge parting from her previous abode, reflecting on the labor and cares as a means to endure sorrow, emphasizing the notion that active engagement provides solace during grief. This chapter intricately portrays Agnes’s internal battle between holding onto hope and acknowledging the harsh realities of her…-
54.2 K • Ongoing
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Chapter
CHAPTER XVIII. -Crome yellow
In Chapter XVIII of "Crome Yellow," Ivor departs for a Roman Catholic church service, eager in his devotion, driving a striking yellow car. Mary, curious about Catholic rituals, joins him, departing from the estate in the hope of an interesting experience. Meanwhile, in the local parish church of Crome, Mr. Bodiham delivers a sermon about the debate over a War Memorial, confronting the village’s varied and conflicting interests. Mr. Bodiham advocates for a religious monument, dismissing plans for a…-
61.7 K • Ongoing
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In Chapter XVIII of "The Warden," titled "The Warden is Very Obstinate," we see a tense family confrontation unfold late at night as Mr. Harding, the warden, returns from a meeting with the attorney-general. He faces his daughter and son-in-law, the Grantlys, who are deeply concerned about his sudden departure to London and the potential consequences of his actions concerning his position as the warden. Despite the late hour, Mr. Harding finds no warmth in the meeting; instead, he encounters a barrage of…-
47.2 K • Ongoing
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Chapter XVIII of "Agnes Grey," titled "Mirth and Mourning," captures a significant transition in Rosalie Murray's life as she becomes Lady Ashby, and the emotional and societal ripples her marriage sends through those around her. Agnes, our protagonist, is caught in a whirlwind of conflicted feelings—happy for her charge on her wedding day, yet deeply apprehensive about the future that awaits Rosalie as she steps into a life tied with someone she doesn't love for the sake of wealth and status. This…
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CHAPTER XVII. -Crome yellow
Ivor Lombard concludes his piano rhapsody with a bang, leading to admiration from his audience, especially Mary, who is overtaken by his performance. Ivor, characterized by his multitude of talents and striking presence, proposes they move to the garden to enjoy the night. While Mr. Scogan and Henry Wimbush stay behind, Ivor leads Anne, Mary, Denis, and Jenny outside. A sensuous atmosphere builds as Ivor sings, and he instinctively puts his arm around Anne, walking with an effortless charm. Denis, feeling…-
61.7 K • Ongoing
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In Chapter XVII of "The Warden," titled "Sir Abraham Haphazard," Trollope introduces us to Sir Abraham, the attorney-general, showcasing the legal and ethical complexities facing Mr. Harding. The chapter opens with Harding's meeting with Sir Abraham in his chambers, a room more akin to a scholar's study than a lawyer's office. Sir Abraham, described as a sharp, industrious, yet emotionally distant figure, commands respect in his professional realm though he is portrayed as lacking in personal warmth and…
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Chapter
CHAPTER XVII – CONFESSIONS
In Chapter XVII of "Agnes Grey" titled "Confessions," the narrative deepens into Agnes's introspective journey, addressing themes of appearance, self-worth, and the complexities of human emotions, particularly love and envy. Agnes admits to a heightened awareness of her appearance, provoking a contemplation on beauty's value and its superficial judgment by society. Despite the acknowledged folly of valuing physical beauty over virtue and intellect, Agnes notes the undeniable human inclination to be drawn…-
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CHAPTER XVI. -Crome yellow
In Chapter XVI of "Crome Yellow," the setting shifts to a post-dinner atmosphere among gentlemen, focusing on an eccentric conversation led by Mr. Scogan. The women have departed, allowing the port to circulate freely among the men left in the room. Scogan, engaged deeply with his thoughts and mildly entertained by a private amusement, catches the attention of Gombauld, who inquires about the source of his amusement. Mr. Scogan reveals that he was assessing each person at the table, imagining which of the…-
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Chapter
CHAPTER XVI A Long Day in London
The waiter asked him what it would be: was it Mocha coffee he'd like, or would he prefer the Parisian, or was the real Turkish to his taste? The warden, bewildered in his choice among such delicacies, modestly requested a cup of coffee, leaving the selection to the waiter, who then retired with a low bow. Here, then, Mr. Harding settled himself with a periodical in hand on one of the inviting sofas. He could not but admire the quiet luxury of his surroundings, the subdued lighting, the plush comfort of…-
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Chapter
CHAPTER XVI – THE SUBSTITUTION
On a particularly gloomy April Sunday, with the Murrays disinclined to attend afternoon church except Rosalie, the narrator, Agnes Grey, accompanies Rosalie to service. Agnes views church as a refuge where she can admire Mr. Weston without judgement, wrestling with her conscience over her affections. She rationalizes her feelings by equating her love for Weston not as personal desire, but appreciation for his virtue, aligning it with Biblical encouragement to ponder on things pure and…-
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