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Chapter
III. Theory of Perception.
Henri Bergson's philosophical work, as summarized from the provided chapter, delves into the relativity of perception and the transformative journey from common experience to profound action. Bergson distinguishes between fact and construction, proposing a series where each term can be seen as fact to the following terms and constructed in relation to preceding ones, aiming for a "contact with pure immediacy." This effort signifies a critical journey from complexity to simplicity in understanding…-
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Chapter
IV. Critique of Language.
Henri Bergson, in "A New Philosophy," presents a complex exploration of perception, matter, and the limitations of conventional thought and language. He delves into the nature of pure perception, which he argues is not merely a subjective experience but rather a direct interaction with reality itself. Bergson suggests that our ordinary perception, limited by our need for practical efficiency, obscures the full depth of reality by favoring a fragmented, simplified view over comprehensive…-
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In "A New Philosophy: Henri Bergson," the author delves into Bergson's revolutionary thoughts on consciousness, duration, and liberty. The essence of Bergson's philosophy rests on the critique of the conventional understanding of time and consciousness. He argues against the quantification of psychological processes, emphasizing instead the qualitative and continuous nature of consciousness. Bergson criticizes the mechanical psychology of associationism, typified by thinkers like Taine and Stuart Mill, for…
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The chapter from "A New Philosophy: Henri Bergson" delves into the essentials of perception, the intricacies of consciousness, and the evolutionary philosophy that Bergson proposed. It begins by challenging the traditional notion that perception is housed within the subject, arguing instead for the immediacy of perception as existing within both the subject and object, thereby dismissing the fundamental relativity theses as a mere "trick of speech." Subsequent sections tackle the problem of evolution,…
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Henri Bergson, in "A New Philosophy," delves into the essence of evolution, knowledge, intuition, and intelligence, arguing against the static depiction of reason as depicted by Kant and advocating for a dynamic understanding of these concepts rooted in life's creative and evolutionary processes. Bergson criticizes the conventional approach to the theory of knowledge, which relies on analyzing the mind's spontaneous works—like perception and science—from a regressive and critical standpoint, a method…
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Chapter
VIII. Conclusion.
In the discussed chapter of "A New Philosophy: Henri Bergson," the narrative delves into Bergson's critiques and expansion of the concept of reason, emphasizing two fundamental types of order: geometric and vital. Bergson is portrayed as moving away from a rigid, rationalist understanding of the universe to embrace a more organic, evolutionary perspective. The chapter contrasts the static, predictable pattern of geometric order with the dynamic, creative flux of vital order, arguing that reality…-
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Chapter
Index.
Henri Bergson's work, as summarized in this chapter, emphasizes the exceptional importance and infinite reach of his new philosophy. This novel approach, marked by its uniqueness and potential for misunderstanding, positions itself as the future departure point for speculative philosophy, attracting an increasing number of adherents despite the inevitability of misinterpretations and the potential for its transformation into a new form of scholasticism. Bergson's philosophy underlines the centrality of…-
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Chapter
MY FIFTH STAGE
In the fifth stage of "The Autobiography of a Slander," the narrative navigates through Mrs. Selldon's struggles with conversation during a dinner party held in honor of the renowned author, Mr. Mark Shrewsbury. Mrs. Selldon, distinguished by her unstimulating conversational skills, dreads social interactions, especially with individuals of notable intellect or fame. The chapter expertly portrays her anticipation and the subsequent awkwardness that ensues when she is paired with Mr. Shrewsbury for…-
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Chapter
MY SIXTH STAGE
In London, during a particularly dull and sweltering early September, Mark Shrewsbury found himself grappling with the lethargy that the city imposed. Despite the tangible comforts of his chambers and the utility of his cherished typewriter, his spirit waned under the monotony and the oppressive heat, rendering his novel-writing process more grueling than ever. Amidst this listless phase, Shrewsbury's routine took a turn during an encounter at his club. A casual reunion with a friend just returned from…-
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Chapter
MY SEVENTH STAGE
In "The Autobiography of a Slander," the seventh stage unfolds with a dramatic turn of events set against the backdrop of September's sunny disposition in England and the contrasting stern atmosphere of St. Petersburg, Russia. The chapter begins with the simultaneous departure of Sigismund Zaluski to Russia, following an urgent summon by his uncle, and the travel of the slanderous letter to its Russian destination. Zaluski, who was at the Morleys' in Muddleton, departs with a promise to return in a…-
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