• A Lady of Yesterday Cover
      by LovelyMay In the vibrant morning of an Iowa town, a peculiar woman, Elizabeth Astrado, emerged, her presence marked by her exotic accent and request for an upland meadow suitable for clover and mignonette. Her arrival stirred curiosity among the townsfolk, accustomed to a homogenous way of life. Her solitude at the tavern and her mysterious background only fueled the town's intrigue. Elizabeth found her meadow, near which she constructed a cabin, indulging in simple pleasures and silently weaving herself into the…
    • A Child of Spring Cover
      by LovelyMay In this enchanting segment of "Buttercup Gold and Other Stories," we are introduced to a poetic and whimsical depiction of the spring season, personified as a lovely maiden named April. Through vibrant and evocative language, the chapter paints a picture of April as a delicate and joyful presence, enriching the natural world with beauty and life. She roams the lush landscapes, her arms laden with the first blooms of the year—snowdrops, violets, and daffodils. Her connection with Mother Nature is deep,…
    • A  VERY  DULL  AFFAIR Cover
      by LovelyMay In "A Very Dull Affair" from the "Dolly Dialogues," the narrative unfolds at Mrs. Hilary Musgrave's house, where the narrator finds himself in company with Mrs. Hilary, her husband Hilary, and little Miss Phyllis. The chapter begins with Mrs. Hilary challenging the narrator's skepticism regarding real love by affirming her exclusive affection for her husband, Hilary. The discussion quickly shifts to reminiscences of how Hilary and Mrs. Hilary met and fell in love, shared in a manner that leaves little Miss…
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      A REMINISCENCE

      A  REMINISCENCE Cover
      by LovelyMay In "A Reminiscence" from the Dolly Dialogues, the narrative unfolds through a conversation primarily between Mr. Carter, Miss Phyllis, and Mrs. Hilary. Mrs. Hilary is in the midst of searching for a governess for her younger relatives and is discussing the qualifications and duties of the position, outlining a typical education for young girls. Mr. Carter interjects with personal anecdotes, reminiscing about his encounters with a previous governess under the old apple tree at his father's house, which…
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      9. Jumpin’

      9. Jumpin’ Cover
      by testsuphomeAdmin Jumpin' into the hazy morning of 1953, Kya, a young girl, found herself surrounded by the complexities of isolation and a deep need for human connection. Her father, who had been mostly absent in recent times, took her on a trip to the marina, where they would meet Jumpin', an older Black man who operated a small Gas and Bait shop. The quaint shop was bursting with colorful advertisements, a vivid reminder of the area's history and culture, and it was within this setting that Kya first felt a touch of…
    • 7. The Fishing Season Cover
      by testsuphomeAdmin The Fishing Season takes place in 1952, offering a detailed exploration of Kya's life, her isolation, and her longing for connection. She is a young girl living in solitude, abandoned by her family, and left to survive in a dilapidated home in the marsh. The only moments of companionship she has come from brief encounters with her father, who is emotionally and physically abusive, and a small group of townspeople who view her with disdain due to her poverty and status as an outsider. Kya’s solitude is a…
    • 6. A Boat and a Boy Cover
      by testsuphomeAdmin A Boat and a Boy introduces a significant chapter in young Kya's life, marked by both adventure and the growing desire for independence. Her father’s brief departure to Asheville sparks Kya’s internal fears of further abandonment by her family, and in an attempt to take control of her life, she decides to borrow the family boat. This impromptu act of defiance becomes a key moment of exploration, as Kya ventures into the marsh alone, longing for something beyond her solitary existence in the swamp. The…
    • 56. The Night Heron Cover
      by testsuphomeAdmin The Night Heron watches from a distance as dawn creeps over Barkley Cove’s graveyard, where gravestones stand like silent sentinels beneath the drooping Spanish moss. The morning air is heavy with mist, carrying the scent of salt and earth, as if the sea itself has come to mourn alongside those who have gathered. Tate moves through the winding paths, his footsteps slow, deliberate, each step echoing the weight of emotions that press down on him. The graveyard, a place that has long housed the history of…
    • 55. Grass Flowers Cover
      by testsuphomeAdmin Grass Flowers, soft and vibrant, sway gently in the wind as the marshland envelops Kya and Jodie upon their return to the shack. The morning light filters through the trees, casting dappled shadows over the earth as they walk in silence. Kya, weary and reflective from a heavy ordeal, finds herself drawing closer to the land she’s always known and trusted. The shack stands just ahead, a quiet symbol of both refuge and isolation, weathered by time but still holding the traces of her life—her life that…
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      54. Vice Versa

      54. Vice Versa Cover
      by testsuphomeAdmin Vice Versa, the chapter opens in a small, dingy conference room where the tension is thick, and the air seems heavy with the uncertainty of Kya’s future. The room itself is unremarkable, with its peeling green walls and a coffee-stained table, yet it holds the weight of Kya's fate. Tom, her defense lawyer, has gathered Tate, Jodie, Scupper, and Robert Foster in this space, directing them to wait as the jury deliberates in her murder trial. The setting amplifies the feeling of insignificance, not only for…
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